Verfügbarkeit: The music producer's survival guide | Technische Universität München

The music producer's survival guide: chaos, creativity, and career in independent and electronic music

Gespeichert in:

Bibliographische Detailangaben
Beteilige Person:	Jackson, Brian (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	New York, NY Cengage Learning 2013
Schlagwörter:	Sound / Recording and reproducing Sound recording executives and producers Electronic music Musikproduzent Musikwirtschaft Karriereplanung Indie Elektronische Musik Ratgeber
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027200868&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	Includes index Musica universalis -- Plot point on the space-time continuum -- What is your plan? -- Master your craft -- The social scene -- Producer tips -- Creative process -- Selecting you tools -- Lifestyle tips -- Dénouement -- Appendix A. Chaos theory and complexity studies primer -- Appendix B. Integral theory primer -- Appendix C. Interview with Hank Schocklee
Umfang:	xxx, 238 S. Ill. 28 cm

Internformat

MARC


LEADER	00000nam a2200000 c 4500
001	BV041754595
003	DE-604
005	20140505
007	t\|
008	140325s2013 xx a\|\|\| \|\|\|\| 00\|\|\| eng d
015			\|a GBB324825 \|2 dnb
020			\|z 9781285198927 \|9 9781285198927
020			\|z 1285198921 \|9 1285198921
035			\|a (OCoLC)881866793
035			\|a (DE-599)BVBBV041754595
040			\|a DE-604 \|b ger \|e rakwb
041	0		\|a eng
049			\|a DE-12
084			\|a 9,2 \|2 ssgn
100	1		\|a Jackson, Brian \|e Verfasser \|0 (DE-588)134415175 \|4 aut
245	1	0	\|a The music producer's survival guide \|b chaos, creativity, and career in independent and electronic music \|c by Brian M. Jackson
264		1	\|a New York, NY \|b Cengage Learning \|c 2013
300			\|a xxx, 238 S. \|b Ill. \|c 28 cm
336			\|b txt \|2 rdacontent
337			\|b n \|2 rdamedia
338			\|b nc \|2 rdacarrier
500			\|a Includes index
500			\|a Musica universalis -- Plot point on the space-time continuum -- What is your plan? -- Master your craft -- The social scene -- Producer tips -- Creative process -- Selecting you tools -- Lifestyle tips -- Dénouement -- Appendix A. Chaos theory and complexity studies primer -- Appendix B. Integral theory primer -- Appendix C. Interview with Hank Schocklee
650		4	\|a Sound / Recording and reproducing
650		4	\|a Sound recording executives and producers
650		4	\|a Electronic music
650	0	7	\|a Musikproduzent \|0 (DE-588)4572889-6 \|2 gnd \|9 rswk-swf
650	0	7	\|a Musikwirtschaft \|0 (DE-588)4268614-3 \|2 gnd \|9 rswk-swf
650	0	7	\|a Karriereplanung \|0 (DE-588)4129406-3 \|2 gnd \|9 rswk-swf
650	0	7	\|a Indie \|0 (DE-588)4347120-1 \|2 gnd \|9 rswk-swf
650	0	7	\|a Elektronische Musik \|0 (DE-588)4014355-7 \|2 gnd \|9 rswk-swf
655		7	\|0 (DE-588)4048476-2 \|a Ratgeber \|2 gnd-content
689	0	0	\|a Musikwirtschaft \|0 (DE-588)4268614-3 \|D s
689	0	1	\|a Musikproduzent \|0 (DE-588)4572889-6 \|D s
689	0	2	\|a Elektronische Musik \|0 (DE-588)4014355-7 \|D s
689	0	3	\|a Indie \|0 (DE-588)4347120-1 \|D s
689	0	4	\|a Karriereplanung \|0 (DE-588)4129406-3 \|D s
689	0		\|5 DE-604
856	4	2	\|m Digitalisierung BSB Muenchen 21 - ADAM Catalogue Enrichment \|q application/pdf \|u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027200868&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA \|3 Inhaltsverzeichnis
942	1	1	\|c 780.2 \|e 22/bsb \|f 0905
942	1	1	\|c 780.7 \|e 22/bsb \|f 0905
943	1		\|a oai:aleph.bib-bvb.de:BVB01-027200868

