Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London
RCPsych Publ.
2012
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025206753&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025206753&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | X, 100 S. |
| ISBN: | 9781908020420 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface
vi
1
Greek tragedy and models of madness
1
2
Greco-Roman comedy and folly
17
3
Jealousy the green-eyed monster and madness in Shakespeare
31
4
Ibsen and the domestication of madness
48
5
Tennessee Williams and the theatre of the mind
59
6
Soyinka s theatre of the shadowlands
72
7
Sarah Kane: the self in fission
83
Index
97
Madness at the Theatre studies the theatrical representation of madness from
the classical Greek period through to the 21st century. Professor Oyebode
charts the portrayal of madness by the world s great playwrights across the
centuries and argues that whereas acts of madness are described but unseen
in Greek drama, Shakespeare brought these behaviours to centre stage.
In the 19th and early 20th centuries aberrant behaviour was portrayed in
domestic settings by Ibsen
-
theatrical madness became a family drama.
Tennessee Williams and Eugene O Neill drew on their own families for
their explorations of madness and addiction, which lent a freshness and
authenticity to their characters. Pinter s masterful use of the ambiguity of
language finds strong echoes in the psychiatric clinic. Soyinka approached
the subject from a different perspective, emphasising the social context
-
the personal malady as reflection of a greater malaise in society. Finally,
Sarah Kane, whose own mental illness shaped her work, created plays that
were the physical embodiment of her inner world.
This book deals with an aspect of drama that speaks to the fears, prejudices
and insights of the audience. It makes explicit the rules and models
governing the appropriation of madness as a metaphor within theatre. It
will be essential reading for anyone interested in the language of drama, the
depiction of mental illness, and in the wider place of madness as a concept
within society.
|
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| title | Madness at the theatre |
| title_auth | Madness at the theatre |
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| title_short | Madness at the theatre |
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