Availability: Background noise | Technische Universität München

Background noise: perspectives on sound art

"Follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance"..

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Bibliographic Details
Main Author:	LaBelle, Brandon 1969- (Author)
Format:	Book
Language:	English
Published:	New York [u.a.] Bloomsbury 2015
Edition:	2. ed., 1. publ.
Subjects:	Geschichte 1900-2000 MUSIC / Genres & Styles / General MUSIC / History & Criticism Sound in art Sound installations (Art) Arts, Modern > 20th century Arts, Modern > 21st century Ästhetik Performance > Künste Klangkunst
Links:	http://www.netread.com/jcusers2/bk1388/520/9781628923520/image/lgcover.9781628923520.jpg http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027862484&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Summary:	"Follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance"..
Physical Description:	XIX, 351 S. Ill.
ISBN:	9781628923520

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MARC


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Record in the Search Index

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adam_text	BACKGROUND NOISE / LABELLE, BRANDON. : 2015 TABLE OF CONTENTS / INHALTSVERZEICHNIS ACKNOWLEDGEMENTSPREFACE TO THE SECOND EDITIONINTRODUCTION: AUDITORY RELATIONS FADE INPART 1: 4 33 : SOUND AND POINTS OF ORIGININTRODUCTION TO PART 1 CHAPTER 1 SOCIALITY OF SOUND: JOHN CAGE AND MUSICAL CONCEPTSCHAPTER 2 EXPOSING THE SOUND OBJECT:MUSIQUE CONCRA¨TE S SONIC RESEARCH CHAPTER 3 AUTOMATIC MUSIC: GROUP ONGAKU S PERFORMATIVE LABORS PART 2: BOX WITH THE SOUND OF ITS OWN MAKING: FROM GAGS TO SCULPTURAL FORM INTRODUCTION TO PART 2 CHAPTER 4 RHYTHMS OF CHAOS: HAPPENINGS, ENVIRONMENTS, AND FLUXUS CHAPTER 5 MINIMALIST TREATMENTS: LA MONTE YOUNG AND ROBERT MORRIS CHAPTER 6 CONCEPTUALIZATIONS:MICHAEL ASHER AND THE SUBJECT OF SPACE PART 3: I AM SITTING IN A ROOM: VOCAL INTENSITIESINTRODUCTION TO PART 3 CHAPTER 7 PERFORMING DESIRE/ PERFORMING FEAR: VITO ACCONCI AND THE POWER PLAYS OF VOICE CHAPTER 8 FINDING ONESELF: ALVIN LUCIER AND THE PHENOMENAL VOICECHAPTER 9 WORD OF MOUTH: CHRISTOF MIGONE S LITTLE MANIASPART 4: PUBLIC SUPPLY: BUILDINGS, CONSTRUCTIONS, AND LOCATIONAL LISTENINGINTRODUCTION TO PART 4 CHAPTER 10 TUNING SPACE:MAX NEUHAUS AND SITE-SPECIFIC SOUNDCHAPTER 11 OTHER ARCHITECTURES:MICHAEL BREWSTER, MARYANNE AMACHER, AND BERNHARD LEITNERCHAPTER 12 COMPOSING INTENSITIES: IANNIS XENAKIS S MULTIMEDIA ARCHITECTURES PART 5: SOUNDMARKS: ENVIRONMENTS AND AURAL GEOGRAPHYINTRODUCTION TO PART 5 CHAPTER 13 SEEKING URSOUND: HILDEGARD WESTERKAMP, STEVE PETERS, AND THE SOUNDSCAPE CHAPTER 14 LANGUAGE GAMES: YASUNAO TONE AND THE MECHANICS OF INFORMATION CHAPTER 15 COMPLICATING PLACE: BILL FONTANA AND NETWORKING THE SOUNDSCAPE PART 6: GLOBAL STRINGS: INTERPERSONAL AND NETWORK SPACE INTRODUCTION TO PART 6 CHAPTER 16 INTERACTIONS: ACHIM WOLLSCHEID S PRODUCTION OF THE LOCAL CHAPTER 17 GLOBAL EVENTS: ATAU TANAKA AND NETWORK AS INSTRUMENT CHAPTER 18 LIVE STREAMS: APO33 AND MULTIPLYING PLACE FADE OUT CONCLUSION: AUDITIVE PIVOT APPENDIX: PERIPHERIES - SUBNATURE, PHANTOM MEMORY, AND DIRTY LISTENINGLIST OF WORKS CITED INDEX DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
any_adam_object	1
author	LaBelle, Brandon 1969-
author_GND	(DE-588)137033974
author_facet	LaBelle, Brandon 1969-
author_role	aut
author_sort	LaBelle, Brandon 1969-
author_variant	b l bl
building	Verbundindex
bvnumber	BV042427123
callnumber-first	N - Fine Arts
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callnumber-sort	NX 3650 S68
callnumber-subject	NX - Arts in General
classification_rvk	LR 57810
ctrlnum	(OCoLC)915592977 (DE-599)BVBBV042427123
dewey-full	709.04/07
dewey-hundreds	700 - The arts
dewey-ones	709 - History, geographic treatment, biography
dewey-raw	709.04/07
dewey-search	709.04/07
dewey-sort	3709.04 17
dewey-tens	700 - The arts
discipline	Kunstgeschichte Musikwissenschaft
edition	2. ed., 1. publ.
era	Geschichte 1900-2000
era_facet	Geschichte 1900-2000
format	Book
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isbn	9781628923520
language	English
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spellingShingle	LaBelle, Brandon 1969- Background noise perspectives on sound art MUSIC / Genres & Styles / General bisacsh MUSIC / History & Criticism bisacsh Sound in art Sound installations (Art) Arts, Modern 20th century Arts, Modern 21st century MUSIC / Genres & Styles / General MUSIC / History & Criticism Ästhetik (DE-588)4000626-8 gnd Performance Künste (DE-588)4173750-7 gnd Klangkunst (DE-588)4430771-8 gnd
subject_GND	(DE-588)4000626-8 (DE-588)4173750-7 (DE-588)4430771-8
title	Background noise perspectives on sound art
title_auth	Background noise perspectives on sound art
title_exact_search	Background noise perspectives on sound art
title_full	Background noise perspectives on sound art by Brandon LaBelle
title_fullStr	Background noise perspectives on sound art by Brandon LaBelle
title_full_unstemmed	Background noise perspectives on sound art by Brandon LaBelle
title_short	Background noise
title_sort	background noise perspectives on sound art
title_sub	perspectives on sound art
topic	MUSIC / Genres & Styles / General bisacsh MUSIC / History & Criticism bisacsh Sound in art Sound installations (Art) Arts, Modern 20th century Arts, Modern 21st century MUSIC / Genres & Styles / General MUSIC / History & Criticism Ästhetik (DE-588)4000626-8 gnd Performance Künste (DE-588)4173750-7 gnd Klangkunst (DE-588)4430771-8 gnd
topic_facet	MUSIC / Genres & Styles / General MUSIC / History & Criticism Sound in art Sound installations (Art) Arts, Modern 20th century Arts, Modern 21st century Ästhetik Performance Künste Klangkunst
url	http://www.netread.com/jcusers2/bk1388/520/9781628923520/image/lgcover.9781628923520.jpg http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027862484&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT labellebrandon backgroundnoiseperspectivesonsoundart

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