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Bibliographic Details
Main Author:	Koelsch, Stefan 1968- (Author)
Format:	Book
Language:	English
Published:	Chichester, West Sussex Wiley-Blackwell 2013
Edition:	First edition
Subjects:	Music / Physiological aspects Music / Psychological aspects Cognitive neuroscience Musik Psychologie Neuropsychologie Musikpsychologie
Links:	http://scans.hebis.de/HEBCGI/show.pl?29206906_aub.html http://scans.hebis.de/HEBCGI/show.pl?29206906_bio.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024958226&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Physical Description:	xiii, 308 Seiten Illustrationen, Diagramme, Notenbeispiele
ISBN:	9780470683408 9780470683392 9781118374023 9781119943112 9781119943129

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MARC


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Record in the Search Index

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adam_text	IMAGE 1 CONTENTS PREFACE IX PART I INTRODUCTORY CHAPTERS 1 1 EAR AND HEARING 3 1.1 THE EAR 3 1.2 AUDITORY BRAINSTEM AND THALAMUS 6 1.3 PLACE AND TIME INFORMATION 8 1.4 BEATS, ROUGHNESS, CONSONANCE AND DISSONANCE 9 1.5 ACOUSTICAL EQUIVALENCY OF TIMBRE AND PHONEME 11 1.6 AUDITORY CORTEX 12 2 MUSIC-THEORETICAL BACKGROUND 17 2.1 HOW MAJOR KEYS ARE RELATED 17 2.2 THE BASIC IN-KEY FUNCTIONS IN MAJOR 20 2.3 CHORD INVERSIONS AND NEAPOLITAN SIXTH CHORDS 21 2.4 SECONDARY DOMINANTS AND DOUBLE DOMINANTS 21 3 PERCEPTION OF PITCH AND HARMONY 23 3.1 CONTEXT-DEPENDENT REPRESENTATION OF PITCH 23 3.2 THE REPRESENTATION OF KEY-RELATEDNESS 26 3.3 THE DEVELOPING AND CHANGING SENSE OF KEY 29 3.4 THE REPRESENTATION OF CHORD-FUNCTIONS 30 3.5 HIERARCHY OF HARMONIC STABILITY 31 3.6 MUSICAL EXPECTANCIES 35 3.7 CHORD SEQUENCE PARADIGMS 36 IMAGE 2 VI CONTENTS 4 FROM ELECTRIC BRAIN ACTIVITY TO ERPS AND ERFS 40 4.1 ELECTRO-ENCEPHALOGRAPHY (EEG) 43 4.1.1 THE 10-20 SYSTEM 43 4.1.2 REFERENCING 45 4.2 OBTAINING EVENT-RELATED BRAIN POTENTIALS (ERPS) 45 4.3 MAGNETOENCEPHALOGRAPHY (MEG) 48 4.3.1 FORWARD SOLUTION AND INVERSE PROBLEM 49 4.3.2 COMPARISON BETWEEN MEG AND EEG 49 5 ERP COMPONENTS 51 5.1 AUDITORY PI, N1,P2 51 5.2 FREQUENCY-FOLLOWING RESPONSE (FFR) 53 5.3 MISMATCH NEGATIVITY 54 5.3.1 MMN IN NEONATES 5 7 5.3.2 MMN AND MUSIC 57 5.4 N 2 B A N D P 3 00 59 5.5 ERP-CORRELATES OF LANGUAGE PROCESSING 59 5.5.1 SEMANTIC PROCESSES: N400 60 5.5.2 SYNTACTIC PROCESSES: (E)LAN AND P600 63 5.5.3 PROSODIC PROCESSES: CLOSURE POSITIVE SHIFT 67 6 A BRIEF HISTORICAL ACCOUNT OF ERP STUDIES OF MUSIC PROCESSING 70 6.1 THE BEGINNINGS: STUDIES WITH MELODIC STIMULI 70 6.2 STUDIES WITH CHORDS 74 6.3 MMN STUDIES 75 6.4 PROCESSING OF MUSICAL MEANING 76 6.5 PROCESSING OF MUSICAL PHRASE BOUNDARIES 77 6.6 MUSIC AND ACTION 77 7 FUNCTIONAL NEUROIMAGING METHODS: FMRI AND PET 79 7.1 ANALYSIS OF FMRI DATA 81 7.2 SPARSE TEMPORAL SAMPLING IN FMRI 84 7.3 INTERLEAVED SILENT STEADY STATE FMRI 85 7.4 ACTIVATION VS. ACTIVITY CHANGE 85 PART II TOWARDS A NEW THEORY OF MUSIC PSYCHOLOGY 87 8 MUSIC PERCEPTION: A GENERATIVE FRAMEWORK 89 9 MUSICAL SYNTAX 98 9.1 WHAT IS MUSICAL SYNTAX? 