Why a work of art is not an object: a case for the presentation and development of contemporary art in the museum, in the spirit of the Salon des Refusés, using specific examples
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
2013
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| Schlagwörter: |
Internformat
MARC
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Datensatz im Suchindex
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| spelling | Gädeke, Thomas 1953- Verfasser (DE-588)1018484833 aut Why a work of art is not an object a case for the presentation and development of contemporary art in the museum, in the spirit of the Salon des Refusés, using specific examples Thomas Gädeke 2013 txt rdacontent n rdamedia nc rdacarrier Salon des Refusés Paris (DE-588)4130379-9 gnd rswk-swf Salon des Refusés Paris (DE-588)4130379-9 f DE-604 pages:415-416 1. Congress proceedings / hrsg. G. Ulrich Großmann und Petra Krutisch 2013 S. 415-416 Anzeiger des Germanischen Nationalmusems : Wissenschaftlicher Beiband ; 32,1 (DE-604)BV041701505 |
| spellingShingle | Gädeke, Thomas 1953- Why a work of art is not an object a case for the presentation and development of contemporary art in the museum, in the spirit of the Salon des Refusés, using specific examples Salon des Refusés Paris (DE-588)4130379-9 gnd |
| subject_GND | (DE-588)4130379-9 |
| title | Why a work of art is not an object a case for the presentation and development of contemporary art in the museum, in the spirit of the Salon des Refusés, using specific examples |
| title_auth | Why a work of art is not an object a case for the presentation and development of contemporary art in the museum, in the spirit of the Salon des Refusés, using specific examples |
| title_exact_search | Why a work of art is not an object a case for the presentation and development of contemporary art in the museum, in the spirit of the Salon des Refusés, using specific examples |
| title_full | Why a work of art is not an object a case for the presentation and development of contemporary art in the museum, in the spirit of the Salon des Refusés, using specific examples Thomas Gädeke |
| title_fullStr | Why a work of art is not an object a case for the presentation and development of contemporary art in the museum, in the spirit of the Salon des Refusés, using specific examples Thomas Gädeke |
| title_full_unstemmed | Why a work of art is not an object a case for the presentation and development of contemporary art in the museum, in the spirit of the Salon des Refusés, using specific examples Thomas Gädeke |
| title_short | Why a work of art is not an object |
| title_sort | why a work of art is not an object a case for the presentation and development of contemporary art in the museum in the spirit of the salon des refuses using specific examples |
| title_sub | a case for the presentation and development of contemporary art in the museum, in the spirit of the Salon des Refusés, using specific examples |
| topic | Salon des Refusés Paris (DE-588)4130379-9 gnd |
| topic_facet | Salon des Refusés Paris |
| work_keys_str_mv | AT gadekethomas whyaworkofartisnotanobjectacaseforthepresentationanddevelopmentofcontemporaryartinthemuseuminthespiritofthesalondesrefusesusingspecificexamples |