Verfügbarkeit: American film history | Technische Universität München

American film history: selected readings Volume 2 1960 to the present

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Bibliographische Detailangaben
Weitere beteiligte Personen:	Lucia, Cynthia (HerausgeberIn), Grundmann, Roy 1963- (HerausgeberIn), Simon, Art 1959- (HerausgeberIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Chichester WILEY Blackwell 2016
Schlagwörter:	Geschichte 1960- Film USA
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028362755&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	xv, 497 Seiten Illustrationen 268 mm x 209 mm
ISBN:	9781118475126

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Datensatz im Suchindex

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adam_text	Contents Volume II: 1960 to the Present Acknowledgments xii Preface xiii Part I 1960-1975 1 Setting the Stage: American Film History, 1960-1975 3 Notes 21 References 21 2 Adults Only: Low-Budget Exploitation 23 Eric Schaefer Note 35 References 35 3 Black Representation in Independent Cinema: From Civil Rights to Black Power 37 Alex Lykidis Notes 52 References 54 4 Cinema Direct and indirect: American Documentary, 1960-1975 56 Charles Warren Notes 70 References 70 5 Comedy and the Dismantling of the Hollywood Western 72 Teresa Podlesney Note 86 References 86 6 The New Hollywood 87 Derek Nystrom Notes 103 References 103 7 “One Big Lousy X : The Cinema of Urban Crisis 105 Art Simon References 118 8 Sashville: Putting on the Show: Or, Paradoxes of the “Instant” and the “Moment” 120 Thomas Elsaesser Notes 131 References 132 VI CONTENTS 9 Cinema and the Age of Television, 1946-1975 Michele Hilmes 134 Notes 146 References 146 Part II 1976-1990 10 Setting the Stage: American Film History, 1976-1990 151 Notes 173 References 173 11 Seismic Shifts in the American Film Industry Thomas Schatz 175 Notes 188 References 188 12 Independent Film: 1980s to the Present Geoff King 190 References 204 13 Reclaiming the Black Family: Charles Burnett, Julie Dash, and the “L.A. Rebellion” Janet K. Cutler 205 Notes 218 References 221 14 Feminism, Cinema, and Film Criticism Lucy Fischer 223 References 238 15 American Avant-Garde Cinema from 1970 to the Present Scott MacDonald 241 Note 258 References 258 16 A Réintroduction to the American Horror Film Adam Lowenstein 259 Note 274 References 274 17 Back to the Future: Hollywood and Reagan’s America Susan Jeffords 275 References 285 18 “Stayin’ Alive”: The Post-Studio Hollywood Musical Karen Backstein 286 Notes 301 References 302 CONTENTS ѴІІ Part III 1991 to the Present 19 Setting the Stage: American Film History, 1991 to the Present 307 Notes 329 References 329 20 The Queer 1990s: The Challenge and Failure of Radical Change 330 Michael Bronski Notes 344 References 346 21 24/7: Cable Television, Hollywood, and the Narrative Feature Film 347 Barbara Klinger Notes 360 References 360 22 Plasmatics and Prisons: The Morph and the Spectacular Emergence of CGI 362 Kristen Whissel References 375 23 Mainstream Documentary since 1999 376 Patricia Aufderheide References 391 24 Truthiness Is Stranger than Fictition: The “New Biopic” 393 Michael Sicinski Notes 407 25 “Asia” as Global Hollywood Commodity 408 Kenneth Chan Notes 421 References 422 26 The Blockbuster Superhero 423 Bart Beaty Notes 437 References 437 27 Limited Engagement: The Iraq War on Film 438 Susan L Carruthers Notes 453 References 453 28 The Biggest independent Pictures Ever Made: Industrial Reflexivity Today 454 J. D. Connor Notes 468 References 469 CONTENTS viii 29 Writing American Film History 471 Robert Sklar References 481 Index 483 Also available as part of this series Volume I: Origins to 1960 Acknowledgments xii Preface xiii Part I Origins to 1928 1 Setting the Stage: American Film History, Origins to 1928 3 References 16 2 D. W. Griffith and