Lyric in the Renaissance: from Petrarch to Montaigne
"Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striki...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge Univ. Press
2015
|
| Ausgabe: | 1. publ. |
| Schlagwörter: | |
| Zusammenfassung: | "Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him"-- |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | VIII, 218 S. 24 cm |
| ISBN: | 9781107110281 |
Internformat
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| 245 | 1 | 0 | |a Lyric in the Renaissance |b from Petrarch to Montaigne |c Ullrich Langer |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Cambridge |b Cambridge Univ. Press |c 2015 | |
| 300 | |a VIII, 218 S. |c 24 cm | ||
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a Machine generated contents note: 1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his "sublime" lyric; 7. Conclusion; Bibliography | |
| 520 | |a "Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him"-- | ||
| 600 | 1 | 4 | |a Montaigne, Michel de / 1533-1592 / Criticism and interpretation |
| 600 | 1 | 4 | |a Petrarca, Francesco / 1304-1374 / Language |
| 648 | 4 | |a Geschichte 1500-1600 | |
| 648 | 7 | |a Geschichte 1300-1600 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a French poetry / 16th century / History and criticism | |
| 650 | 4 | |a Lyric poetry / History and criticism / Theory, etc | |
| 650 | 4 | |a Particularity (Aesthetics) | |
| 650 | 7 | |a LITERARY CRITICISM / European / General |2 bisacsh | |
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Datensatz im Suchindex
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| author | Langer, Ullrich 1954- |
| author_GND | (DE-588)140937153 |
| author_facet | Langer, Ullrich 1954- |
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| author_sort | Langer, Ullrich 1954- |
| author_variant | u l ul |
| building | Verbundindex |
| bvnumber | BV042715177 |
| classification_rvk | IF 2550 IT 6605 |
| contents | Machine generated contents note: 1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his "sublime" lyric; 7. Conclusion; Bibliography |
| ctrlnum | (OCoLC)935813335 (DE-599)BVBBV042715177 |
| discipline | Romanistik |
| edition | 1. publ. |
| era | Geschichte 1500-1600 Geschichte 1300-1600 gnd |
| era_facet | Geschichte 1500-1600 Geschichte 1300-1600 |
| format | Book |
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| id | DE-604.BV042715177 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:18:05Z |
| institution | BVB |
| isbn | 9781107110281 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028146438 |
| oclc_num | 935813335 |
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| owner | DE-12 DE-19 DE-BY-UBM DE-11 DE-188 DE-384 |
| owner_facet | DE-12 DE-19 DE-BY-UBM DE-11 DE-188 DE-384 |
| physical | VIII, 218 S. 24 cm |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Cambridge Univ. Press |
| record_format | marc |
| spelling | Langer, Ullrich 1954- Verfasser (DE-588)140937153 aut Lyric in the Renaissance from Petrarch to Montaigne Ullrich Langer 1. publ. Cambridge Cambridge Univ. Press 2015 VIII, 218 S. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Machine generated contents note: 1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his "sublime" lyric; 7. Conclusion; Bibliography "Moving from a definition of the lyric to the innovations introduced by Petrarch's poetic language, this study goes on to propose a new reading of several French poets (Charles d'Orléans, Ronsard, and Du Bellay), and a re-evaluation of Montaigne's understanding of the most striking poetry and its relation to his own prose. Instead of relying on conventional notions of Renaissance subjectivity, it locates recurring features of this poetic language that express a turn to the singular and that herald lyric poetry's modern emphasis on the utterly particular. By combining close textual analysis with more modern ethical concerns this study establishes clear distinctions between what poets do and what rhetoric and poetics say they do. It shows how the tradition of rhetorical commentary is insufficient in accounting for this startling effectiveness of lyric poetry, manifest in Petrarch's Rime Sparse and the collections of the best poets writing after him"-- Montaigne, Michel de / 1533-1592 / Criticism and interpretation Petrarca, Francesco / 1304-1374 / Language Geschichte 1500-1600 Geschichte 1300-1600 gnd rswk-swf French poetry / 16th century / History and criticism Lyric poetry / History and criticism / Theory, etc Particularity (Aesthetics) LITERARY CRITICISM / European / General bisacsh Renaissance (DE-588)4049450-0 gnd rswk-swf Französisch (DE-588)4113615-9 gnd rswk-swf Italienisch (DE-588)4114056-4 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Italienisch (DE-588)4114056-4 s Französisch (DE-588)4113615-9 s Lyrik (DE-588)4036774-5 s Renaissance (DE-588)4049450-0 s Geschichte 1300-1600 z DE-604 |
| spellingShingle | Langer, Ullrich 1954- Lyric in the Renaissance from Petrarch to Montaigne Machine generated contents note: 1. Introduction; 2. Petrarch and the existential singular; 3. Minimal lost worlds: the rondeaux of Charles d'Orléans; 4. Ronsard's singular erotic reciprocity (Les Amours de Cassandre); 5. Singularity as emptiness: Du Bellay's Regrets; 6. Montaigne and his "sublime" lyric; 7. Conclusion; Bibliography Montaigne, Michel de / 1533-1592 / Criticism and interpretation Petrarca, Francesco / 1304-1374 / Language French poetry / 16th century / History and criticism Lyric poetry / History and criticism / Theory, etc Particularity (Aesthetics) LITERARY CRITICISM / European / General bisacsh Renaissance (DE-588)4049450-0 gnd Französisch (DE-588)4113615-9 gnd Italienisch (DE-588)4114056-4 gnd Lyrik (DE-588)4036774-5 gnd |
| subject_GND | (DE-588)4049450-0 (DE-588)4113615-9 (DE-588)4114056-4 (DE-588)4036774-5 |
| title | Lyric in the Renaissance from Petrarch to Montaigne |
| title_auth | Lyric in the Renaissance from Petrarch to Montaigne |
| title_exact_search | Lyric in the Renaissance from Petrarch to Montaigne |
| title_full | Lyric in the Renaissance from Petrarch to Montaigne Ullrich Langer |
| title_fullStr | Lyric in the Renaissance from Petrarch to Montaigne Ullrich Langer |
| title_full_unstemmed | Lyric in the Renaissance from Petrarch to Montaigne Ullrich Langer |
| title_short | Lyric in the Renaissance |
| title_sort | lyric in the renaissance from petrarch to montaigne |
| title_sub | from Petrarch to Montaigne |
| topic | Montaigne, Michel de / 1533-1592 / Criticism and interpretation Petrarca, Francesco / 1304-1374 / Language French poetry / 16th century / History and criticism Lyric poetry / History and criticism / Theory, etc Particularity (Aesthetics) LITERARY CRITICISM / European / General bisacsh Renaissance (DE-588)4049450-0 gnd Französisch (DE-588)4113615-9 gnd Italienisch (DE-588)4114056-4 gnd Lyrik (DE-588)4036774-5 gnd |
| topic_facet | Montaigne, Michel de / 1533-1592 / Criticism and interpretation Petrarca, Francesco / 1304-1374 / Language French poetry / 16th century / History and criticism Lyric poetry / History and criticism / Theory, etc Particularity (Aesthetics) LITERARY CRITICISM / European / General Renaissance Französisch Italienisch Lyrik |
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