Dragotin Cvetko: oče muzikologije na Slovenskem = Dragotin Cvetko : the father of musicology in Slovenia
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Buch |
Sprache: | Slowenisch Englisch |
Veröffentlicht: |
Ljubljana
Znanstvena Založba Filozofske Fak. [u.a.]
2011
|
Ausgabe: | 1. natis |
Schlagwörter: | |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026805885&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Beschreibung: | Vorwort in slowen. und engl. Sprache |
Umfang: | 62 S. zahlr. Ill., Notenbeisp. |
ISBN: | 9789612374501 |
Internformat
MARC
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007 | t| | ||
008 | 131014s2011 xx agl| |||| 00||| slv d | ||
020 | |a 9789612374501 |9 978-961-237-450-1 | ||
035 | |a (OCoLC)862818713 | ||
035 | |a (DE-599)GBV71656971X | ||
040 | |a DE-604 |b ger | ||
041 | 0 | |a slv |a eng | |
049 | |a DE-12 | ||
084 | |a 9,2 |2 ssgn | ||
100 | 1 | |a Bogunović Hočevar, Katarina |d 1976- |e Verfasser |0 (DE-588)1042925380 |4 aut | |
245 | 1 | 0 | |a Dragotin Cvetko |b oče muzikologije na Slovenskem = Dragotin Cvetko : the father of musicology in Slovenia |c Katarina Bogunović Hočevar |
246 | 1 | 1 | |a Dragotin Cvetko |
250 | |a 1. natis | ||
264 | 1 | |a Ljubljana |b Znanstvena Založba Filozofske Fak. [u.a.] |c 2011 | |
300 | |a 62 S. |b zahlr. Ill., Notenbeisp. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Vorwort in slowen. und engl. Sprache | ||
600 | 1 | 7 | |a Cvetko, Dragotin |d 1911-1993 |0 (DE-588)1031532862 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4190631-7 |a Zeittafel |2 gnd-content | |
689 | 0 | 0 | |a Cvetko, Dragotin |d 1911-1993 |0 (DE-588)1031532862 |D p |
689 | 0 | |5 DE-604 | |
856 | 4 | 2 | |m Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026805885&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Abstract |
940 | 1 | |n oe | |
942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |g 4973 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-026805885 |
Datensatz im Suchindex
_version_ | 1819309109915156480 |
---|---|
adam_text | Od pogumnih
hotenj
...
do
znanstvenih dosežkov,
odločilnih institucionalnih
uresničitev
in
mednarodnih priznanj
From courageous intentions... to
scientific achievements, decisive
institutional realisations and
international recognition
»Vive la Slovénie, vive
Cvetko!« so
bile
sklepne
besede
Vladimírja Fedorova, pred-
sednika direktorija Mednarodnega muzi-
kološkega društva
(IMS),
ob
zaključku
10.
kongresa IMS leta
1967
v
Ljubljani.
Besede
so
pomenile
mednarodno
priznanje Dragoti-
nu
Cvetku, očetu mlade muzikološke
stroke
na Slovenskem,
ki
je z
jasno vizijo
in trdno
voljo uspešno
vodil strokovno
in
organizacij¬
sko uresničitev mednarodnega muzikološke-
ga kongresa,
ter drugega
dotlej izpeljanega
kongresa neke
stroke
na
Slovenskem.
Če
so
Cvetkova gostovanja na mednarodnih kon-
gresih, simpozijih, univerzah
in
radijskih po-
stajah
(ob vseh
mednarodnih znanstvenih
in
strokovnih objavah) do leta
1960
predstav¬
ljala postopno približevanje neomajnemu
cilju
-
ustanovitvi muzikologije na
Sloven¬
skem v institucionalnem
okviru, pa je čas po
ljubljanskem kongresu
pomenii uveljavlja-
nje
in
vpenjanje institucionalizirane
vede v
Vive la Slovénie, vive
Cvetko!
were the
closing words
oï
Vladimir Fedorov, President of
the International Musicology Society (IMS), on
the conclusion of the 101h Congress of the IMS in
1967
in Ljubljana. These words represented inter¬
national recognition for Dragotin Cvetko, the fa¬
ther of the then young discipline of musicology in
Slovenia, who, with a clear vision and a firm will,
had successfully led the specialist and organisa¬
tional realisation of the international musicology
congress, only the second congress realised by any
discipline in Slovenia. While Dragotin Cvetko s
presence at international congresses, symposia,
universities and radio stations (in addition to
all of the internationai scientific and specialist
publications) until
1960
represented the gradual
achievement of the steadfast goal of establishing
musicology in Slovenia within an institutional
framework, the time after the Ljubljana congress
represented the confirmation and strengthen¬
ing of the institutionalisation of the discipline in
evropski
in
svetovni prostor. Izhodišča za
utemeljevanje muzikologije
kot
znanstve¬
ne discipline je Cvetko
postavil že
s svojimi
prvimi monografijami
ter
znanstvenimi pri-
spevki, nedvomno pa je izid obsežne Zgo-
dovine glasbene umetnosti na
Slovenskem
pomenii
temelj,
vodilo in
odskočno
desko
všem nadaljnjim raziskavam, ob katerih
so
se
razvijala
ter
se še
danes
razvijajo vedenja
in spoznanja o zgodovini
slovenske glasbe
in
glasbe na
Slovenskem.