Datensatz im Suchindex

_version_	1819327792323493888
adam_text	Contents Introduction .............................................................xx Chapter 1 Musica Universalis i Music Is Universal ...........................................................1 Music Is Diverse ............................................................2 Music Is Technological .........................................................2 Music Is Personal ...........................................................2 Music Is Vital .............................................................3 Music Is Fundamental .........................................................5 Nature Is Musical ...........................................................5 Music Is Mathematical .........................................................5 Music Is Evolving ...........................................................7 Music s Evolution Is Chaotic ....................................................7 Basic Dynamics of Genre Evolution ...............................................10 The Technology .........................................................14 Arthur Baker s Baker s Transformation ..............................................15 A Very Brief Intro to the History of Electronic Music ........................................16 EM s Two Timbral Sources ....................................................17 Independent Label Pioneers .....................................................19 Jamaica, U.K., and New York ..................................................20 American Punk, Metal, and Aggressive or Alternative Rock Styles ................................20 Various Styles of Adventurous Rock, Underground Metal, and Industriaľ-Related Genres from Germany, U.K., U.S., and Canada 20 Electronic Music Labels from U.S., Canada, Germany, and U.K ..................................21 Music Is Cybernetic .........................................................21 Cadence ...............................................................22 Chapter 2 Plot Point on the Space-Time Continuum 23 Putting Things in Perspective .................................................... 23 Music Is More Than the Recording Industry ........................................... 24 Yo Ho Ho, and a Bottle of Rum ................................................. 24 Context Is Everything ...................................................... 26 History...zzZzz...WhaťsinItforMe? .............................................. 26 A (Very Incomplete) Brief History of Everything ........................................... 27 Epoch 1: Back in the Day .................................................... 27 Epoch 2: Recent History ..................................................... 27 Epoch 3: The 20th Century ................................................... 28 Epoch 4: The New Millennium .................................................. 29 Where Are We Now? ........................................................ 31 Era 1: Local and Exclusive (? to 1887).............................................. 31 Era 2: Transmission and Storage (1888 to 2000)......................................... 31 Era 3: Global Information Networks (2001 to 2045[?]) ...................................... 32 Era 4: Biotechnology Network Integration? (2045[?] to ?).................................... . 32 Contents What Goes Around Comes Around ................................................. 32 Industry Expansion and Limited Access to Technology ...................................... 33 Industry Contraction and Expanded Access to Technology .................................... 33 A Parallel Teachable Moment from Recent History ........................................ 34 Where Is the RIAA s Equivalent of Deep Blue? .......................................... 34 The Argument for the Industry ................................................... 35 Technology ........................................................... 35 Economics ............................................................ 36 The Industry s Weak Argument ................................................... 36 P2P and CD Sales (Correlation Does Not Imply Causation) ................................... 36 Other Factors .......................................................... 37 The Argument for Self-Destruction ................................................ 37 RIAA Failures + Apple Computer = Apple, Inc ............................................ 39 Emergence of the Celestial Jukebox ................................................. 40 What Is a Producer ? ........................................................ 41 The Classic Record Producer .................................................. 42 DIY/Independent Music/Producers ................................................ 42 Electronic Music Producer .................................................... 43 What Does Professional Mean? ................................................... 44 Aspiring Pro, Semi-Pro, or Serious Hobbyist ........................................... 45 Last Refrain ............................................................. 45 Chapter 3 What Is Your Plan? 47 Did You Choose This, or Did It Choose You? ............................................ 47 Sense of Direction .......................................................... 47 The Butterfly Effect ......................................................... 48 Patience and Persistence ..................................................... 49 Luck, Talent, Preparation, Opportunity, and Success ....................................... 50 Defining Your Goals ......................................................... 51 Brainstorming .......................................................... 51 Developing a Plan .......................................................... 54 Possible Pieces of the Planning Puzzle .............................................. 55 Backup Plans Versus Alternate Paths ............................................... 60 Be Flexible .............................................................. 61 Some Considerations, Strategies, and Options ............................................ 62 Technology and the Internet ................................................... 62 Before Skills Pay the Bills .................................................... 63 Paying the Bills with Your Skills ................................................. 63 Be Involved ........................................................... 64 Thoughts on Partnerships and Collaborations .......................................... 65 Planning Your Artistic Musical Identity ............................................. 