"This book investigates the origins and transformations of medieval image culture and its reflections in theology, hagiography, historiography and art. It deals with a remarkable phenomenon: the fact that, after a period of 500 years of absence, the tenth century sees a revival of monumental sc...

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Bibliographic Details

Main Author:	Fricke, Beate 1974- (Author)
Format:	Thesis/Dissertation Book
Language:	English
Published:	Turnhout Brepols 2015
Series:	Studies in the visual cultures of the Middle Ages 7
Subjects:	Fides > Heilige > -287 Statuette der heiligen Fides Geschichte 880-900 Geschichte 850-1300 Holzplastik Reliquienkult Silberschmiedekunst Statuette Reliquiar Bilderverehrung Sainte-Foy > Conques Hochschulschrift
Summary:	"This book investigates the origins and transformations of medieval image culture and its reflections in theology, hagiography, historiography and art. It deals with a remarkable phenomenon: the fact that, after a period of 500 years of absence, the tenth century sees a revival of monumental sculpture in the Latin West. Since the end of Antiquity and the "pagan" use of free-standing, life-size sculptures in public and private ritual, Christians were obedient to the Second Commandment forbidding the making and use of graven images. Contrary to the West, in Byzantium, such a revival never occurred: only relief sculpture was used. However, Eastern theologians are the authors of highly fascinating and outstanding original theoretical reflections about the nature and efficacy of images. How can this difference be explained? Why do we find the most fascinating theoretical concepts of images in a culture that sticks to two-dimensional icons often venerated as cult-images that are copied and repeated, but only randomly varied?"--Book jacket
Physical Description:	282 S. zahlr. Ill.