Verfügbarkeit: Shakespeare and the materiality of performance

Shakespeare and the materiality of performance:

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Bibliographische Detailangaben
Beteilige Person:	Lin, Erika T. 1972- (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	New York, NY [u.a.] Palgrave Macmillan 2012
Ausgabe:	1. publ.
Schlagwörter:	Shakespeare, William > 1564-1616 Geschichte 1590-1642 Drama Aufführung
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025420234&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025420234&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	XIII, 238 S. Ill.
ISBN:	9781137001061

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Datensatz im Suchindex

_version_	1819291060341309440
adam_text	Contents List of Figures ix Acknowkdgments xi Note on Texts xv Part I Performance Effects Introduction Materializing the Immaterial 3 1 Theorizing Theatrical Privilege: Rethinking Weimann s Concepts of Locus and Platea 23 Part II Theatrical Ways of Knowing 2 Staging Sight: Visual Paradigms and Perceptual Strategies in Love s Labor s Lost 41 3 Imaginary Forces: Allegory, Mimesis, and Audience Interpretation in The Spanish Tragedy 71 Part III Experiencing Embodied Spectacle 4 Dancing and Other Delights: Spectacle and Participation in Doctor Faustus and Macbeth 107 5 Artful Sport: Violence, Dismemberment, and Games in Titus Andronicus, Cymbeline, and Doctor Faustus 135 Notes 167 Bibliography 207 Index 227 rawing on scientific treatises, murder pamphlets, travel narratives, dream manuals, religious sermons, festive sports, and other fascinating primary sources, Erika T. Lin reconstructs playgoers typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind of Shakespeare s audience shaped not only dramatic narratives but also the presentational dynamics of onstage action. Combining literary criticism, theatre history, and performance theory, this ground-breaking study explodes received ideas about mimesis, spectacle, and semiotics as it uncovers the ways in which early modern performance functioned as a material medium, revising and producing social attitudes and practices.
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discipline	Anglistik / Amerikanistik
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title	Shakespeare and the materiality of performance
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title_full	Shakespeare and the materiality of performance Erika T. Lin
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Verfügbarkeit

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Inhaltsverzeichnis