Music and identity politics:
Gespeichert in:
| Weitere beteiligte Personen: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2012
|
| Schriftenreihe: | The library of essays on music, politics and society
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025384928&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | XXIV, 524 S. Ill., Notenbeisp. |
| ISBN: | 9781409430384 |
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Datensatz im Suchindex
| _version_ | 1819381693690150912 |
|---|---|
| adam_text | Titel: Music and identity politics
Autor: Biddle, Ian D
Jahr: 2012
Contents
Acknowledgements vii
Series Preface ix
Introduction xi
PART I GENDER AND SEXUALITY
1 Todd M. Borgerding (2002), Sic ego te dilegebam: Music,
Homoeroticism, and the Sacred in Early Modern Europe , in Todd
Borgeding (ed.), Gender, Sexuality and Early Music, New York and
London: Routledge, pp. 249-63. 3
2 Suzanne G. Cusick (1996), On a Lesbian Relationship with Music:
A Serious Effort Not to Think Straight , in Philip Brett, Elizabeth
Wood and Gary C. Thomas (eds), Queering the Pitch: The New Gay
and Lesbian Musicology, New York and London: Routledge, pp. 67-83. 19
3 Freya Jarman-Ivens (2011), Introduction: Voice, Queer, Technologies ,
in Queer Voices: Technologies, Vocalities, and the Musical Flaw,
New York: Palgrave MacMillan, pp. 1-24. 37
4 Fred Everett Maus (1993), Masculine Discourse in Music Theory ,
Perspectives of New Music, 31, pp. 264-93. 63
5 Susan McClary (1991), Introduction: A Material Girl in Bluebeard s
Castle , in Feminine Endings: Music, Gender and Sexuality, Minneapolis:
University of Minnesota Press, pp. 3-34. 93
6 Henry Spiller (2007), Negotiating Masculinity in an Indonesian Pop
Song: Doel Sumbang s Ronggeng , in Freya Jarman-Ivens (ed.), Oh Boy:
Masculinities and Popular Music, New York and London: Routledge,
pp. 39-58. 133
PART II RACE
7 Deborah Pacini Hernandez (1998), Dancing with the Enemy: Cuban
Popular Music, Race, Authenticity, and the World-Music Landscape ,
Latin American Perspectives, 25, pp. 110-25. 155
8 Josh Kun (2005), The Yiddish Are Coming , in Audiotopia: Music,
Race, and America, Berkeley and Los Angeles: University of California
Press, pp. 48-85. 171
9 Russell A. Potter (1995), Are You Afraid of the Mix of Black and
White? Hip-Hop and the Spectacular Politics of Race , in Spectacular
Vernaculars: Hip-Hop and the Politics of Postmodernism, Albany, NY:
State University of New York Press, pp. 131-55. 221
10 Katie Trumpener (2000), Bela Bartok and the Rise of Comparative
Ethnomusicology: Nationalism, Race Purity, and the Legacy of the
Austro-Hungarian Empire , in Ronald Radano and Philip V. Bohlman
(eds), Music and the Racial Imagination, Chicago: University of Chicago
Press, pp. 403-34. 249
PART III SOCIAL IDENTITIES
11 Philip V. Bohlman (1996), The Final Borderpost , The Journal of
Musicology, 14, pp. 427-52. 283
12 Tak Wing Chan and John H. Goldthorpe (2007), Social Stratification
and Cultural Consumption: Music in England , European Sociological
Review, 23, pp. 1-19. 309
13 Anahid Kassabian (2001), At the Twilight s Last Scoring , in Hearing
Film: Tracking Identifications in Contemporary Hollywood Film Music,
New York and London: Routledge, pp. 91-116. 329
14 George Lipsitz (1994), That s My Blood Down There , in Dangerous
Crossroads: Popular Music, Postmodernism and the Poetics of Place,
London and New York: Verso, pp. 69-93. 357
15 Alex Lubet (2010), Losing ... My Religion: Music, Disability, Gender,
and Jewish and Islamic Law , in Music, Disability, and Society,
Philadelphia: Temple University Press, pp. 89-133. 381
16 Bode Omojola (2009), Politics, Identity, and Nostalgia in Nigerian
Music: A Study of Victor Olaiya s Highlife , Ethnomusicology, 53,
pp.249-76. 433
17 Anne K. Rasmussen (2001), The Qur an in Indonesian Daily Life:
The Public Project of Musical Oratory , Ethnomusicology, 45, pp. 30-57. 461
18 Martin Stokes (2004), Music and the Global Order , Annual Review of
Anthropology, 33, pp. 47-72. 489
Name Index 515
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| indexdate | 2024-12-20T16:17:15Z |
| institution | BVB |
| isbn | 9781409430384 |
| language | English |
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| publishDate | 2012 |
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| series2 | The library of essays on music, politics and society |
| spellingShingle | Music and identity politics Music / Social aspects Music / Psychological aspects Gender identity in music Sex role in music Gesellschaft Musik Psychologie Identitätsfindung (DE-588)4123409-1 gnd Geschlechterrolle (DE-588)4071776-8 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4123409-1 (DE-588)4071776-8 (DE-588)4040802-4 (DE-588)4143413-4 |
| title | Music and identity politics |
| title_auth | Music and identity politics |
| title_exact_search | Music and identity politics |
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| title_fullStr | Music and identity politics ed. by Ian Biddle |
| title_full_unstemmed | Music and identity politics ed. by Ian Biddle |
| title_short | Music and identity politics |
| title_sort | music and identity politics |
| topic | Music / Social aspects Music / Psychological aspects Gender identity in music Sex role in music Gesellschaft Musik Psychologie Identitätsfindung (DE-588)4123409-1 gnd Geschlechterrolle (DE-588)4071776-8 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Music / Social aspects Music / Psychological aspects Gender identity in music Sex role in music Gesellschaft Musik Psychologie Identitätsfindung Geschlechterrolle Aufsatzsammlung |
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