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Sound art: sound as a medium of art

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Bibliographic Details
Other Authors:	Weibel, Peter 1944-2023 (Editor), Stürner, Miriam 1977- (Editor), Lutz, Jens 1975- (Editor), Semmerling, Linnea 1989- (Editor), Hofmann, Martina 1983- (Editor), Meyer-Jürshof, Caroline (Editor), Straetmans, Anna (Editor), Trappendreher, Patrick (Editor), Voigtländer, Claudia (Editor)
Format:	Book
Language:	English
Published:	Karlsruhe, Germany ZKM - Center for Art and Media [2019] Cambridge, MA ; London, England The MIT Press [2019]
Subjects:	Geschichte Installation > Kunst Klangkunst Ausstellungskatalog > Zentrum für Kunst und Medien > 17.03.2012-06.01.2013 > Karlsruhe Aufsatzsammlung
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028105176&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028105176&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Item Description:	Impressum: "This book is published on the occasion of the exhibition "Sound Art. Sound as Medium of Art" at ZKM \| Center for Art and Media, Karlsruhe, March 17, 2012-January 6, 2013"
Physical Description:	740 Seiten Illustrationen, Notenbeispiele
ISBN:	9780262029667

Staff View

MARC


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Record in the Search Index

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adam_text	SOUND AS A MEDIUM OF ART 12 490 Sound as a Medium of Art Singing Data: Sonification and the Relation between Science and Art Alexandra Supper Peter Weibel 148 New Form in Music. Potentialities of the Phonograph László Moholy-Nagy 150 502 Record as Artwork. 1959-73 Germano Celant 158 SOUND ART IN CONTEXT Linnea Semmerling 510 Archisculpture of Sound Achille Bonito Oliva 162 The Exhibition Sound Art at ZKM I Karlsruhe Artists in the Exhibition Peter Weibel Shhh...! In Search of the White Cube s Soundtrack Touching Sound Art: Curatorial Practices in West Germany Irene Noy 518 Sonic Site-Specificities Brandon LaBelle 528 Sound Pavilions Tony Myatt MEDIA TECHNOLOGY IN THEORY AND PRACTICE 458 LOology, Techno-Souls, Artificial Paradises: Fragments of an An-Archaeology of Sound Arts 548 Exscribing the Archive: Curating the Unheard Avant-garde (in Scandinavia) Morten Søndergaard HISTORICAL CARTOGRAPHY OF SOUND ART Siegfried Zielinski 582 476 The Loudspeaker in Art Practice: A Preliminary Taxonomy Seth Cluett Unfinished Business: A Conversation on Sound Art in the United Kingdom David Toop and Adam Parkinson 6 596 Sound Art in Germany 700 Carsten Seiffarth and Bernd Schulz Brazilian Sound Art from a Gambiarra Perspective Giuliano Obici 612 PRES in Search of Multidimensional Sound Spaces 708 Daniel Muzyczuk 622 The Other Side of Sound: Sources and Trends of Sound Art in Russia Dmitry Bulatov 636 Sonic Notes and Records from Turkey A Short Story of Fifteen Years: The Shift from the Stage to the Exhibition Space Walter Smetak’s Visonary Plásticas Sonoras - Influences on Sound Art and Experimental Music in Brazil Julia Gerlach APPENDIX 716 722 731 Authors’ Biographies Bibliography Index of Names Başak Şenova 644 Sound Art in China: Revolutions Per Minute Dajuln Yao 654 Sound in Japan: Silence, Noise, Material, and Media Ryo Ikeshlro and Atau Tanaka 668 A Brief Introduction to the Sound Arts in Australia Caleb Kelly 676 Sound Art in America: Cage and Beyond Christoph Cox 688 Canadasonic Christof Migone 7 Three events have changed the course and character of music radically: the invention of notation, the discovery of noise, and the creation of electronic instruments (from synthesizers to computers). The revolutionary consequence was sound art, a new kind of music, a new acoustic art. Since the beginning of the new millennium, several histories of sound art have been written and have succeeded in establishing sound art as an artistic genre in its own right. Today a new universe of sound confronts us. Each and every object can create sound and can be connected via sensors to a computer where all kinds of sound samples or com positional techniques are stored to generate new sonic zones. In addition, not only can every object produce sound, every space can as well. Sounds are everywhere and every where the ambience is sonic. Finally, over the course of the twentieth century, sound art has become a universal medium. Consequently, this publication endeavors to move beyond the established disciplinary divides to open our eyes and ears to the full potential of sound as a medium of art in the twentieth and the twenty-first centuries. This book may be the first comprehensive compendium that spans the history and the presence of sound art on a global scale. Contributors: Achille Bonito Oliva Dmitry Bulatov Germano Celant Seth Cluett Christoph Cox Julia Gerlach Ryo Ikeshiro Atau Tanaka Caleb Kelly Brandon LaBelle Christof Migone Laszlo Moholy-Nagy Daniel Muzyczuk Tony Myatt Irene Noy Giuliano Obici Carsten Seiffarth Bernd Schulz Başak Şenova Linnea Semmerling Morten Søndergaard Alexandra Supper David Toop Adam Parkinson Peter Weibel Dajuin Yao Siegfried Zielinski
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author2	Weibel, Peter 1944-2023 Stürner, Miriam 1977- Lutz, Jens 1975- Semmerling, Linnea 1989- Hofmann, Martina 1983- Meyer-Jürshof, Caroline Straetmans, Anna Trappendreher, Patrick Voigtländer, Claudia
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discipline	Kunstgeschichte Allgemeines
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spellingShingle	Sound art sound as a medium of art Installation Kunst (DE-588)4131808-0 gnd Klangkunst (DE-588)4430771-8 gnd
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title	Sound art sound as a medium of art
title_auth	Sound art sound as a medium of art
title_exact_search	Sound art sound as a medium of art
title_full	Sound art sound as a medium of art edited by Peter Weibel ; editorial staff: Miriam Stürner, Jens Lutz, Linnea Semmerling (editors) ; Martina Hofmann, Caroline Meyer-Jürshof, Anna Straetmans, Patrick Trappendreher, Claudia Voigtländer (assistant editors)
title_fullStr	Sound art sound as a medium of art edited by Peter Weibel ; editorial staff: Miriam Stürner, Jens Lutz, Linnea Semmerling (editors) ; Martina Hofmann, Caroline Meyer-Jürshof, Anna Straetmans, Patrick Trappendreher, Claudia Voigtländer (assistant editors)
title_full_unstemmed	Sound art sound as a medium of art edited by Peter Weibel ; editorial staff: Miriam Stürner, Jens Lutz, Linnea Semmerling (editors) ; Martina Hofmann, Caroline Meyer-Jürshof, Anna Straetmans, Patrick Trappendreher, Claudia Voigtländer (assistant editors)
title_short	Sound art
title_sort	sound art sound as a medium of art
title_sub	sound as a medium of art
topic	Installation Kunst (DE-588)4131808-0 gnd Klangkunst (DE-588)4430771-8 gnd
topic_facet	Installation Kunst Klangkunst Ausstellungskatalog Zentrum für Kunst und Medien 17.03.2012-06.01.2013 Karlsruhe Aufsatzsammlung
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