A field of possibilities: designing and playing digital musical instruments
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Göteborg
Academy of Music and Drama, University of Gothenburg ; Högskolan för scen och musik
2011
|
| Series: | ArtMonitor avhandling
30 |
| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025165035&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Item Description: | Literaturliste S. 335-341 |
| Physical Description: | 355 S. Ill. DVD-Video (12 cm) |
| ISBN: | 9789197847780 |
Staff View
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| 100 | 1 | |a Nilsson, Per Anders |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a A field of possibilities |b designing and playing digital musical instruments |c Per Anders Nilsson |
| 264 | 1 | |a Göteborg |b Academy of Music and Drama, University of Gothenburg ; Högskolan för scen och musik |c 2011 | |
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Record in the Search Index
| _version_ | 1819276927995740160 |
|---|---|
| adam_text | Contents
Abstract
iv
Preface
xiii
Acknowledgments
xv
Preamble
ι
Point of Departure
-
Mapping the Thesis
ι
Research Questions
3
Field of Research
3
Context of Improvisation
5
A Field of Possibilities
5
Improvisation Ensembles in this Work
6
Beam Stone
6
duo pantoMorf
7
Limitations
8
Personal Matters
9
Relations to my Instrument: the Saxophone
11
The Instrument as an Object
12
The Instrument as a Subject
14
The Structure of the Thesis
15
Methodology
16
Design Time Aesthetics
16
Play Time Aesthetics
17
Perception in Play
17
Instrument
18
Setting
18
Analyses and Discussion
19
DVD
19
Methodology
21
Introduction
21
Research Method
25
Design Time
-
Play Time
27
Design Time
-
Composition
29
Play Time
-
Improvisation
30
Aesthetic Dimensions in Analysis
32
Playing the Instrument
33
Interaction and Musical Roles
35
Real and Perceived Degree of Freedom
36
Visual Appearance
37
Design Process
38
Inspirational Ideas
39
Criterion
41
Conception
41
Implementation
42
Design Process in This Work: an Example
42
An Iterative Process
44
Interaction
46
Design Time Aesthetics
49
Introduction
49
Music of Sounds
51
The Legacy of Anton
Webern 53
Offsprings of Jazz
56
Experimental and
Avant-Garde
Music
60
Sounds and Statistics
61
Music as Process
65
Sound Playing in This Work
66
Computer Music
69
The Music Machine
69
Computer-Based Composition Programs
70
Interactive Digital Music Systems
73
Compose, Control, and Play
75
Play Time Aesthetics
77
Introduction
77
Meaning of Play and Game
78
Game Design
84
Game Mechanics
84
Spaces
85
Goals
86
Rules
86
Chance, Skills, and Probability
90
Game Aesthetics
93
Narration in Games
93
Player Types
96
Interaction Patterns
97
Game Design Applied to Music
100
General Musical
Concepts
ιοί
Narration
and Rules
ιοί
Game Aesthetics and Game Play Properties
104
Secrets in Music
105
Skills in Music
107
The Open Work
107
Jazz Music
109
Giant Steps
110
Click Piece
112
The Great Learning
113
Prozession
and Intuitive Music
115
Prozession 115
Aus den sieben Tagen 116
Game
Pieces
118
Cobra
119
Perception in Play
121
Introduction
121
Ecological Listening
122
Ecological Listening Applied on Music
124
Affordances
125
Affordances in Music
127
Time and Music
130
Notions of Now
130
Timescales in Music
132
Time Scales in this Work
135
Intentional Objects
137
Sonic Objects
139
Intentional Objects in this Work
142
Modes of Listening
145
Listening in this Work
149
Instrument
153
Introduction
153
Classifications and Notions of the Musical Instrument
155
Permanence
-
Variation
157
Digital Musical Instruments
160
Notions of the Digital
160
Action-Sound Links
161
Gestural Surrogacy
163
Action-Sound Links in This Work
164
A Taxonomy for Interactive Music Systems
165
Mapping
167
Mapping Terminology
168
Aspects of Mapping
172
Loudspeaker Systems
172
Loudspeaker Systems in This Work
176
The Hyper-Instrument
178
General Design of the Hyper-Instrument
179
Controllers
180
The
2003
System
183
The
2009
System
184
Instrument Classification in This Work
187
Main Instruments
189
The Granular Machine
189
The Design of the Granular Machine
191
Playing Modes of the Granular Machine
196
TheSyncLooper
198
The Walking Machine
203
Musical Influences
204
The Design of the Walking Machine