Cvetko je torej
idejno, vsebinsko
in
metodološko
začítal
okvire, ki
jih
je mlada, postopno razvijajoča
se stroka bodisi širila
in
krepila bodisi preo-
blikovala
in spreminjala.
Ustanovitev oddel-
ka za muzikologijo na Filozofski fakulteti
v
Ljubljani leta
1962
je nedvomno pomenila
zmago strokovnega argumenta,
vendar
še
zdaleč ne končane bitke na področju institu¬
cionalnih vprašanj slovenske muzikologije.
Vzporedno z vsemi svojimi večplastnimi
de-
javnostmi je Cvetko vztrajno zasledoval ide¬
jo
o ustano
vitvi Muzikološkega instituta pri
Slovenski akademiji znanosti
in
umetnosti,
ki jo je formalno dosegel leta
1972,
prostor-
sko
in
organizacijsko pa sele leta
1980.
Zelo
dobro se je zavedal pomena
in
teže znan¬
stvenih publikacij, revij
in zborníkov, saj
je
vedel,
da so le-ti osebna izkaznica,
ogledalo
in
dokaz
delovanja katerekoli
stroke.
O tem
priča
dejstvo,
da je prav Cvetko
v
50.
letih
prejšnjega stoletja dal pobudo Muzikološke-
the European and broader international spheres.
Cvetko
had already created the point of departure
for the establishment of musicology as a scientific
discipline with his first monographs and scientific
articles, but it was undoubtedly the publication
of the extensive Zgodovina glasbene umetnosti
na Slovenskem
(The History of Slovene Music)
that represented the foundation, the guiding light
and the springboard for all further research with
which the knowledge and findings about the his¬
tory of Slovene music and music in Slovenia de¬
veloped and continues to develop today. In terms
of concept, content and methodology, Cvetko thus
outlined the frameworks that the young, gradu¬
ally developing discipline then either expanded
and strengthened or transformed and modified.
The establishment of the Department of Musico¬
logy within the Ljubljana Faculty of Arts in
1962
undoubtedly represented a victory for the special¬
ist argument; however, it was far from being the
final battle in the area of institutional questions
regarding Slovene musicology. In parallel with all
of his multifarious activities, Cvetko tenaciously
pursued the idea of founding a Musicological
Institute at the Slovenian Academy of Sciences
and Arts, an idea that was achieved formally in
1972,
but only realised in terms of premises and
organisation in
1980.
He was well aware of the
significance and weight of scientific publications,
journals and proceedings, as he knew that for any
discipline these represent its personal identity
papers, mirror and proof of functioning. This is
mu institutu
Srbské
akademije znanosti
ín
umetnostì za
izdajanje Zbornika. Tako ve-
lja ustanovitev
slovenske znanstvene revije
Muzikološki zbornik leta
1965
razumeti
kot
logično posledico institucionalizirane
vede;
v
enaki luči velja razumeti zbirko Spomeniki
slovenske glasbe (Monumenta artis Musicae
Sloveniae), ustanovljeno
v
okviru Muzikolo-
škega instituta leta
1983.