98 9.2 COGNITIVE PROCESSES 102 IMAGE 3 CONTENTS VII 9.3 THE EARLY RIGHT ANTERIOR NEGATIVITY (ERAN) 109 9.3.1 THE PROBLEM OF CONFOUNDING ACOUSTICS AND POSSIBLE SOLUTIONS 113 9.3.2 EFFECTS OF TASK-RELEVANCE 120 9.3.3 POLYPHONIC STIMULI 121 9.3.4 LATENCY OF THE ERAN 127 9.3.5 MELODIES 127 9.3.6 LATERALIZATIONOFTHEERAN 129 9.4 NEUROANATOMICAL CORRELATES 131 9.5 PROCESSING OF ACOUSTIC VS. MUSIC-SYNTACTIC IRREGULARITIES 133 9.6 INTERACTIONS BETWEEN MUSIC- AND LANGUAGE-SYNTACTIC PROCESSING 138 9.6.1 THE SYNTACTIC EQUIVALENCE HYPOTHESIS 145 9.7 ATTENTION AND AUTOMATICITY 147 9.8 EFFECTS OF MUSICAL TRAINING 149 9.9 DEVELOPMENT 151 10 MUSICAL SEMANTICS 156 10.1 WHAT IS MUSICAL SEMANTICS? 156 10.2 EXTRA-MUSICAL MEANING 158 10.2.1 ICONIC MUSICAL MEANING 158 10.2.2 INDEXICAL MUSICAL MEANING 159 EXCURSION: DECODING OF INTENTIONS DURING MUSINC LISTENING 161 10.2.3 SYMBOLIC MUSICAL MEANING 162 10.3 EXTRA-MUSICAL MEANING AND THE N400 163 10.4 INTRA-MUSICAL MEANING 170 EXCURSION: POSTERIOR TEMPORAL CORTEX AND PROCESSING OF MEANING 166 10.4.1 INTRA-MUSICAL MEANING AND THE N5 171 10.5 MUSICOGENIC MEANING 177 10.5.1 PHYSICAL 177 10.5.2 EMOTIONAL 179 10.5.3 PERSONAL 180 10.6 MUSICAL SEMANTICS 181 10.6.1 NEURAL CORRELATES 181 10.6.2 PROPOSITIONAL SEMANTICS 182 10.6.3 COMMUNICATION VS. EXPRESSION 182 10.6.4 MEANING EMERGING FROM LARGE-SCALE RELATIONS 183 10.6.5 FURTHER THEORETICAL ACCOUNTS 184 11 MUSIC AND ACTION 186 11.1 PERCEPTION-ACTION MEDIATION 186 11.2 ERP CORRELATES OF MUSIC PRODUCTION 189 IMAGE 4 VIII CONTENTS 12 EMOTION 203 12.1 WHAT ARE MUSICAL EMOTIONS ? 204 12.2 EMOTIONAL RESPONSES TO MUSIC - UNDERLYING MECHANISMS 207 12.3 FROM SOCIAL CONTACT TO SPIRITUALITY - THE SEVEN CS 208 12.4 EMOTIONAL RESPONSES TO MUSIC - UNDERLYING PRINCIPLES 212 12.5 MUSICAL EXPECTANCIES AND EMOTIONAL RESPONSES 216 12.5.1 THE TENSION-ARCH 218 12.6 LIMBIC AND PARALIMBIC CORRELATES OF MUSIC-EVOKED EMOTIONS 219 12.6.1 MAJOR-MINOR AND HAPPY-SAD MUSIC 225 12.6.2 MUSIC-EVOKED DOPAMINERGIC NEURAL ACTIVITY 226 12.6.3 MUSIC AND THE HIPPOCAMPUS 227 12.6.4 PARAHIPPOCAMPAL GYMS 231 12.6.5 A NETWORK COMPRISING HIPPOCAMPUS, PARAHIPPOCAMPAL GYMS, AND TEMPORAL POLES 232 12.6.6 EFFECTS OF MUSIC ON INSULAR AND ANTERIOR CINGULATE CORTEX ACTIVITY 232 12.7 ELECTROPHYSIOLOGICAL EFFECTS OF MUSIC-EVOKED EMOTIONS 233 12.8 TIME COURSE OF EMOTION 234 12.9 SALUTARY EFFECTS OF MUSIC MAKING 235 13 CONCLUDING REMARKS AND SUMMARY 241 13.1 MUSIC AND LANGUAGE 241 13.2 THE MUSIC-LANGUAGE CONTINUUM 244 13.3 SUMMARY OF THE THEORY 249 13.4 SUMMARY OF OPEN QUESTIONS 258 REFERENCES 267 INDEX 303
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author	Koelsch, Stefan 1968-
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discipline	Psychologie Musikwissenschaft
edition	First edition
format	Book
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subject_GND	(DE-588)4135740-1 (DE-588)4040802-4 (DE-588)4127817-3
title	Brain and music
title_alt	Brain & music
title_auth	Brain and music
title_exact_search	Brain and music
title_full	Brain and music Stefan Koelsch
title_fullStr	Brain and music Stefan Koelsch
title_full_unstemmed	Brain and music Stefan Koelsch
title_short	Brain and music
title_sort	brain and music
topic	Music / Physiological aspects Music / Psychological aspects Cognitive neuroscience Musik Psychologie Neuropsychologie (DE-588)4135740-1 gnd Musik (DE-588)4040802-4 gnd Musikpsychologie (DE-588)4127817-3 gnd
topic_facet	Music / Physiological aspects Music / Psychological aspects Cognitive neuroscience Musik Psychologie Neuropsychologie Musikpsychologie
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work_keys_str_mv	AT koelschstefan brainandmusic AT koelschstefan brainmusic

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