Essential Shakespeare: the Arden guide to text and interpretation
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London [u.a.]
Bloomsbury
2013
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | The Arden Shakespeare
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025975498&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025975498&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Umfang: | VIII, 343 S. |
| ISBN: | 9781408158739 9781408174692 9781472520272 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
How to use this book
ix
Introduction
ι
Interpreting Shakespeare
1
Locating Shakespeare
2
Reading Shakespeare
4
Performing Shakespeare
6
1
A Midsummer
Nighťs
Dream:
Transformations, illusions, festivity
9
Bakhtin and the carnivalesque
9
Shakespeare s sources: Ovid
18
A Midsummer
Nighťs
Dream: Rhyme, rhythm and
metre
23
Peter Brook s Dream
(1970) 27
2
Much Ado About Nothing: Exploring language
and gender
33
Linguistics and the literary text
34
Female talk and marital suitability
36
Analysing the play s opening scene: Two different
approaches
41
Shakespeare Retold
(2005) 48
3
Twelfth Night: Disguises and desires
53
Cross-dressing and Queer theory
53
Twelfth Night and romantic comedy: Defining genre
63
Song in Twelfth Night
68
Renaissance Theatre Company production for stage and
screen
(1987/8) 72
4
Measure for Measure (and its problems
...) 77
Reading Shakespeare psychoanalytically
78
Tensions between the old and the new: Measure for
Measure and the Bible
86
Measure for Measure s troubling final act
90
Making Shakespeare fit : William Davenant s The Law
Against
L
overs
(1662) 94
5
Hamlet: A play of perpetual modernity
99
The rise of the Shakespeare film
100
Revenge and the early modern audience
104
Who s there? Questions in Hamlet
109
Ghosts on screen: Almereyda s Hamlet
(2000) 113
6
Othello: Sex, race and suggestibility
119
Presentism: The new kid on the Shakespeare block
120
Sexuality in Othello
125
Othello and the power of language
130
Orson Welles s Othello
(1952) 135
7
King Lear: That things might change, or
cease
141
Marxist readings
141
Early modern ideas of authority and duty
148
Quarto and Folio texts
154
Kozintsev s King Lear
(1970) 160
8
Macbeth: Kingship and witchcraft
165
Macbeth and masculinities
165
Macbeth the Jamesian play
173
Imagery in Macbeth
180
Macbeth [ 97 )
183
9
Antony and Cleopatra: The legendary on
stage
189
East meets West:
A postcolonial
view
189
Acting the woman s part: Shakespeare s boy players
194
The Shakespearean soliloquy
199
The all-male Antony and Cleopatra at Shakespeare s
Globe
(1999) 204
10
King Richard II: The performance of
majesty
211
Deconstruction and Shakespeare
211
Clothes and the early modern theatre
218
Shakespeare s all-
ver se
drama
221
Girlie Shakespeare: Deborah Warner s Richard II at the
Cottesloe
(1995) 228
11
Richard III: History s monster or charismatic
villain?
233
New historicism
233
History and historiography: Early modern
approaches
239
Richard s dramatic dialogue
247
Richard HI as the fascist
1930s:
Loncraine s film
(1995) 251
12
Cymbeline:
An experimental romance ?
255
British Studies and the Welsh play
256
The advent of the Blackfriars theatre
261
Cymbeline s dramatic structure
265
Not an evening for purists : Kneehigh Theatre s
Cymbeline
(2006/7) 270
13
The Winter s Tale: Tyranny, trials, time
277
Feminism/s
277
Madness and melancholy
284
Time and place
290
BBC Shakespeare and Jane Howell s The Winter s Tale
(1981) 295
14
The Tempest: Where Thought is free
301
Genre theory
301
The masque
308
Tone
313
Shakespeare and opera: Thomas
Adès s
The Tempest
(2004) 318
Glossary of critical terms used in this book
325
Abbreviations
329
References
331
Index
341
I Wl
What does it mean to study Shakespeare in the twenty-first
century? Navigating your way through university Shakespeare
is an exciting prospect. Essential Shakespeare will help you to
step up to the demands of undergraduate thinking.
This book provides a clear and engaging introduction to:
■
fourteen of Shakespeare s major comedies, tragedies,
histories and romances
■
a variety of close reading techniques
■
a range of theoretical approaches to the texts
■
influential Shakespearean critics past and present
■
the early modern contexts of the plays
■
some thought-provoking screen and stage versions of
Shakespeare s work
Activities in each chapter will give you the confidence to try
out new critical ideas, practise your critical reading skills,
make connections and comparisons between texts and analyse
Shakespeare in performance.
This go-to guide will enable you to engage confidently with the
compelling world of Shakespeare s drama and the complexities
of modern scholarship.
,
|
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| illustrated | Not Illustrated |
| indexdate | 2024-12-20T16:29:00Z |
| institution | BVB |
| isbn | 9781408158739 9781408174692 9781472520272 |
| language | English |
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| title | Essential Shakespeare the Arden guide to text and interpretation |
| title_auth | Essential Shakespeare the Arden guide to text and interpretation |
| title_exact_search | Essential Shakespeare the Arden guide to text and interpretation |
| title_full | Essential Shakespeare the Arden guide to text and interpretation Pamela Bickley and Jenny Stevens |
| title_fullStr | Essential Shakespeare the Arden guide to text and interpretation Pamela Bickley and Jenny Stevens |
| title_full_unstemmed | Essential Shakespeare the Arden guide to text and interpretation Pamela Bickley and Jenny Stevens |
| title_short | Essential Shakespeare |
| title_sort | essential shakespeare the arden guide to text and interpretation |
| title_sub | the Arden guide to text and interpretation |
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