Verfügbarkeit: Word events | Technische Universität München

Word events: perspectives on verbal notation

"Verbal notation has emerged since the 1950s as a prominent medium in the field of experimental music, as well as in related areas of arts practice involving performance and object making ... This book examines the use of English grammar in verbal notation, with numerous examples of usage from...

Ausführliche Beschreibung

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Bibliographische Detailangaben
Beteiligte Personen:	Lely, John 1976- (VerfasserIn), Saunders, James 1972- (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	New York Continuum 2012
Schlagwörter:	Geschichte 1950-2012 Musical notation Avant-garde (Music) / Notation Englisch Komposition > Musik Notenschrift Experimentelle Musik Wort > Motiv Aufsatzsammlung
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025175528&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Zusammenfassung:	"Verbal notation has emerged since the 1950s as a prominent medium in the field of experimental music, as well as in related areas of arts practice involving performance and object making ... This book examines the use of English grammar in verbal notation, with numerous examples of usage from specific verbal scores. Commentaries explore the compositional strategies and performance practice of particular works in key essays ... from composers, artists and performers"--P. 4 of cover
Beschreibung:	Includes bibliographical references (p. [440]-447) and index Grammar -- Scores, writings and commentaries. Eric Andersen -- Robert Ashley -- G. Douglas Barrett -- Antoine Beuger -- George Brecht -- Gavin Bryars -- Arthur Bull -- John Cage -- Cornelius Cardew -- Tony Conrad -- Philip Corner -- Bill Drummond -- Ken Friedman -- Malcolm Goldstein -- Daniel Goode -- Lawrence Halprin -- Tom Johnson -- Seth Kim-Cohen -- Bengt af Klintberg -- Alison Knowles -- Takehisa Kosugi -- Joseph Kudirka -- Sol LeWitt -- Annea Lockwood -- Alvin Lucier -- George Maciunas -- Benedict Mason -- Kenneth Maue -- Max Neuhaus -- Pauline Oliveros -- Yoko Ono -- Michael Parsons -- Ben Patterson -- Michael Pisaro -- Erik Satie -- Craig Shepard -- Kunsu Shim -- Mieko (Chieko) Shiomi -- Hugh Shrapnel -- Howard Skempton -- Mark So -- Karlhainz Stockhausen -- Jennifer Walshe -- Manfred Werder -- John White -- Michael Winter -- Daniel James Wolf -- Christian Wolff -- Amnon Wolman -- La Monte Young
Umfang:	XXIII, 456 S. Ill., graph. Darst.
ISBN:	9781441173102

