Rethinking character in contemporary British theatre: aesthetics, politics, subjectivity
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis/Dissertation Book |
| Language: | English |
| Published: |
Berlin ; Boston
De Gruyter
[2015]
|
| Series: | CDE studies
Volume 26 |
| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028426963&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028426963&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Physical Description: | XII, 228 Seiten |
| ISBN: | 9783110403909 |
Staff View
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Record in the Search Index
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| adam_text | This volume offers a timely critique of the supposed dissolution of
character in contemporary theatre. Theatrical character is not dead,
Delgado-García argues. Instead of continuing to insist on its demise, we
must widen our frames of apprehension of subjectivity. Following this
premise, Delgado-García interrogates a number of contemporary plays,
mapping the unaccounted-for subject positions they outline and their
ethico-political significance. This book will be a valuable resource for those
interested in contemporary theatre, postdramatic theory, the politics of
aesthetics and performance philosophy.
Contents
Preface: Character Remains------XI
Introduction----1
Inconsistent usage-----1
Problematic methodologies------4
The erasure of the subject-----9
Aesthetics, politics, subjectivity--11
Performance philosophy: a glossary-------14
1 The Life, Death and Second Coming of Character--------23
The precarious life of character in theatre studies---24
Death and disappearance: the 1990s-------27
Spectral second comings------33
Latest renegotiations----41
Conclusion------44
2 Figuring the Subject beyond Individuality-----48
Louis Althusser: scenes of address-------50
Judith Butler: the body, the psyche and the social amidst normative
regulations-----54
Passionate attachments: subjectivity and subjection beyond
Foucault----55
Rethinking interpellation and recognition----56
Performativity, the body and the psyche------59
Butler’s theory of subjectivation and the debate on character-----
Alain Badiou: practice-based fidelity to the Truth of the Event---63
The terms of Badiou’s mathemes-------64
Fidelity as a subjective destination: the faithful Subject--67
Further subjective destinations and their Subjects: reaction and
negation----70
Thinking the theatre event through the Badiouian Event------71
Jacques Rancière: heterology, disidentification and equality----74
A community of interruptions without a common identity------78
The subject and/as politics: the redistribution of the sensible---
“The staging of a common place”: Rancière and the theatre-------8
Conclusion------83
X ------ Contents
3 Singular Subjectivities-----86
A performativity of refusal: Sarah Kane’s Crave and 4.48 Psychosis-----
Framing the debate: individual “mindscapes”, problematic
cartographies-----88
Crave and 4.48 Psychosis on the page-------92
Crave and 4.48 Psychosis on the stage------105
Hybridity and relationality: Ed Thomas’s Stone City Blue-----114
Resituating Thomas’s work-----114
Textual characterisation in Stone City Blue----119
Staging Stone City Blue —-135
Conclusion----142
4 Collective Subjectivities---145
Political gestures in a post-political scenario: Tim Crouch’s
ENGLAND-------148
Igniting a politics-inflected debate on Crouch’s work----148
Performance analysis------156
‘Dabbing”: art, conviviality and privilege in ENGLAND---159
“Wringing”: disidentification and subalternity in ENGLAND------182
Conclusion----195
Conclusion------197
Appendix: Brief Survey of Character-less Plays, 1900 - Present------200
The historical avant-garde----200
Post-war European experimentation-------201
British work: 1990s ֊ present-----203
Contemporary European experiments-------204
Works Cited-----208
Index----225
|
| any_adam_object | 1 |
| author | Delgado-García, Cristina |
| author_GND | (DE-588)1079532544 |
| author_facet | Delgado-García, Cristina |
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| author_variant | c d g cdg |
| building | Verbundindex |
| bvnumber | BV043001742 |
| classification_rvk | HN 1261 HN 1274 |
| ctrlnum | (OCoLC)934702505 (DE-599)HEB362710619 |
| discipline | Anglistik / Amerikanistik |
| format | Thesis Book |
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| indexdate | 2024-12-20T17:25:22Z |
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| isbn | 9783110403909 |
| language | English |
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| physical | XII, 228 Seiten |
| publishDate | 2015 |
| publishDateSearch | 2015 |
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| series | CDE studies |
| series2 | CDE studies |
| spellingShingle | Delgado-García, Cristina Rethinking character in contemporary British theatre aesthetics, politics, subjectivity CDE studies Subjektivität (DE-588)4058323-5 gnd Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd Dramengestalt (DE-588)4113344-4 gnd |
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| title | Rethinking character in contemporary British theatre aesthetics, politics, subjectivity |
| title_auth | Rethinking character in contemporary British theatre aesthetics, politics, subjectivity |
| title_exact_search | Rethinking character in contemporary British theatre aesthetics, politics, subjectivity |
| title_full | Rethinking character in contemporary British theatre aesthetics, politics, subjectivity Cristina Delgado-Garcia |
| title_fullStr | Rethinking character in contemporary British theatre aesthetics, politics, subjectivity Cristina Delgado-Garcia |
| title_full_unstemmed | Rethinking character in contemporary British theatre aesthetics, politics, subjectivity Cristina Delgado-Garcia |
| title_short | Rethinking character in contemporary British theatre |
| title_sort | rethinking character in contemporary british theatre aesthetics politics subjectivity |
| title_sub | aesthetics, politics, subjectivity |
| topic | Subjektivität (DE-588)4058323-5 gnd Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd Dramengestalt (DE-588)4113344-4 gnd |
| topic_facet | Subjektivität Drama Englisch Dramengestalt Hochschulschrift |
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