Brain and music:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Chichester, West Sussex
Wiley-Blackwell
2013
|
| Ausgabe: | First edition |
| Schlagwörter: | |
| Links: | http://scans.hebis.de/HEBCGI/show.pl?29206906_aub.html http://scans.hebis.de/HEBCGI/show.pl?29206906_bio.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024958226&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xiii, 308 Seiten Illustrationen, Diagramme, Notenbeispiele |
| ISBN: | 9780470683408 9780470683392 9781118374023 9781119943112 9781119943129 |
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| 245 | 1 | 0 | |a Brain and music |c Stefan Koelsch |
| 246 | 1 | 3 | |a Brain & music |
| 250 | |a First edition | ||
| 264 | 1 | |a Chichester, West Sussex |b Wiley-Blackwell |c 2013 | |
| 300 | |a xiii, 308 Seiten |b Illustrationen, Diagramme, Notenbeispiele | ||
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| 650 | 4 | |a Music / Physiological aspects | |
| 650 | 4 | |a Music / Psychological aspects | |
| 650 | 4 | |a Cognitive neuroscience | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Psychologie | |
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Datensatz im Suchindex
| _version_ | 1819342119356071936 |
|---|---|
| adam_text | IMAGE 1
CONTENTS
PREFACE IX
PART I INTRODUCTORY CHAPTERS 1
1 EAR AND HEARING 3
1.1 THE EAR 3
1.2 AUDITORY BRAINSTEM AND THALAMUS 6
1.3 PLACE AND TIME INFORMATION 8
1.4 BEATS, ROUGHNESS, CONSONANCE AND DISSONANCE 9
1.5 ACOUSTICAL EQUIVALENCY OF TIMBRE AND PHONEME 11
1.6 AUDITORY CORTEX 12
2 MUSIC-THEORETICAL BACKGROUND 17
2.1 HOW MAJOR KEYS ARE RELATED 17
2.2 THE BASIC IN-KEY FUNCTIONS IN MAJOR 20
2.3 CHORD INVERSIONS AND NEAPOLITAN SIXTH CHORDS 21
2.4 SECONDARY DOMINANTS AND DOUBLE DOMINANTS 21
3 PERCEPTION OF PITCH AND HARMONY 23
3.1 CONTEXT-DEPENDENT REPRESENTATION OF PITCH 23
3.2 THE REPRESENTATION OF KEY-RELATEDNESS 26
3.3 THE DEVELOPING AND CHANGING SENSE OF KEY 29
3.4 THE REPRESENTATION OF CHORD-FUNCTIONS 30
3.5 HIERARCHY OF HARMONIC STABILITY 31
3.6 MUSICAL EXPECTANCIES 35
3.7 CHORD SEQUENCE PARADIGMS 36
IMAGE 2
VI CONTENTS
4 FROM ELECTRIC BRAIN ACTIVITY TO ERPS AND ERFS 40
4.1 ELECTRO-ENCEPHALOGRAPHY (EEG) 43
4.1.1 THE 10-20 SYSTEM 43
4.1.2 REFERENCING 45
4.2 OBTAINING EVENT-RELATED BRAIN POTENTIALS (ERPS) 45
4.3 MAGNETOENCEPHALOGRAPHY (MEG) 48
4.3.1 FORWARD SOLUTION AND INVERSE PROBLEM 49
4.3.2 COMPARISON BETWEEN MEG AND EEG 49
5 ERP COMPONENTS 51
5.1 AUDITORY PI, N1,P2 51
5.2 FREQUENCY-FOLLOWING RESPONSE (FFR) 53
5.3 MISMATCH NEGATIVITY 54
5.3.1 MMN IN NEONATES 5 7
5.3.2 MMN AND MUSIC 57
