Verfügbarkeit: Commissioning contemporary art | Technische Universität München

Commissioning contemporary art: a handbook for curators, collectors and artists

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Bibliographische Detailangaben
Beteiligte Personen:	Buck, Louisa (VerfasserIn), McClean, Daniel (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	London Thames & Hudson 2012
Ausgabe:	1. publ.
Schlagwörter:	Künstler Kunst Auftragsarbeit Kunstsammler Kurator > Museumskunde Einführung
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025357341&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	Literaturangaben
Umfang:	320 S. 22 cm
ISBN:	9780500238981

Internformat

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Datensatz im Suchindex

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adam_text	COMMISSIONING CONTEMPORARY ART A HANDBOOK FOR CURATORS COLLECTORS AND ARTISTS LOUISA BUCK DANIEL MCCLEAN CONSULTANT EDITOR VIVIEN LOVELL Thames & Hudson TABLE OF CONTENTS Introduction An Ancient and Intricate Practice The Aim of this Book ................ ................................................014 A Brief History of Commissioning .........................................016 Chapter 1 Why Undertake a Commission? The Patron s Perspective .........................................................................029 Forging a relationship with an artist .....................................................030 Creating culture ........................................................................................031 Adding lustre and a spirit of adventure ................................................032 Enhancing the environment ..................................................................034 Integrating art into architecture ............................................................036 The power of regeneration .......................................................................039 Fulfilling planning obligations ..............................................................043 Artistic utopias ..........................................................................................044 Theartofplacemaking ............................................................................048 Commemoration and celebration ..........................................................052 The Artist s Perspective ...........................................................056 Make your dreams come true .................................................................056 Commissioning suits the practice .........................................................059 Reaching different audiences .................................................................063 Working in challenging environments .................................................065 Triggers for change in practice ...............................................................069 New partnerships ......................................................................................071 Increased recognition ..............................................................................072 Guiding Principles: The Commissioner ...............................................076 Know your intentions ...............................................................................076 Seek best advice .........................................................................................078 Work with the artist ..................................................................................079 Be prepared for some changes ................................................................080 Commit to all stages .................................................................................080 Guiding Principles: The Artist ...............................................................083 Know what you want .................................................................................083 Establish boundaries ................................................................................084 Chapter 2 Who Commissions Today and What A Rich Spectrum of Possibilities ............................................................090 The Public Institution ..............................................................................093 On-site commissions ................................................................................094 Off-site commissions ................................................................................097 Moving image ............................................................................................099 Artists in residence ...................................................................................099 To acquire or not to acquire? ...................................................................103 The Public Realm ......................................................................................105 National and local government buildings and spaces .......................107 Public organizations and authorities ....................................................118 Commercial and corporate developers .................................................130 The Private Foundation ........................................................................... 134 A space of their own ..................................................................................136 Off-site commissions and strategic partnerships ...............................137 The Private Collector ................................................................................145 Commissioning for the home .................................................................146 The private as public .................................................................................149 The Event ....................................................................................................151 Regenerating a place ................................................................................153 Interrogating a site ....................................................................................154 National commissions ..............................................................................157 Curated commissions ...............................................................................159 Social spaces and local links ...................................................................160 Commissioning for the non-art event: the Olympics .........................161 Sugaring the commercial pill: art fair commissions ...........................163 Commissioning Agencies .......................................................................166 Ahomeforanidea .....................................................................................167 Chapter 3 Making It Happen Overview of the Commissioning Process .............................................179 The role of the commissioner ..................................................................183 Approaching and Selecting the Artist ...................................................189 Direct invitation .........................................................................................190 Selection committee ..................................................................................192 Selection by competition ..........................................................................192 Invited competition ...................................................................................193 Dealing with dealers .................................................................................195 Developing the Proposal ..........................................................................197 Shaping an idea ..........................................................................................197 Early dialogue ............................................................................................199 Proposal fees ...............................................................................................200 Agreeing a budget ......................................................................................202 Presenting the proposal ............................................................................205 Securing the Finance ................................................................................211 Public funds ................................................................................................213 Networks of institutions ...........................................................................213 Business and corporate sponsorship .....................................................214 Trusts and charitable foundations .........................................................215 Patrons schemes ........................................................................................215 Pre-sale finance ..........................................................................................215 Reaching an Agreement ...........................................................................217 To contract or not to contract? .................................................................218 Clarity of agreement ..................................................................................221 Guiding principles of contracting ..........................................................222 The content of the contract ......................................................................225 Production and Installation .....................242 Design development and production management ...........................243 Dialogue with the artist ............................................................................246 Dealing with the cliënt .............................................................................247 Dealing with third parties .......................................................................247 Installation .................................................................................................252 Publicizing and Documenting ...............................................................254 Publicity ......................................................................................................254 Documentation ..........................................................................................255 Ongoing public communication ............................................................255 Chapter 4 The Commission Thereafter What Happens Next? ...............................................................................258 Maintaining the Work ..............................................................................260 Ongoing maintenance .............................................................................261 Limits to control ........................................................................................267 Insurance post-installation .....................................................................268 Exhibiting the Work .................................................................................271 The initial exhibition ................................................................................271 Restaging and touring ..............................................................................273 Preparatory material, derivative works and artist s editions ............274 Legacy and Evaluation 276 Community benefits .................................................................................276 Evaluating a commission ........................................................................279 Intellectual Property and Artists Rights .............................................281 Copyright ....................................................................................................283 Moral rights ................................................................................................288 Decommissioning .....................................................................................296 Resale and Recoupment ..........................................................................297 A Practice With No Limits ............................................................................................303 Sources of Quotes ......................................................................................308 Index ............................................................................................................312
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author	Buck, Louisa McClean, Daniel
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spellingShingle	Buck, Louisa McClean, Daniel Commissioning contemporary art a handbook for curators, collectors and artists Künstler (DE-588)4033423-5 gnd Kunst (DE-588)4114333-4 gnd Auftragsarbeit (DE-588)4739709-3 gnd Kunstsammler (DE-588)4166042-0 gnd Kurator Museumskunde (DE-588)4688848-2 gnd
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title	Commissioning contemporary art a handbook for curators, collectors and artists
title_auth	Commissioning contemporary art a handbook for curators, collectors and artists
title_exact_search	Commissioning contemporary art a handbook for curators, collectors and artists
title_full	Commissioning contemporary art a handbook for curators, collectors and artists Louisa Buck ; Daniel McClean. Consultant ed. Vivien Lovell
title_fullStr	Commissioning contemporary art a handbook for curators, collectors and artists Louisa Buck ; Daniel McClean. Consultant ed. Vivien Lovell
title_full_unstemmed	Commissioning contemporary art a handbook for curators, collectors and artists Louisa Buck ; Daniel McClean. Consultant ed. Vivien Lovell
title_short	Commissioning contemporary art
title_sort	commissioning contemporary art a handbook for curators collectors and artists
title_sub	a handbook for curators, collectors and artists
topic	Künstler (DE-588)4033423-5 gnd Kunst (DE-588)4114333-4 gnd Auftragsarbeit (DE-588)4739709-3 gnd Kunstsammler (DE-588)4166042-0 gnd Kurator Museumskunde (DE-588)4688848-2 gnd
topic_facet	Künstler Kunst Auftragsarbeit Kunstsammler Kurator Museumskunde Einführung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025357341&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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