Moving words: forms of English poetry
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford
Oxford Univ. Press
2013
|
| Ausgabe: | 1. ed. |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026072299&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026072299&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Includes bibliographical references |
| Umfang: | VIII, 244 S. |
| ISBN: | 9780199681242 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements
vii
Introduction: Against Abstraction
1
PART I. FORMAL QUESTIONS
1.
A Return to Form?
17
2.
Meaning in Movement: Phrasing and Repetition
31
3.
Rhyme in English and French: The Problem of the Dramatic
Couplet
50
4.
Sound and Sense in Lyric Poetry
77
PART II. RHYTHM AND METRE
5.
Rhythm in English Poetry: Beat Prosody
103
6.
Rhythm and Interpretation: The Iambic Pentameter
127
7.
An Enduring Form: The English Dolnik
147
8.
Lexical Inventiveness and Metrical Patterns: Beats and Keats
188
9.
Poetry Unbound? Observations on Free Verse
203
Appendix: Scansion SymboL·
223
Bibliography
224
Index
239
The contemporary reader of English poetry is able to take pleasure in the
sounds and movements of the English language in works written over the
past eight centuries, and to find poems that convey powerful emotions
and vivid images from this entire period. This book investigates the ways
in which poets have exploited the resources of the language as a spoken
medium
—
its characteristic rhythms, its phonetic qualities, its deployment
of syntax
—
to write verse that continues to move and delight. The chapters
in the first of the two parts examine a number of issues relating to poetic
form: the resurgence of interest in formal questions in recent years, the role or
syntactic phrasing in the operation of poetry, the function of rhyme, and the
relation between sound and sense. The second part is concerned with rhythm
and metre, explaining and demonstrating beat prosody as a tool or poetic
analysis, and discussing three major traditions in English versification: the
free four-beat form used in much popular verse, the controlled power of the
iambic pentameter, and the twentieth-century invention of free verse. All
these topics are discussed by means of particular case studies, from the metrical
form of a thirteenth-century lyric to uses of sound in recent poetry. Among
the many poets whose work is considered are Spenser, Milton, Dryden, Keats,
Tennyson, Hardy, Yeats, Frost, Ashbery, Hill, Plath, Paterson, and Prynne.
Drawing on Derek Attridge s forty-five years of engagement with the forms
of poetry, this volume provides extensive evidence of the importance of close
attention to the moving and sounding of language in the poems we enjoy.
|
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| isbn | 9780199681242 |
| language | English |
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| spellingShingle | Attridge, Derek 1945- Moving words forms of English poetry English poetry / History and criticism English language / Rhythm Sound in literature Englisch Sprache (DE-588)4056449-6 gnd Lyrik (DE-588)4036774-5 gnd Englisch (DE-588)4014777-0 gnd |
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| title | Moving words forms of English poetry |
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| title_exact_search | Moving words forms of English poetry |
| title_full | Moving words forms of English poetry Derek Attridge |
| title_fullStr | Moving words forms of English poetry Derek Attridge |
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| title_short | Moving words |
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| topic | English poetry / History and criticism English language / Rhythm Sound in literature Englisch Sprache (DE-588)4056449-6 gnd Lyrik (DE-588)4036774-5 gnd Englisch (DE-588)4014777-0 gnd |
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