65 Outro ................................................................ 65 Chapter 4 Master Your Craft 67 Styles of Learning .......................................................... 67 Stages of Learning .......................................................... 68 Lines of Development ........................................................ 69 The Big Four Production Holons ...................................................70 XV The Music Producer s Survival Guide Music .............................................................. 71 Sound Design .......................................................... * Tools/DAW ........................................................... 71 Audio Engineer ......................................................... ^ Skills Does Not a Skill Set Make ................................................... 73 Workflow. Putting It All Together .................................................. 74 The Concretization of Potential ................................................. 74 From Start to Finish ......................................................... 75 Ingredients ............................................................ 7-* Workflow ............................................................ 75 Learning Strategies .......................................................... 77 Identifying Strengths ....................................................... 7& Identifying Weaknesses ..................................................... ° Learning Sessions ........................................................78 Outro ................................................................79 Chapter 5 The Social Scene si Scenes and Communities .......................................................81 Networking 101...........................................................83 The Cast of Characters ........................................................83 Movers and Shakers .........................................................84 Connectors ...........................................................84 Mavens .............................................................85 Salesmen .............................................................85 Vampires, Werewolves, and Zombies .................................................86 Vampires ............................................................86 Werewolves ...........................................................87 Zombies .............................................................87 Implications ...........................................................87 Final Thoughts, Tips, and Strategies .................................................89 Scarcity Is Often an Illusion, Especially in the Realms of Cultural Currency ............................89 Respect Others Dedicated to Their Craft—Especially Veterans and Even Has-Beens ........................89 What If You Really Don t Like Networking but You Know You Need to Do It? ..........................90 Tips for Newbies on Interacting with Successful Artists ......................................90 Outro ................................................................90 Chapter 6 Producer Tips 91 Keys to Success ............................................... ........91 Plan and Prepare ........................................................91 Keep Things Moving Forward ..................................... .......93 Working with Others ........................................................94 (Social) Psychology .......................................................94 Communication ............................................... ........96 Presets: Data Mining or Time-Saving Sound Designing? .......................................98 The Yamaha DX7, Suspect Zero .................................................99 Presets, Complexification, and Proliferation ........................................... 100 Good File Management = Saved from Destruction ..........................................102 Saving, Backing Up, and Archiving ............................................... 105 Contents Upgrades and Updates..................................................... 107 Synths, Samplers, and Sound Modules/ROMplers........................................ 108 Things You Should Know ......................................................110 Listen............................................................. ПО Avoid Distractions When Working ............................................... 110 If It s Not Broken ......................................................... Ill Less Is More .......................................................... Ill Bass .............................................................. Ill Sound Selection and Voicing .................................................. Ill Watch Your Levels ....................................................... Ill The Art of Analysis ...................................................... 112 Tips and Tricks on the Internet ................................................ 112 Regular Practice and Maintenance ............................................... 112 Outro ................................................................ 112 Chapter 7 Creative Process 115 There Is Nothing That Is Not Creative ................................................ 115 Unlimited Creativity, Limited Relevance ............................................ 116 Integration of Art and Science ................................................. 116 In the Beginning ............................................................. 117 Gravity, Stars, Supernovae, and Black Holes .......................................... 118 Being Creative ............................................................ 119 Influences and Originality ................................................... 120 Stages of Creative Process ................................................... 122 Defining Boundaries and Priorities ............................................... 122 Intentions and Mis-takes .................................................... 123 Methods, Practices, and Techniques ................................................. 124 Let Your Subconscious Do the Work .............................................. 124 Isolation, Quiet, Focus, Clarity ................................................. 125 Non- Ordinary States of Consciousness (NOSC) ........................................ 127 20th Century Innovations ...................................................... 129 Dada and the Cut-Up .................................................... 129 Surrealism and the Unconscious ................................................ 130 Assemblage and Bricolage ................................................... 