Hollywood's indies: classics divisions, specialty labels and the American film market
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2013
|
| Ausgabe: | Paperback ed. |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026821431&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026821431&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | vi, 234 S. |
| ISBN: | 9780748640126 9780748685936 |
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Datensatz im Suchindex
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|---|---|
| adam_text | ‘Hollywood’s Indies is a major advance in our understanding of the art,
commerce and industry of American independent cinema. Tzioumakis’
ground-breaking survey of the studios’ “classics” divisions of the 1980s
and in-depth analysis of indie divisions in the 1990s and 2000s provides
an endlessly insightful history. Moving deftly from the big picture to the
tight, carefully composed close-up, he examines the industry that defined
the American indie film movement.’
Thomas Schatz, author of The Genius of the System: Hollywood Filmmaking in
the Studio Era, University of Texas
‘Yannis Tzioumakis is a key scholar in charting the historical development
of independent American cinema. His meticulous historical research and
attention to detail makes this book an authoritative account of Hollywood’s
takeover of independent filmmaking via its specialty divisions.’
Warren Buckland, Reader in Film Studies, Oxford Brookes University
For over three decades, the major Hollywood studios have operated
specialty film divisions ֊ companies that were originally established to focus
on the European arthouse film market, before moving on to the American
independent film market. In the process, these companies transformed
American independent film in fundamental ways. Hollywood’s Indies is the
first book to offer an in-depth examination of the phenomenon of the studio
specialty film labels by tracing their history since the establishment of the
first such contemporary division in 1980, United Artists Classics,
The book provides a detailed account of these divisions, their business
practices, their position within the often labyrinthine structure of contemporary
entertainment conglomerates, their relationship to the Hollywood majors and
their contribution to independent cinema in the United States. In examining
these companies Yannis Tzioumakis provides a fresh perspective on the history
of contemporary American independent cinema, which he divides into three
periods: the independent, the indie and the indiewood. Each of these eras is
characterised by a particular group of studio specialty labels and, to a large
extent, by a distinct expression of ‘independent’ filmmaking. A number of case
studies are provided, including such celebrated films as Lianna, Mystery Train,
The Brothers McMullen, Barcelona, Greenberg, and many others.
YANNIS TZIOUMAKIS is Lecturer in Media and Communication Studies at the
University of Liverpool.
Contents
ƒ )
Acknowledgements iv
Introduction i
Section I Independent
1 United Artists Classics (1980 to 1986) 23
2 Triumph Films (1982 to 1985), Universal Classics (1982 to 1984)
and Twentieth Century Fox International Classics (1982 to 1985) 44
3 Orion Classics (1983 to 1997) 65
Section II Indie
4 Fine Line Features (1990 to 2005) 87
5 Sony Pictures Classics (1992 to date) 109
Section III Indiewood
6 Fox Searchlight (1994 to date) 133
7 Paramount Classics / Paramount Vantage (1997 to 2008) 156
8 Focus Features (2002 to date) 177
9 Warner Independent Pictures (2003 to 2008) and Picturehouse
(2005 to 2008) 199
Index 227
|
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| era | Geschichte 1980- gnd |
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| geographic_facet | Los Angeles- Hollywood |
| id | DE-604.BV041373311 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T16:45:59Z |
| institution | BVB |
| isbn | 9780748640126 9780748685936 |
| language | English |
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| physical | vi, 234 S. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Edinburgh Univ. Press |
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| spellingShingle | Tzioumakis, Yannis Hollywood's indies classics divisions, specialty labels and the American film market Filmstudio (DE-588)4221201-7 gnd Unabhängiger Film (DE-588)4485045-1 gnd |
| subject_GND | (DE-588)4221201-7 (DE-588)4485045-1 (DE-588)4099817-4 |
| title | Hollywood's indies classics divisions, specialty labels and the American film market |
| title_auth | Hollywood's indies classics divisions, specialty labels and the American film market |
| title_exact_search | Hollywood's indies classics divisions, specialty labels and the American film market |
| title_full | Hollywood's indies classics divisions, specialty labels and the American film market Yannis Tzioumakis |
| title_fullStr | Hollywood's indies classics divisions, specialty labels and the American film market Yannis Tzioumakis |
| title_full_unstemmed | Hollywood's indies classics divisions, specialty labels and the American film market Yannis Tzioumakis |
| title_short | Hollywood's indies |
| title_sort | hollywood s indies classics divisions specialty labels and the american film market |
| title_sub | classics divisions, specialty labels and the American film market |
| topic | Filmstudio (DE-588)4221201-7 gnd Unabhängiger Film (DE-588)4485045-1 gnd |
| topic_facet | Filmstudio Unabhängiger Film Los Angeles- Hollywood |
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