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Datensatz im Suchindex

_version_	1819371378958139392
adam_text	Contents List of Illustrations xi Introduction xix Acknowledgements xxii Part 1: Grammar On the Use of Grammar in Verbal Notation John Lely 3 Introduction 3 Grammars 3 Context 5 Register 8 Processes 10 Tense 22 Modality 26 Mood 28 Voice 47 Circumstances 48 Postscript 74 Part 2: Scores, Writings and Commentaries Eric Andersen 77 Opus 18 (1961) 78 in Mezzo a Quattro Tempi Eric Andersen 79 Robert Ashley 83 The Entrance (1965-6) 84 Some Notes on a Performance of The Entrance Alex Waterman 87 Commentary: The Entrance James Sounders 89 G. Douglas Barrett 92 A Few Silence (location, date, time of performance) (2008) 93 A Text Score Manifesto G. Douglas Barrett 95 Commentary: A Few Silence James Saunders 97 Antoine Beuger 104 one tone, rather short, very quiet (1998) 105 Commentary: one tone, rather short, very quiet James Saunders 106 George Brecht 109 Time-Table Music (1959) and Time-Table Event (1961) 110 The Origin of Events George Brecht 111 Commentary: Time-Table Music and Time-Table Event James Saunders 112 vi WORD EVENTS Gavin Bryars 122 Far Away and Dimly Pealing (1970) 123 On Verbal Notation Gavin Bryars 124 Commentary: Far Away and Dimly Pealing James Saunders 127 Arthur Bull 135 from 25 Scores (1994) 136 Statement ОП Text Scores Arthur Bull 138 John Cage 139 Solo for Voice 6 (1970) 140 Commentary: Solo for Voice 6 James Saunders 142 Cornelius Cardew 148 The Great Learning, Paragraph 6 (1968-71) 149 On the Role of the Instructions in the Interpretation of Indeterminate Music Cornelius Cardew 150 Commentary: The Great Learning, Paragraph 6 John Lely 155 Tony Conrad 160 Selected Pieces from 1961 Compositions 161 Word Scoring Tony Conrad 163 Philip Corner 165 GAMEĆOONY (2004) 166 — Music notation is about specifics; Words are generalizations.4 Philip Corner 167 Commentary: GAME^OONY John Lely 169 Bill Drummond 182 SHOW (2007) 183 MY SCORES & ME Bill Drummond 185 Ken Friedman 186 Zen Vaudeville (1966) 187 Events, Scores, Notations Ken Friedman 188 Malcolm Goldstein 189 wood stone metal skin, with voice (1983) 190 Statement on Verbal Notation Malcolm Goldstein 194 Daniel Goode 195 Relaxing at the Piano (1977) 196 Conceptual, Verbal, and Graphic Scores Daniel Goode 197 Lawrence Halprin 199 A Summary of the Characteristics of Scores , from The RSVP Cycles: Creative Processes in the Human Environment Lawrence Halprin 200 CONTENTS vii Tom Johnson 207 The Big Rumble and the Tiny Blip, from Private Pieces (1976) 208 On Private Pieces: Piano Music for Self-Entertainment Tom Johnson 209 Seth Kim-Cohen 211 Forever Got Shorter (from a t-shirt of the same name) (2010) 212 How To Write A Text About How To Write A Text Score (And Why) Seth Kim-Cohen 213 Some Thoughts on Forever Got Shorter Seth Kim-Cohen 215 Realising Forever Got Shorter Ross Parfitt and John Lely 217 Bengt af Klintberg 224 From Twenty Five Orange Events (1963-6) 225 Peel an orange carefully. .. Bengt afKlintberg 226 Alison Knowles 227 Shoes of Your Choice (1963) 228 Commentary: Shoes of Your Choice James Saunders 229 Takehisa Kosugi 232 South No. 3 (Malika) (1965) 233 Commentary: South No. 3 (Malika) James Saunders 234 Joseph Kudirka 237 superstition s willing victim (2007) 238 Commentary: superstition s willing victim James Saunders 239 Sol Le Witt 243 Wall Drawing #960 (2001) 244 Wall Drawings Sol LeWitt 246 Doing Wall Drawings Sol LeWiu 247 Annea Lockwood 248 From the River Archive (1973) 249 Statement Annea Lockwood 250 Alvin Lucier 251 Music on a Long Thin Wire (1977) 252 Notes ОП Verbal Notation Alvin Lucier 253 Realising Music ОП a Long Thin Wire Hauke Harder and John Lely 255 George Maciunas 265 In Memoriam to Adriano Olivetti (1962) 266 Commentary: In Memoriam to Adriano Olivetti James Saunders 267 