On being an artist:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London
Art Books
2015
|
| Ausgabe: | 1. publ. |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028014949&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Includes index |
| Umfang: | 304 S. zahlr. Ill. |
| ISBN: | 9781908970183 |
Internformat
MARC
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| 245 | 1 | 0 | |a On being an artist |c Michael Craig-Martin |
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Datensatz im Suchindex
| _version_ | 1819324388342759424 |
|---|---|
| adam_text | MICHAEL
CRAIG-MARTIN
ON BEING
AN ARTIST
ART/BOOKS
Contents
On this book 8
On me ։o
On talking about art 12
On being vulnerable
to the world 13
On the beginning 14
On discovering art 18
On reading 20
On show business 22
On finding a mentor 25
On becoming an artist 26
On me and Ingmar Bergman 28
On living in bohemian Paris 30
On life drawing 31
On arriving at art school 33
On being an art student
at Yale 35
On not being an art student
at Yale 37
On discipline 38
On the teaching of
Josef Albers 40
On Albers’s influence
on American art 48
On Albers and colour 51
On Albers’s influence on me 53
On the artists! admire 56
On Marcel Duchamp 58
On feeling that you are next 63
On being a young Modernist 64
On Philip Guston 66
On the explosion in art 67
On my career as a film artist 69
On getting married 71
On me and Christine Keeler 72
On returning to Yale 77
On Minimalism 80
On not being a Minimalist 84
On form and utility 85
On taking risks 86
On moving to England 87
On teaching at Corsham 89
On being fair 92
On the changing face
of Britain 93
On making a living 96
On austerity 97
On giving lectures 98
On my early years in England 100
On Mark Lancaster 102
On being exhibited (and not
exhibited) for the first time 104
On four Identical Boxes
until Lids Reversed 106
On standards of living 110
On living and working abroad 111
On being an On ‘Taking Things
artist-in-residence 112 as Pictures’ 165
On keeping perspective 121 On my wall drawings 168
On Max Gordon 122 On directness 174
On meeting Andy Warhol 123 On line drawing 175
On Conceptual art 124 On the transience of objects 176
On seeing 125 On controversy 178
On early (mis)recognition 126 On what art is i79
On An Oak Tree 128 On being one’s own
On art as metaphor 134 best advocate 180
On the autonomy of art 135 On people in the art world 181
On the three stages of On knowledge of art 182
twentieth-century art 136 On not needing to like
On the (lack of a) London something 183
art scene in the 1970s 140 On judging what is
On arriving at good and bad 184
Goldsmiths College 141 On the art of the past 186
On where to go from On the Renaissance 187
ground zero 146 On the artist’s studio 189
On my first public On my studios 190
commission 150 On turning a corner 194
On credit where credit is due 152 On Andrew Floud 195
On learning the realities On being at the cutting edge i97
of the art world J53 On honouring a commitment 198
On coming out J55 On teaching the personal 199
On the perfection of On the difference between
James Lee Byars 156 art and other subjects 200
On humour 158 On giving tutorials 201
On planting an oak tree On Jon Thompson and me 203
in Australia 159 On teaching individuals 204
On John Cage 160 On learning to learn 205
On nothing 161 On self-confidence 206
On thinking in pictures 162 On mentoring 207
On picturing 164 On giving permission 208
On meeting the Saatchis 209 On the language of
On the community of artists 211 contemporary art 263
On passion 213 On my accent 264
On the student Damien Hirst 214 On being an outsider 265
On being a teacher 218 On the building of
On the damage done to Tate Modern 266
British art education 220 On working with
On early success 222 architecture 276
On having two careers 223 On living with art 280
On British attitudes On history 281
to contemporary art 224 On critical discernment 282
On fashion in art 227 On setbacks 283
On painting 229 On selected press criticism
On my turn towards of me 284
painting 233 On selected press criticism
On colour 236 of my work 285
On colour as material 240 On status and power
On being an artist 242 in the art world 286
On being a sculptor 243 On networking 288
On being Irish 246 On commercial galleries 289
On Catholicism 247 On my dealers 291
On Jessica 248 On saving the best to last 293
On thinking conceptually 249 On changing (while
On making things 250 staying the same) 294
On my use of the computer 251 On aging 296
On the elusiveness of art 256 On keeping going 297
On one’s relationship On advice for an
with the work 257 aspiring artist 298
On ideas 259
On being the expert on On acknowledging others 300
your own work 260 Index 301
On thinking about
one’s audience 261
On being an abstract artist 262
|
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| author | Craig-Martin, Michael 1941- |
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| bvnumber | BV042581570 |
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| ctrlnum | (OCoLC)910586170 (DE-599)BSZ432771255 |
| discipline | Kunstgeschichte |
| edition | 1. publ. |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-12-20T17:15:04Z |
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| isbn | 9781908970183 |
| language | English |
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| physical | 304 S. zahlr. Ill. |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
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| spellingShingle | Craig-Martin, Michael 1941- On being an artist Craig-Martin, Michael / 1941- Craig-Martin, Michael 1941- (DE-588)119548240 gnd Artists / Ireland / Biography |
| subject_GND | (DE-588)119548240 (DE-588)4003939-0 |
| title | On being an artist |
| title_auth | On being an artist |
| title_exact_search | On being an artist |
| title_full | On being an artist Michael Craig-Martin |
| title_fullStr | On being an artist Michael Craig-Martin |
| title_full_unstemmed | On being an artist Michael Craig-Martin |
| title_short | On being an artist |
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| topic | Craig-Martin, Michael / 1941- Craig-Martin, Michael 1941- (DE-588)119548240 gnd Artists / Ireland / Biography |
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