An introduction to electronic art through the teaching of Jacques Lacan: strangest thing
"Electronic art offers endless opportunities for reflection and interpretation. Works can be interactive or entirely autonomous and the viewer's perception and reaction to them may be challenged by constantly transforming images. Whether the transformations are a product of the appearances...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London [u.a.]
Routledge
2014
|
| Edition: | 1. publ. |
| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027037707&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Summary: | "Electronic art offers endless opportunities for reflection and interpretation. Works can be interactive or entirely autonomous and the viewer's perception and reaction to them may be challenged by constantly transforming images. Whether the transformations are a product of the appearances or actions of a viewer in an installation space, or a product of a self-contained computer program, is a source of constant fascination. Some viewers may feel strange or unnerved by a work, while others may feel welcoming, humorous, and playful emotions. The art may also provoke a critical response to social, aesthetic, and political aspects of early twenty-first century life. This book approaches electronic art through the teachings of Jacques Lacan, whose return to Freud has exerted a powerful and wide-ranging influence on psychoanalysis and critical theory in the twentieth century.David Schwarz draws on his experience with Lacanian psychoanalysis, music, interactive and traditional arts in order to address aspects of the works the viewer may find difficult to understand. Dividing his approach over four thematic chapters - Bodies, Voices, Eyes and Signifiers ... Schwarz explores the links between works of New Media and psychoanalysis (how we process what we see, hear, touch, imagine, and remember). This is a fascinating book for New Media artists and critics, museum curators, psychologists, students in the fine arts and those who are interested in digital technology and contemporary culture" |
| Physical Description: | VIII, 182 S. Ill., Notenbeisp. |
| ISBN: | 9780415500586 9780415500593 |
Staff View
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| 520 | |a "Electronic art offers endless opportunities for reflection and interpretation. Works can be interactive or entirely autonomous and the viewer's perception and reaction to them may be challenged by constantly transforming images. Whether the transformations are a product of the appearances or actions of a viewer in an installation space, or a product of a self-contained computer program, is a source of constant fascination. Some viewers may feel strange or unnerved by a work, while others may feel welcoming, humorous, and playful emotions. The art may also provoke a critical response to social, aesthetic, and political aspects of early twenty-first century life. This book approaches electronic art through the teachings of Jacques Lacan, whose return to Freud has exerted a powerful and wide-ranging influence on psychoanalysis and critical theory in the twentieth century.David Schwarz draws on his experience with Lacanian psychoanalysis, music, interactive and traditional arts in order to address aspects of the works the viewer may find difficult to understand. Dividing his approach over four thematic chapters - Bodies, Voices, Eyes and Signifiers ... Schwarz explores the links between works of New Media and psychoanalysis (how we process what we see, hear, touch, imagine, and remember). This is a fascinating book for New Media artists and critics, museum curators, psychologists, students in the fine arts and those who are interested in digital technology and contemporary culture" | ||
| 600 | 1 | 4 | |a Lacan, Jacques, |d 1901-1981 |
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| 650 | 7 | |a ART / Digital |2 bisacsh | |
| 650 | 4 | |a New media art | |
| 650 | 4 | |a Psychoanalysis and art | |
| 650 | 4 | |a ART / Conceptual | |
| 650 | 4 | |a ART / Criticism & Theory | |
| 650 | 4 | |a ART / Digital | |
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Record in the Search Index
| _version_ | 1819338849948532736 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGMENTS VIII
INTRODUCTION 1
1 BODIES 14
2 VOICES 48
3 EYES: ? 84
4 SIGNIFIERS 118
BIBLIOGRAPHY 171
INDEX 175
VII
|
| any_adam_object | 1 |
| author | Bard-Schwarz, David 1952- |
| author_GND | (DE-588)132352036 |
| author_facet | Bard-Schwarz, David 1952- |
| author_role | aut |
| author_sort | Bard-Schwarz, David 1952- |
| author_variant | d b s dbs |
| building | Verbundindex |
| bvnumber | BV041592674 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NX456 |
| callnumber-raw | NX456.5.N49 |
| callnumber-search | NX456.5.N49 |
| callnumber-sort | NX 3456.5 N49 |
| callnumber-subject | NX - Arts in General |
| ctrlnum | (OCoLC)871610349 (DE-599)BVBBV041592674 |
| dewey-full | 776 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 776 - Computer art (Digital art) |
| dewey-raw | 776 |
| dewey-search | 776 |
| dewey-sort | 3776 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV041592674 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T16:50:02Z |
| institution | BVB |
| isbn | 9780415500586 9780415500593 |
| language | English |
| lccn | 013024294 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027037707 |
| oclc_num | 871610349 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | VIII, 182 S. Ill., Notenbeisp. |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Routledge |
| record_format | marc |
| spellingShingle | Bard-Schwarz, David 1952- An introduction to electronic art through the teaching of Jacques Lacan strangest thing Lacan, Jacques, 1901-1981 Lacan, Jacques 1901-1981 (DE-588)118568507 gnd ART / Conceptual bisacsh ART / Criticism & Theory bisacsh ART / Digital bisacsh New media art Psychoanalysis and art ART / Conceptual ART / Criticism & Theory ART / Digital Computerkunst (DE-588)4010453-9 gnd |
| subject_GND | (DE-588)118568507 (DE-588)4010453-9 |
| title | An introduction to electronic art through the teaching of Jacques Lacan strangest thing |
| title_auth | An introduction to electronic art through the teaching of Jacques Lacan strangest thing |
| title_exact_search | An introduction to electronic art through the teaching of Jacques Lacan strangest thing |
| title_full | An introduction to electronic art through the teaching of Jacques Lacan strangest thing David Bard-Schwarz |
| title_fullStr | An introduction to electronic art through the teaching of Jacques Lacan strangest thing David Bard-Schwarz |
| title_full_unstemmed | An introduction to electronic art through the teaching of Jacques Lacan strangest thing David Bard-Schwarz |
| title_short | An introduction to electronic art through the teaching of Jacques Lacan |
| title_sort | an introduction to electronic art through the teaching of jacques lacan strangest thing |
| title_sub | strangest thing |
| topic | Lacan, Jacques, 1901-1981 Lacan, Jacques 1901-1981 (DE-588)118568507 gnd ART / Conceptual bisacsh ART / Criticism & Theory bisacsh ART / Digital bisacsh New media art Psychoanalysis and art ART / Conceptual ART / Criticism & Theory ART / Digital Computerkunst (DE-588)4010453-9 gnd |
| topic_facet | Lacan, Jacques, 1901-1981 Lacan, Jacques 1901-1981 ART / Conceptual ART / Criticism & Theory ART / Digital New media art Psychoanalysis and art Computerkunst |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027037707&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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