132 Aleatory Processes ....................................................... 133 DUB, DUb, Dub, dub ....................................................... 135 Practical Techniques ......................................................... 135 Generate, Sift, Edit ....................................................... 135 Audio Processing ....................................................... 136 Not So Random .......................................................... 140 Time Limits, Deadlines, Pressure ................................................... 142 Creative Blocks ........................................................... 142 When the Thrill Is Gone: Completing Ideas ............................................. 143 Outro ................................................................ 144 Chapter 8 Selecting Your Tools 145 Tools ................................................................ 145 Creativity and Tools ......................................................... 146 xvii The Music Producer s Survival Guide 146 Users and Designers ......................................................... Users Influencing Designers That Influence Users That ....................................... 147 Moog ............................................................. 147 Roll Your Own ........................................................ 147 Tools of the Trade .......................................................... 148 Analog and Digital, Hardware and Software ............................................. ^° Hardware ........................................................... 149 Software ............................................................ 161 The DAW .............................................................. 162 Basic Considerations ...................................................... 163 Specific Considerations ..................................................... 163 Selecting Your DAW ...................................................... I64 Subjective Terms and Hype Words ..................................................165 Listening Decisions and A/B Comparisons ........................................... 166 Your Setup ..............................................................167 Using Software Without a License ..................................................168 Bits Want to Travel ...................................................... 169 The Facts of the Matter .................................................... 170 Why You Should Care Even If You Are Broke ......................................... 170 Early in Your Career and Implications for Later On ......................................170 Ways to Legally Get Your Software Cheap or Free ....................................... 171 Outro ................................................................172 Chapter 9 Lifestyle Tips 173 Trust Me: I m an Engineer ......................................................173 A Fish Doesn t Know It Is Wet ...................................................174 Fundamental Holons Versus Sex, Drugs, Rock N Roll ........................................174 Faster and Faster ........................................................ 175 Balance ............................................................ 175 Not Unlike a House of Cards ....................................................176 Protect Your Hearing ........................................................177 The Science (In Brief) ..................................................... 178 Earplugs: Get to Know Them Well ............................................... 180 Earbuds and Headphones ................................... ....... 181 Avoid RSI at All Costs ........................................................181 What Are the Symptoms? ................................................... 181 How to Avoid RSI ....................................................... 182 The Four Pillars of Health ......................................................183 (Alternative) Medicine ..................................................... 184 The Ambient Temperature of Your Mood ........................................... 186 Diet .............................................................. 186 Exercise ................................. 190 Rest and Relaxation ................................... . . 191 Positive Mental Attitude (PMA) ................................... 192 Set and Setting ................................... 194 Pick Your Friends with Care .............................. .195 Why Is Good Music So Often in Shady Places? ............................. .......195 The Leading Edge of Gentrification .................. 195 Contents This Is Your Brain On ..........................................................197 Last Call ...............................................................198 Chapter 10 Dénouement 199 The Producer s Mindset .......................................................199 #Trending ...........................................................200 The Challenge ......................................................... 201 Music Business and Personal Finances ................................................201 There Is Always More ........................................................201 Finale ................................................................202 Appendix A Chaos Theory and Complexity Studies Primer 203 Complexity Studies ..........................................................203 Systems Theory ...........................................................203 Cybernetics .............................................................203 Emergence ..............................................................203 Bifurcation Theory ..........................................................204 Set Theory ..............................................................204 L-systems ..............................................................204 Chaos Theory ............................................................205 Order Out of Chaos .........................................................206 Fractal Geometry ..........................................................206 Self-Similarity ............................................................207 Appendix В Integral Theory Primer 209 Holons ................................................................209 Quadrants ..............................................................211 Levels (Stages) of Development ....................................................212 Example 1: Stages of Cognitive Development .......................................... 212 Example 2: Structures of Consciousness ............................................212 Lines of Development ........................................................213 States of Consciousness .......................................................213 Types ................................................................214 Appendix С Interview with Hank Shocklee 215 Part I ................................................................215 Part II ................................................................217 Part III ...............................................................220 Index 225 XIX