Mednarodno uveljavitev
in
ugled doma-
če muzikološke
stroke
je Cvetko uresničeval
večtimo: sodeloval je na številnih mednarod-
nih konferencah, kjer je navezoval stike
s
svetovno priznanimi strokovnjaki
ter pred-
stavljal svoja dognanja
in raziskave
največ-
krat
s področja
zgodo vine slovenske glasbe
ter
glasbe
južnoslovanskí prostorov;
poskr-
bel je, da
so nekatere
njegove monografije
izšle v
tuj
ih jezikih;
v
tujo leksiko
in
enciklo¬
pedije
(Musik in Geschichte und Gegenwart,
Grove s Dictionary of Music and Musicians,
Enciklopedia-Dizionario UTET,
Enciklopé¬
dia
Ricordi, Riemann
Musik-Lexikon,
Dicti¬
onary of Contemporary Music,
Enciklopédie
Fasquelle idr.) je vpeljal
zgodovino sloven¬
ske
glasbe
z
vsemi njenimi odlocilnimi pred-
stavniki;
s svojimi
predavan
ji je
gostoval na
številnih
evropskih
in
ameriških univerzah
ter
na ljubljansko univerzo pritegnil
kot
go-
stujoče profesorje eminentne
tuje
muzikolo¬
ge
in
skladatelje; poskrbel je, da je domača
evidenced by the fact that it was Cvetko himself
who, in the
1950s,
provided the initiative to the
Musicology Institute of the Serbian Academy of
Sciences and Arts to publish its
Zbornik
(An¬
nual). Thus the establishment of the Slovene
scientific journal
Muzikološki zbornik (Musico-
logical Annual) in
1965
can be understood as a
logical consequence of the institutionalisation of
the discipline, while the collection
Monumenta
artis Musicae Sloveniae (Monuments of Slovene
Music), established within the framework of the
Musicological Institute in
1983,
can be seen in the
same light.
Cvetko realised the international recognition
and reputation of the Slovene musicology profes¬
sion on many fronts: he participated in numerous
international conferences, where he established
contact with internationally recognised specia¬
lists and presented his own findings and research,
primarily from the area of the history of Slovene
music and the music of the Yugoslav region; he
ensured that certain of his monographs were pub¬
lished in foreign languages; he introduced the his¬
tory of Slovene music, with all of its excellent re¬
presentatives, in foreign
léxica
and encyclopaedi¬
as
(Musik in Geschichte und Gegenwart,
Grove s
Dictionary of Music and Musicians, Enciklopedia-
Dizionario UTET,
Enciklopédia
Ricordi,
Riemann
Musik-Lexikon,
Dictionary of Contemporary Mu¬
sic,
Enciklopédie
Fasquelle,
etc.); he presented
lectures at numerous European and American
stroka vstopila tudi
v
druge mednarodne
znanstvene organizacije,
kot
so RISM, RILM
in AIBM. Cvetkovo mednarodno dejavnost
dodatno
razpira
izjemno obsežna korespon-
denca,
v
kateri
naj
demo več kot
180
imen z
vseh delov sveta,
največ iz Evrope
in Ameri¬
ke. Na
seznamu
korešpondentov, s katerimi
se je
Cvetko bodisi intenzivneje bodisi daljše
časovno
obdob
j e dopisoval, naj
demo
imena,
kot
so: Friederich
Blume, Donald J.
Grout,
Hellmut Federhofer,
Zofia
Lissa,
Wolfgang
Boetticher, Erich
Schenk,
Vladimir Fedorov,
Milton Steinhardt,
Egon Wellesz,
Franz Zagi-
ba, Franz
Zavarský, Pierluigi
Petrobelli, Ru¬
dolf Flotzinger in
številni drugi.
S svojo
aktivnostjo
v
slovenském
in med-
narodnem PEN
klubu, z
vođenjem Filozofske
fakultete,
z ohranjanjem
in utrjevanjem
vezi
s
strokovnjaki drugih humanističnih
ved,
s
předsedo
vanj em svetu Slovenske filharmo¬
nije
in s
številnimi
drugimi
strokovnimi
in
organizaci
j skimi funkcijami je akademik
dr.
Dragotin Cvetko pustil globoke
sledi
tudi v
širšem
slovenském
humanističnem
prosto¬
ru.
Nič manj
ni zanemarljiva
njegova
vloga v
muzikološkem prostoru
nekdanjih jugoslo-
vanskih
republik,
kjer je
tako
kot
doma
veljal
za
starosto
in
avtoriteto
muzikološke
stroke.
Ko
danes
opazujemo akademikovo ži-
vljenjsko
pot v
prerezu njegovih dosežkov
in uspehov,
se nam večplastnost njegovega
universities as well as attracting eminent foreign
musicologists and composers to the University of
Ljubljana as visiting professors; and he ensured
that the Slovene profession joined other inter¬
national scientific organisations such as RISM,
RILM and AIBM. Cvetko further expanded in¬
ternational activities with his extraordinarily ex¬
tensive correspondence, amongst which we find
more than
180
names from all parts of the world,
primarily from Europe and America. On the list of
correspondents with whom Cvetko corresponded
either more intensively or over a longer period of
time we find names such as:
Friederich
Blume,
Donald
J.
Grout,
Hellmut
Federhofer,
Zofia
Lissa,
Wolfgang Boetticher, Erich
Schenk,
Vladimir Fe¬
dorov, Milton Steinhardt,
Egon
Wellesz, Franz
Zagiba, Franz
Zavarský,
Pierluigi Petrobelli, Ru¬
dolf Flotzinger, and many others.