209
The exPressure Pad
215
The Design of the exPressure Pad
215
Control Instruments
222
The Groover2
222
The FourToThree
224
The
Munger
226
Effects
228
GRM
tools
228
TimeFactor
230
Internal Effects
231
Setting
233
Introduction
233
Beam Stone
234
The Music of Beam Stone
236
duo pantoMorf
242
Controlling Improvisation
246
Freedom and Constraints
246
Musical
Form
253
Accidents and Emergencies
255
Contextualization
256
Controlled Accidents
258
Synchronized Accidents
260
Examples of Applied Controlling Concepts
262
Amalgamation
263
Do your own thing
265
Sounds and Silence
267
Analysis and Discussion
269
Introduction
269
Playing Musical instruments
270
In Dialogue
272
Practicing
274
In Context
278
Analysis
280
Practicing, Preparing, and Playing
281
Playing Sample Based Instruments
286
The Granular Machine
288
Playing the Instrument
289
Interaction and Musical Roles
291
Real and Perceived Degree of Freedom
294
Visual Appearance
295
The SyncLooper
295
Playing the Instrument
295
Interaction and Musical Roles
298
Real and Perceived Degree of Freedom
301
Visual Appearance
303
The Walking Machine
303
Playing the Instrument
304
Interaction and Musical Roles
306
Real and Perceived Degree of Freedom
307
Visual Appearance
308
The ExpressurePad
308
Playing the Instrument
309
Interaction and Musical Roles
310
Real and Perceived Degree of Freedom
311
Visual Appearance
312
Control
Instruments
312
Experiments 3*4
Background
to the Experiments
314
Davis Deconstructed
314
Practicing, Preparing, and Playing
317
Conclusion of the Experiment
318
My Funny Valentine
318
Practicing, Preparing, and Playing
319
Conclusion of the Experiment
322
Concluding Discussion
324
Contribution and Further Research
329
My Contribution
329
Further Research
332
References
335
Literature
335
Music
342
Index
345
Appendix
349
Analysis of DVD Content
349
Instrument GUI
353
General GUI Images
353
Instrument GUI
354
|
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| id | DE-604.BV040310230 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T16:12:12Z |
| institution | BVB |
| isbn | 9789197847780 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025165035 |
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| physical | 355 S. Ill. DVD-Video (12 cm) |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Academy of Music and Drama, University of Gothenburg ; Högskolan för scen och musik |
| record_format | marc |
| series | ArtMonitor avhandling |
| series2 | ArtMonitor avhandling |
| spellingShingle | Nilsson, Per Anders A field of possibilities designing and playing digital musical instruments ArtMonitor avhandling digital musikinstrumenter / improvisation / eksperimentiel musik / fri improvisation / computer musik / design time / play time / affordance Computermusik (DE-588)4113239-7 gnd Improvisation (DE-588)4127993-1 gnd |
| subject_GND | (DE-588)4113239-7 (DE-588)4127993-1 (DE-588)4113937-9 |
| title | A field of possibilities designing and playing digital musical instruments |
| title_auth | A field of possibilities designing and playing digital musical instruments |
| title_exact_search | A field of possibilities designing and playing digital musical instruments |
| title_full | A field of possibilities designing and playing digital musical instruments Per Anders Nilsson |
| title_fullStr | A field of possibilities designing and playing digital musical instruments Per Anders Nilsson |
| title_full_unstemmed | A field of possibilities designing and playing digital musical instruments Per Anders Nilsson |
| title_short | A field of possibilities |
| title_sort | a field of possibilities designing and playing digital musical instruments |
| title_sub | designing and playing digital musical instruments |
| topic | digital musikinstrumenter / improvisation / eksperimentiel musik / fri improvisation / computer musik / design time / play time / affordance Computermusik (DE-588)4113239-7 gnd Improvisation (DE-588)4127993-1 gnd |
| topic_facet | digital musikinstrumenter / improvisation / eksperimentiel musik / fri improvisation / computer musik / design time / play time / affordance Computermusik Improvisation Hochschulschrift DVD |
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