any_adam_object	1
author	Jackson, Brian
author_GND	(DE-588)134415175
author_facet	Jackson, Brian
author_role	aut
author_sort	Jackson, Brian
author_variant	b j bj
building	Verbundindex
bvnumber	BV041754595
ctrlnum	(OCoLC)881866793 (DE-599)BVBBV041754595
format	Book
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02473nam a2200529 c 4500</leader><controlfield tag="001">BV041754595</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20140505 </controlfield><controlfield tag="007">t\|</controlfield><controlfield tag="008">140325s2013 xx a\|\|\| \|\|\|\| 00\|\|\| eng d</controlfield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB324825</subfield><subfield code="2">dnb</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781285198927</subfield><subfield code="9">9781285198927</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1285198921</subfield><subfield code="9">1285198921</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)881866793</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041754595</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Jackson, Brian</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)134415175</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The music producer's survival guide</subfield><subfield code="b">chaos, creativity, and career in independent and electronic music</subfield><subfield code="c">by Brian M. Jackson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Cengage Learning</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxx, 238 S.</subfield><subfield code="b">Ill.</subfield><subfield code="c">28 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Musica universalis -- Plot point on the space-time continuum -- What is your plan? -- Master your craft -- The social scene -- Producer tips -- Creative process -- Selecting you tools -- Lifestyle tips -- Dénouement -- Appendix A. Chaos theory and complexity studies primer -- Appendix B. Integral theory primer -- Appendix C. Interview with Hank Schocklee</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound / Recording and reproducing</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound recording executives and producers</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Electronic music</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikproduzent</subfield><subfield code="0">(DE-588)4572889-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Karriereplanung</subfield><subfield code="0">(DE-588)4129406-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Indie</subfield><subfield code="0">(DE-588)4347120-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Elektronische Musik</subfield><subfield code="0">(DE-588)4014355-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4048476-2</subfield><subfield code="a">Ratgeber</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musikproduzent</subfield><subfield code="0">(DE-588)4572889-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Elektronische Musik</subfield><subfield code="0">(DE-588)4014355-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Indie</subfield><subfield code="0">(DE-588)4347120-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Karriereplanung</subfield><subfield code="0">(DE-588)4129406-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen 21 - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027200868&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.7</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027200868</subfield></datafield></record></collection>
genre	(DE-588)4048476-2 Ratgeber gnd-content
genre_facet	Ratgeber
id	DE-604.BV041754595
illustrated	Illustrated
indexdate	2024-12-20T16:54:19Z
institution	BVB
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-027200868
oclc_num	881866793
open_access_boolean
owner	DE-12
owner_facet	DE-12
physical	xxx, 238 S. Ill. 28 cm
publishDate	2013
publishDateSearch	2013
publishDateSort	2013
publisher	Cengage Learning
record_format	marc
spellingShingle	Jackson, Brian The music producer's survival guide chaos, creativity, and career in independent and electronic music Sound / Recording and reproducing Sound recording executives and producers Electronic music Musikproduzent (DE-588)4572889-6 gnd Musikwirtschaft (DE-588)4268614-3 gnd Karriereplanung (DE-588)4129406-3 gnd Indie (DE-588)4347120-1 gnd Elektronische Musik (DE-588)4014355-7 gnd
subject_GND	(DE-588)4572889-6 (DE-588)4268614-3 (DE-588)4129406-3 (DE-588)4347120-1 (DE-588)4014355-7 (DE-588)4048476-2
title	The music producer's survival guide chaos, creativity, and career in independent and electronic music
title_auth	The music producer's survival guide chaos, creativity, and career in independent and electronic music
title_exact_search	The music producer's survival guide chaos, creativity, and career in independent and electronic music
title_full	The music producer's survival guide chaos, creativity, and career in independent and electronic music by Brian M. Jackson
title_fullStr	The music producer's survival guide chaos, creativity, and career in independent and electronic music by Brian M. Jackson
title_full_unstemmed	The music producer's survival guide chaos, creativity, and career in independent and electronic music by Brian M. Jackson
title_short	The music producer's survival guide
title_sort	the music producer s survival guide chaos creativity and career in independent and electronic music
title_sub	chaos, creativity, and career in independent and electronic music
topic	Sound / Recording and reproducing Sound recording executives and producers Electronic music Musikproduzent (DE-588)4572889-6 gnd Musikwirtschaft (DE-588)4268614-3 gnd Karriereplanung (DE-588)4129406-3 gnd Indie (DE-588)4347120-1 gnd Elektronische Musik (DE-588)4014355-7 gnd
topic_facet	Sound / Recording and reproducing Sound recording executives and producers Electronic music Musikproduzent Musikwirtschaft Karriereplanung Indie Elektronische Musik Ratgeber
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027200868&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT jacksonbrian themusicproducerssurvivalguidechaoscreativityandcareerinindependentandelectronicmusic

Verfügbarkeit

‌

Inhaltsverzeichnis