the Development of American Narrative Cinema 18 Charlie Keil Notes 34 References 34 3 Women and the Silent Screen 36 Shelley Stamp References 51 4 African-Americans and Silent Films 54 Paula J. Massood Notes 68 References 68 5 Chaplin and Silent Film Comedy 70 Charles J. Maland References 84 6 Erich von Stroheim and Cecil B. DeMille: Early Hollywood and the Discourse of Directorial “Genius” 85 Gaylyn Studlar Notes 97 References 97 7 The Star System 99 Mark Lynti Anderson Notes 112 References 113 8 Synchronized Sound Comes to the Cinema 115 Paul Young Notes 128 References 129 CONTENTS IX Part II 1929-1945 9 Setting the Stage: American Film History, 1929-1945 133 Note 151 References 151 10 Era of the Moguls: The Studio System 153 Matthew H. Bernstein References 173 11 “As Close to Real Life as Hollywood Ever Gets”: Headline Pictures, Topical Movies, Editorial Cinema, and Studio Realism in the 1930s 175 Richard Maîthy Notes 194 References 198 12 Early American Avant-Garde Cinema 200 Jan-Christopher Horak Notes 214 References 214 13 “Let ’Em Have It”: The Ironie Fate ofthe 1930s Hollywood Gangster 215 Ruth Vasey Notes 230 References 230 14 Landscapes of Fantasy, Gardens of Deceit: The Adventure Film between Colonialism and Tourism 231 Hans Jürgen Wulff Notes 245 References 246 15 Cinema and the Modem Woman 248 Veronica Pravadelli Notes 262 References 262 16 Queering the (New) Deal 264 David M. Lugowski Notes 280 References 280 17 There’s No Place Like Home: The Hollywood Folk Musical 282 Desiree J. Garda Notes 295 References 296 18 The Magician: Orson Welles and Film Style 297 James Naremore Notes 309 References 310 X CONTENTS 19 Classical Cel Animation, World War II, and Bambi 311 Kirsten Moana Tliompson Notes 324 References 325 20 Mapping Why We Fight: Frank Capra and the US Army Orientation Film in World War II 326 Charles Wolfe Notes 339 References 339 21 A Victory “Uneasy with Its Contrasts”: The Hollywood Left Fights World War II 341 Saverio Giovacchini Notes 356 References 359 22 Hollywood as Historian, 1929-1945 361 J. E. Smyth Notes 377 References 377 Part III 1945-1960 23 Setting the Stage: American Film History, 1945-1960 383 References 397 24 Taking Stock at War’s End: Gender, Genre, and Hollywood Labor in The Strange Lope of Martha Ivors 398 Roy Gnmdmatm Notes 419 References 421 25 Natalie Wood: Studio Stardom and Hollywood in Transition 423 Cynthia Lucia Notes 444 References 446 26 The Politics of Force of Evil: An Analysis of Abraham Polonsky’s Preblacklist Film 448 Christine Noll Brinckmanti Notes 467 References 469 27 The Actors Studio in the Early Cold War 471 Cynthia Baron Beckett Warren Notes 485 References 485 28 Authorship and Billy Wilder 486 Robert Sklar Notes 501 References 501 CONTENTS XI 29 Cold War Thrillers 503 R. Barton Palmer References 519 30 American Underground Film 520 Jared Rapfogel Note 535 References 535 Index 537 Additional online resources such as sample syllabi, which include suggested readings and filmographies for both general and specialized courses, are available at www.wiley.com.
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spellingShingle	American film history selected readings Film (DE-588)4017102-4 gnd
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title	American film history selected readings
title_auth	American film history selected readings
title_exact_search	American film history selected readings
title_full	American film history selected readings Volume 2 1960 to the present edited by Cynthia Lucia, Roy Grundmann, and Art Simon
title_fullStr	American film history selected readings Volume 2 1960 to the present edited by Cynthia Lucia, Roy Grundmann, and Art Simon
title_full_unstemmed	American film history selected readings Volume 2 1960 to the present edited by Cynthia Lucia, Roy Grundmann, and Art Simon
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