Verbale Obszönität bei Francisco de Quevedo:

Francisco de Quevedo's satirical poetry is commonly viewed as grotesquely comical, a manifestation of what Bakhtin called the "Carnivalesque." But not all of his satirical poetry fits this interpretation. In this study the author investigates the aggressivity and obscenity of Quevedo’...

Ausführliche Beschreibung

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Bibliographische Detailangaben
Beteilige Person: Savelsberg, Frank (VerfasserIn)
Format: Hochschulschrift/Dissertation Elektronisch E-Book
Sprache:Deutsch
Veröffentlicht: Berlin ; Boston De Gruyter [2014]
Schriftenreihe:Beihefte zur Zeitschrift für romanische Philologie Band 371
Schlagwörter:
Links:https://doi.org/10.1515/9783110295955
https://doi.org/10.1515/9783110295955
https://doi.org/10.1515/9783110295955
https://doi.org/10.1515/9783110295955
https://doi.org/10.1515/9783110295955
https://doi.org/10.1515/9783110295955
https://doi.org/10.1515/9783110295955
https://doi.org/10.1515/9783110295955
https://doi.org/10.1515/9783110295955
https://doi.org/10.1515/9783110295955
https://doi.org/10.1515/9783110295955
https://doi.org/10.1515/9783110295955
Zusammenfassung:Francisco de Quevedo's satirical poetry is commonly viewed as grotesquely comical, a manifestation of what Bakhtin called the "Carnivalesque." But not all of his satirical poetry fits this interpretation. In this study the author investigates the aggressivity and obscenity of Quevedo’s work,and particularlyhis personal invectives against Luis de Góngora, a poet of the previous generation
Umfang:1 Online-Ressource (128 Seiten)
ISBN:9783110295955
9783110377774
DOI:10.1515/9783110295955