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Bibliographic Details
Main Author: Wheatley, David 1970- (Author)
Format: Book
Language:English
Published: London [u.a.] Palgrave 2015
Edition:1. publ.
Series:Readers' guides to essential criticism
Macmillan education
Subjects:
Geschichte 1990-2014
Lyrik
Englisch
Links:http://www.netread.com/jcusers2/bk1388/536/9780230362536/image/lgcover.9780230362536.jpg
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Item Description:Includes bibliographical references and index
Physical Description:VII, 203 S.
ISBN:9780230362536
9780230362529
Staff View

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Record in the Search Index

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adam_text CONTENTS INTRODUCTION 1 Frames contemporary poetry in the context of wider literary history: its trends and movements, narratives of its current health or decline, and the critical debate surrounding all of the above. CHAPTER ONE 9 Anthologies and Canon Formation This chapter addresses the ways in which the contemporary canon is constructed and contested from one generation to the next with particular reference to the role of the anthology. Engaging with questions of nation, generation and representation, it examines the work of anthologists including Sean O Brien, Michael Schmidt, Keith Tuma and Roddy Lumsden. CHAPTER TWO 32 Approaches to Contemporary British Poetry Turning to individual critics, this chapter considers the challenge to traditional criticism of literary theory and its aftermath. The role of the poet-critic as a guarantor (or interrogator) of poetic authority is examined through the contrasting examples of poet-critics Geoffrey Hill and Paul Muldoon, while the category of poetic form is revisited in the work of Angela Leighton and Peter McDonald. CHAPTER THREE 54 Postcolonialism This chapter studies the ways in which postcolonialism redraws the critical map for the reading of poetry. The project of regional devolu¬ tion within the UK has renewed the critical focus initiated by Robert Crawford on the postcolonial nature of Briti shness. Concepts of mar- ginality and hybridity, as theorised by Jahan Ramazani and others, vi CONTENTS are tested against the work of poets engaging with the postcolonial j in a wide variety of ways, from Vahni Capildeo and Fred D Aguiar to W. N. Herbert. CHAPTER FOUR 81 Gender, Sexuality and Class : The intersections of gender, sexuality and class and the poem form the focus for this chapter. Responses to the work of Medbh McGu- ckian and Vona Groarke illustrate a tension between identity politics and more formalist approaches drawing on theories of intertextuality, while maleness and the sexing (or queering) of the lyric poem are also examined. Questions of voice and class in the work of Tom Leonard, Douglas Dunn and others are discussed, as is the often fractious debate they stage with the politics of the lyric. CHAPTER FIVE 110 Experiment and Language This chapter looks at the experimental tradition, and the critique of language and the self in which critics locate its differences from more mainstream styles; background and context on publishers and movements are provided. Veronica Forrest-Thomson and her the¬ ory of naturalisation offer a powerful anti-realist template, whose effects can be traced in the work of poets and critics such as Peter Manşon and Andrew Duncan. While experimental poetry addresses itself to questions of language, it does not do so at the expense of questions of politics, as shown in the radical agenda of Keston Suth¬ erland, and his imbuing of experimental poetry with a new sense of transformative possibility. CHAPTER SIX 136 New Environments This chapter looks at the new domains explored by ecopoetry. Jona¬ than Bate s Song of the Earth makes the neo-Romantic case for poetry as a force of mediation and salvation, but closer analysis shows how the ecocritic must strike a balance between the detached imagination and ideological wish-fulfilment. These positions are explored in rela¬ tion to a range of poets including Kathleen Jamie, Helen Macdonald, and R. F. Langley, and the debates they have inspired. CONTENTS vii CONCLUSION 161 Criticism Today Looking at the public face of poetry in Britain today, this chapter considers the difficulty of łmaking it new in ways that go beyond commodification and the selling short of the art in today s market economy. Despite deep anxieties about the future of poetry and the relationship of writer and reader and the general public, criticism nevertheless manages to find fresh and resilient ways of keeping going7. NOTES 169 BIBLIOGRAPHY 186 INDEX 196 Written during a time of rapid social change, when the continued existence of the United Kingdom has been subject to discussion as never before in recent history, contemporary British poetry and its surrounding criticism are characterised by diversity, contestation and reinvention. This Reader s Guide: • surveys the work of major critics such as Christopher Ricks, Edna Longley and Geoffrey Hill, and both established and burgeoning poets such as Roy Fisher, Medbh McGuckian and Helen Macdonald • explores key topics including postcolonialism, gender and sexuality, class, nature and the experimental tradition • analyses the role of poetry publishing, prizes and anthologies in canon-making • outlines the many critical approaches to poetry today and considers future directions in criticism • foregrounds intersections between the historical and cultural contexts of current critical debate. Lucid and illuminating, this introductory guide provides a timely overview of the key criticism and allows readers to orient themselves in the fast-evolving field of contemporary British poetry.
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spellingShingle Wheatley, David 1970-
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title Contemporary British poetry
title_auth Contemporary British poetry
title_exact_search Contemporary British poetry
title_full Contemporary British poetry David Wheatley. Consultant ed.: Nicolas Tredell
title_fullStr Contemporary British poetry David Wheatley. Consultant ed.: Nicolas Tredell
title_full_unstemmed Contemporary British poetry David Wheatley. Consultant ed.: Nicolas Tredell
title_short Contemporary British poetry
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Englisch (DE-588)4014777-0 gnd
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