Benedict Mason 273 telling, from outside sight unseen and opened (1999) 274 OUtside Sight Unseen and Opened Benedict Mason 276 viii WORD EVENTS Kenneth Maue 278 from Ideas Around the Experiences , in Water in the Lake: Real Events for the Imagination Kenneth Maue 279 Max Neuhaus 284 LISTEN (1966) 285 LISTEN Max Neuhaus 286 Pauline Oliveros 288 Ear Piece (1998) 289 Commentary: Ear Piece James Saunders 290 Yoko Ono 295 RECORD OF 13 CONCERT PIECE PERFORMANCES 296 Instructions for Bath Spa University (2010) 302 Statement Yoko Ono 303 Michael Parsons 304 Walk (1969) 305 Commentary: Walk Johnhely 306 Ben Patterson 312 Solo for Dancer (1962) 313 On Solo for Dancer Ben Patterson 314 Michael Pisaro 315 Only (2005-6) 316 Ten Encounters (A Personal Text Score History) Michael Pisaro 317 Commentary: Only James Saunders 320 Erik Satie 328 Performance Indications 330 Craig Shepard 334 Lines (1) and Lines (2) (1999) 335 Use of Text Notation Craig Shepard 337 Kunsu Shim 338 PLACES with Airhorn (1999) 339 Statement: Verbal Notation Kunsu Shim 340 Mieko (Chieko) Shiomi 341 Event Scores (1963-4) 342 Text Notation Mieko Shiomi 343 Hugh Shrapnel 344 Houdini Rite (1970) 345 Verbal Music Hugh Shrapnel 347 CONTENTS ix Howard Skempton for Strings (1969) On for Strings Mark So Some forgotten day (sparse winter) (2009) text \| composition - scores and structure after 4 33 Karlheinz Stockhausen RIGHT DURATIONS (1968) Commentary: RIGHT DURATIONS Jennifer Walshe dirty white fields (2002) Commentary: dirty white fields Manfred Werder 2005і Text Scores - Statement (1) Statement on Indeterminacy Commentary: 20051 John White Newspaper-Reading Machine (c. 1971) Statement on Verbal Notation Commentary: Newspaper-Reading Machine Michael Winter for Sol LeWitt (2009) Relativity and Scalability with Respect to Sound and Silence Daniel James Wolf The Long March (2009) Notes with or without Notes Christian Wolff Stones (1968) On Verbal Notations Commentary: Stones Amnon Wolman February 26, 2000 Statement La Monte Young 1960 Works 349 350 Howard Skempton 351 353 354 Mark So 357 360 361 James Saunaers 362 366 367 james Saunders 372 377 378 Manfred Werder 379 Manfred Werder 381 JohnLely 382 388 389 John White 390 JohnLely 391 395 396 Michael Winter 397 399 400 Daniel James Wolf 401 410 411 Christian Wolff 412 James Saunders 414 418 419 Amnon Wolman 420 423 424 χ WORD EVENTS 11 II 07 Corrected Numbering System for 1960 Works La Monte Young 428 Commentary: 1960 Works James Saunders 430 Why I Withdrew from Fluxus La Monte Young 436 Sources 438 Bibliography 440 Index 449
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spellingShingle	Lely, John 1976- Saunders, James 1972- Word events perspectives on verbal notation Musical notation Avant-garde (Music) / Notation Englisch (DE-588)4014777-0 gnd Komposition Musik (DE-588)4133320-2 gnd Notenschrift (DE-588)4135339-0 gnd Experimentelle Musik (DE-588)4153365-3 gnd Wort Motiv (DE-588)4612365-9 gnd
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title	Word events perspectives on verbal notation
title_auth	Word events perspectives on verbal notation
title_exact_search	Word events perspectives on verbal notation
title_full	Word events perspectives on verbal notation John Lely and James Saunders
title_fullStr	Word events perspectives on verbal notation John Lely and James Saunders
title_full_unstemmed	Word events perspectives on verbal notation John Lely and James Saunders
title_short	Word events
title_sort	word events perspectives on verbal notation
title_sub	perspectives on verbal notation
topic	Musical notation Avant-garde (Music) / Notation Englisch (DE-588)4014777-0 gnd Komposition Musik (DE-588)4133320-2 gnd Notenschrift (DE-588)4135339-0 gnd Experimentelle Musik (DE-588)4153365-3 gnd Wort Motiv (DE-588)4612365-9 gnd
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