Wissende des Unbewussten: romantische Anthropologie und Ästhetik im Werk Richard Wagners

What is the underlying conception of human nature that informs Richard Wagner's operatic reforms? This study locates the answer to this question in the Romantic notion of the unconscious. Wagner grappled with the unconscious in his libretti, scores, and writings, thereby creating a seminal new...

Ausführliche Beschreibung

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Bibliographische Detailangaben
Beteilige Person: Schneider, Martin 1977- (VerfasserIn)
Format: Hochschulschrift/Dissertation Elektronisch E-Book
Sprache:Deutsch
Veröffentlicht: Berlin De Gruyter 2013
Schriftenreihe:Studien zur deutschen Literatur Band 199
Schlagwörter:
Links:https://doi.org/10.1515/9783110292879
https://doi.org/10.1515/9783110292879
https://doi.org/10.1515/9783110292879
https://doi.org/10.1515/9783110292879
https://doi.org/10.1515/9783110292879
https://doi.org/10.1515/9783110292879
Zusammenfassung:What is the underlying conception of human nature that informs Richard Wagner's operatic reforms? This study locates the answer to this question in the Romantic notion of the unconscious. Wagner grappled with the unconscious in his libretti, scores, and writings, thereby creating a seminal new form of musical theater. With its examination of the ways that anthropological phenomena such as identity and memory are interlaced with theater history, this book presents an interdisciplinary approach that casts new light on the works of Richard Wagner
Umfang:1 Online-Ressource (VII, 431 Seiten) Notenbeispiele
ISBN:9783110292879
DOI:10.1515/9783110292879