Gespeichert in:
| Weitere beteiligte Personen: | , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Trier
WVT Wissenschaftlicher Verlag
[2015]
|
| Schriftenreihe: | WVT-Handbücher zum literaturwissenschaftlichen Studium
Band 19 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028367082&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028367082&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 482 Seiten 22.5 cm x 15.5 cm, 895 g |
| ISBN: | 9783868216103 |
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Datensatz im Suchindex
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|---|---|
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| adam_text | This handbook answers the need tor fresh and informa-
tive readings of canonical and non-canonical poems.
The thirty-one chapters engage revisionary trends in
poetry scholarship. They unfold a critical history of
American poetry that challenges conventional interpreta-
tions and provide insightful new readings of well-known
poems and writers as well as introductions to poets
and texts that may be more unfamiliar. Each chapter
focuses on two poets set into dialogue with each other,
presenting paired readings of one representative text
from each author. In addition to a number of familiar
texts and names that are necessary for students to
understand basic developments in American poetry,
the handbook offers chapters on multilingual colonial
poetry, nineteenth-century Native American poetry, and
contemporary experimental poetry.
The paired readings of poems in each chapter also invite
interconnected lessons that make readers compare, for
example, the communal conventions of colonial poetry
to the collective poetics of contemporary performance
poetry. The handbook encourages readings across
and against literary periods, while annotated paired
readings and additional reading suggestions should
inspire students to analyze poems as particular sites of
historical and political meaning. Being both a manual in
terms of current theoretical directions in literary studies
and a guide to practical criticism, A History of American
Poetry helps students to further explore the diversity
and multiple poetic traditions that make up American
poetry in its intersections with historical contexts and
other literatures.
Table of Contents
To the Reader 1
Oliver Scheiding, René Dietrich, Clemens Spahr
I Early American Poetry
1. Religious Poetry and New England Verse:
Anne Bradstreet and Edward Taylor 7
Ludwig Deringer
2. The Poetry of British America:
Francis Daniel Pastorius and Richard Lewis 23
Oliver Scheiding
3. The Poetry of the New Nation: Joel Barlow and Philip Freneau 37
Julia Straub
4. Early African American Poetry:
Phillis Wheatley and George Moses Horton 49
Astrid Franke
II Romanticism and Nineteenth-Century American Poetry
5. Romanticisms in American Poetry:
William Cullen Bryant and Ralph Waldo Emerson 65
Damien Schlarb
6. American Romanticisms: Edgar Allan Poe and Herman Melville 79
Gero Guttzeit
7. The Fireside Poets:
Henry Wadsworth Longfellow and John Greenleaf Whittier 95
Margit Peterey
8. Native American Poetry in the Age of U.S. Expansion:
Jane Johnston Schoolcraft and John Rollin Ridge/Yellow Bird 111
René Dietrich
9. Nineteenth-Century Women Poets:
Lydia Sigourney and Sarah Morgan Bryan Piatt 125
GUDRUN M. GRABBER
10. Modern Romantics: Emily Dickinson and Walt Whitman 141
Tim LanzendOrfer
III American Modernisms
11. The Country and the City in Modern American Poetry:
Carl Sandburg and Robert Frost 157
Clemens Spahr
12. Variations on High Modernism: T.S. Eliot and Ezra Pound 171
Heinz Ickstadt
13. American Modernist Poetry:
Wallace Stevens and William Carlos Williams 187
Simone Knewitz
14. Modernist Women Poets: H.D. and Marianne Moore 199
Tanja Budde
15. The Harlem Renaissance: Claude McKay and Langston Hughes 215
Maximilian Meinhardt
16. The Objectivists: Louis Zukofsky and Charles Reznikoff 229
Mirjam Horn
17. Legacies of Modernism: Melvin B. Tolson and Robert Hayden 243
Michael Basseler
IV Post-War Poetry and Postmodern Experiment
18. American Post-War Poetry: Theodor Roethke and Elizabeth Bishop 261
KORNELIA FREITAG
19. Black Mountain Poetry: Charles Olson, Robert Creeley,
Robert Duncan, Denise Levertov, and Edward Dorn 275
Helmbrecht Breinig
20. Beat Poetry and the Cold War:
Lawrence Ferlinghetti and Allen Ginsberg 297
Philipp Löffler
21. Confessional Poetry and the 1960s: Robert Lowell and Sylvia Plath 311
Carsten Albers
22. New Formal Languages: Frank O’Hara and John Ashbery 327
Ulfried Reich ardt
23. Performance Poetry: Anne Waldman and Saul Williams 341
Harald Zapf
24. Language Poetry: Lyn Hejinian and Charles Bernstein 355
Kathy-Ann Tan
V Contemporary American Poetries
25. Poetry of the Native American Renaissance and Beyond:
Louise Erdrich and Joy Harjo 369
Helmbrecht Breinig
26. African American Poetry: Amiri Baraka and Rita Dove 385
Erik Redling
27. Contemporary Women’s Poetry: Adrienne Rich and Harryette Mullen 397
Christian Kloeckner
28. Asian American Poetry: Cathy Song and Theresa Hak Kyung Cha 413
Nassim W. Balestrini
29. Chicano/a Poetry: Rodolfo “Corky” Gonzales
and Lorna Dee Cervantes 427
Astrid M. Fellner
30. Disability Poetry: Jim Ferris and Cheryl Marie Wade 443
Marion Rana
31. Twenty-first Century Poetry and Politics:
Myung Mi Kim and Claudia Rankine 457
Angela Hume
Index 473
List of Contributors
483
|
| any_adam_object | 1 |
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| title | A history of American poetry contexts - developments - readings |
| title_auth | A history of American poetry contexts - developments - readings |
| title_exact_search | A history of American poetry contexts - developments - readings |
| title_full | A history of American poetry contexts - developments - readings Oliver Scheiding, René Dietrich, Clemens Spahr (eds.) |
| title_fullStr | A history of American poetry contexts - developments - readings Oliver Scheiding, René Dietrich, Clemens Spahr (eds.) |
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