With his activities in the Slovene and Inter¬
national PEN Club, with his leadership of the Fa¬
culty of Arts, with his maintaining and reinforcing
links with experts from other disciplines of the
humanities, with his presidency of the Board of
the Slovenian Philharmonic and with numerous
other specialist and organisational functions,
Dr
Dragotin Cvetko made a profound impression on
the broader sphere of the humanities in Slovenia.
Of no less significance was his role in the sphere of
musicology in the other republics of former Yugo¬
slavia, where, just as in Slovenia, he was regarded
as a doyen and authority in the discipline of mu-
delovanja izrisuje
kot večbarvna,
močno
přepletena
mreža,
v kateri
so
vse niti
vode¬
ne
smotrno, tehtno
in k
cilju. Te niti
so po
njegovi
zasługi
prevzele mlajše generacije
muzikológov,
generacije, ki
jim je postavil
čvrste temelje, slovenski muzikologiji pa za-
gotovil ime, prepoznavnost, spoštovanje
in
mednarodno veljavo.
sicology. When we observe his career today in a
cross section of his achievements and successes,
the multifariousness of his activities presents it¬
self to us as a multicoloured, tightly woven net¬
work, in which all of the threads lead expediently
and thoughtfully to the goal. Thanks to him, these
threads have been taken up by the younger gen¬
erations of musicologists, generations for whom
he established firm foundations, while ensuring
Slovene musicology a name, recognition, respect
and international standing.
|
any_adam_object | 1 |
author | Bogunović Hočevar, Katarina 1976- |
author_GND | (DE-588)1042925380 |
author_facet | Bogunović Hočevar, Katarina 1976- |
author_role | aut |
author_sort | Bogunović Hočevar, Katarina 1976- |
author_variant | h k b hk hkb |
building | Verbundindex |
bvnumber | BV041357461 |
ctrlnum | (OCoLC)862818713 (DE-599)GBV71656971X |
edition | 1. natis |
format | Book |
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genre | (DE-588)4190631-7 Zeittafel gnd-content |
genre_facet | Zeittafel |
id | DE-604.BV041357461 |
illustrated | Illustrated |
indexdate | 2024-12-20T16:45:36Z |
institution | BVB |
isbn | 9789612374501 |
language | Slovenian English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026805885 |
oclc_num | 862818713 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 62 S. zahlr. Ill., Notenbeisp. |
publishDate | 2011 |
publishDateSearch | 2011 |
publishDateSort | 2011 |
publisher | Znanstvena Založba Filozofske Fak. [u.a.] |
record_format | marc |
spellingShingle | Bogunović Hočevar, Katarina 1976- Dragotin Cvetko oče muzikologije na Slovenskem = Dragotin Cvetko : the father of musicology in Slovenia Cvetko, Dragotin 1911-1993 (DE-588)1031532862 gnd |
subject_GND | (DE-588)1031532862 (DE-588)4190631-7 |
title | Dragotin Cvetko oče muzikologije na Slovenskem = Dragotin Cvetko : the father of musicology in Slovenia |
title_alt | Dragotin Cvetko |
title_auth | Dragotin Cvetko oče muzikologije na Slovenskem = Dragotin Cvetko : the father of musicology in Slovenia |
title_exact_search | Dragotin Cvetko oče muzikologije na Slovenskem = Dragotin Cvetko : the father of musicology in Slovenia |
title_full | Dragotin Cvetko oče muzikologije na Slovenskem = Dragotin Cvetko : the father of musicology in Slovenia Katarina Bogunović Hočevar |
title_fullStr | Dragotin Cvetko oče muzikologije na Slovenskem = Dragotin Cvetko : the father of musicology in Slovenia Katarina Bogunović Hočevar |
title_full_unstemmed | Dragotin Cvetko oče muzikologije na Slovenskem = Dragotin Cvetko : the father of musicology in Slovenia Katarina Bogunović Hočevar |
title_short | Dragotin Cvetko |
title_sort | dragotin cvetko oce muzikologije na slovenskem dragotin cvetko the father of musicology in slovenia |
title_sub | oče muzikologije na Slovenskem = Dragotin Cvetko : the father of musicology in Slovenia |
topic | Cvetko, Dragotin 1911-1993 (DE-588)1031532862 gnd |
topic_facet | Cvetko, Dragotin 1911-1993 Zeittafel |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026805885&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT bogunovichocevarkatarina dragotincvetkoocemuzikologijenaslovenskemdragotincvetkothefatherofmusicologyinslovenia AT bogunovichocevarkatarina dragotincvetko |