5.4 N 2 B A N D P 3 00 59
5.5 ERP-CORRELATES OF LANGUAGE PROCESSING 59
5.5.1 SEMANTIC PROCESSES: N400 60
5.5.2 SYNTACTIC PROCESSES: (E)LAN AND P600 63
5.5.3 PROSODIC PROCESSES: CLOSURE POSITIVE SHIFT 67
6 A BRIEF HISTORICAL ACCOUNT OF ERP STUDIES OF MUSIC PROCESSING 70 6.1
THE BEGINNINGS: STUDIES WITH MELODIC STIMULI 70
6.2 STUDIES WITH CHORDS 74
6.3 MMN STUDIES 75
6.4 PROCESSING OF MUSICAL MEANING 76
6.5 PROCESSING OF MUSICAL PHRASE BOUNDARIES 77
6.6 MUSIC AND ACTION 77
7 FUNCTIONAL NEUROIMAGING METHODS: FMRI AND PET 79
7.1 ANALYSIS OF FMRI DATA 81
7.2 SPARSE TEMPORAL SAMPLING IN FMRI 84
7.3 INTERLEAVED SILENT STEADY STATE FMRI 85
7.4 ACTIVATION VS. ACTIVITY CHANGE 85
PART II TOWARDS A NEW THEORY OF MUSIC PSYCHOLOGY 87
8 MUSIC PERCEPTION: A GENERATIVE FRAMEWORK 89
9 MUSICAL SYNTAX 98
9.1 WHAT IS MUSICAL SYNTAX? 98
9.2 COGNITIVE PROCESSES 102
IMAGE 3
CONTENTS VII
9.3 THE EARLY RIGHT ANTERIOR NEGATIVITY (ERAN) 109
9.3.1 THE PROBLEM OF CONFOUNDING ACOUSTICS AND POSSIBLE SOLUTIONS 113
9.3.2 EFFECTS OF TASK-RELEVANCE 120
9.3.3 POLYPHONIC STIMULI 121
9.3.4 LATENCY OF THE ERAN 127
9.3.5 MELODIES 127
9.3.6 LATERALIZATIONOFTHEERAN 129
9.4 NEUROANATOMICAL CORRELATES 131
9.5 PROCESSING OF ACOUSTIC VS. MUSIC-SYNTACTIC IRREGULARITIES 133 9.6
INTERACTIONS BETWEEN MUSIC- AND LANGUAGE-SYNTACTIC PROCESSING 138
9.6.1 THE SYNTACTIC EQUIVALENCE HYPOTHESIS 145
9.7 ATTENTION AND AUTOMATICITY 147
9.8 EFFECTS OF MUSICAL TRAINING 149
9.9 DEVELOPMENT 151
10 MUSICAL SEMANTICS 156
10.1 WHAT IS MUSICAL SEMANTICS? 156
10.2 EXTRA-MUSICAL MEANING 158
10.2.1 ICONIC MUSICAL MEANING 158
10.2.2 INDEXICAL MUSICAL MEANING 159
EXCURSION: DECODING OF INTENTIONS DURING MUSINC LISTENING 161 10.2.3
SYMBOLIC MUSICAL MEANING 162
10.3 EXTRA-MUSICAL MEANING AND THE N400 163
10.4 INTRA-MUSICAL MEANING 170
EXCURSION: POSTERIOR TEMPORAL CORTEX AND PROCESSING OF MEANING 166
10.4.1 INTRA-MUSICAL MEANING AND THE N5 171
10.5 MUSICOGENIC MEANING 177
10.5.1 PHYSICAL 177
10.5.2 EMOTIONAL 179
10.5.3 PERSONAL 180
10.6 MUSICAL SEMANTICS 181
10.6.1 NEURAL CORRELATES 181
10.6.2 PROPOSITIONAL SEMANTICS 182
10.6.3 COMMUNICATION VS. EXPRESSION 182
10.6.4 MEANING EMERGING FROM LARGE-SCALE RELATIONS 183 10.6.5 FURTHER
THEORETICAL ACCOUNTS 184
11 MUSIC AND ACTION 186
11.1 PERCEPTION-ACTION MEDIATION 186
11.2 ERP CORRELATES OF MUSIC PRODUCTION 189
IMAGE 4
VIII CONTENTS
12 EMOTION 203
12.1 WHAT ARE MUSICAL EMOTIONS ? 204
12.2 EMOTIONAL RESPONSES TO MUSIC - UNDERLYING MECHANISMS 207 12.3 FROM
SOCIAL CONTACT TO SPIRITUALITY - THE SEVEN CS 208
12.4 EMOTIONAL RESPONSES TO MUSIC - UNDERLYING PRINCIPLES 212 12.5
MUSICAL EXPECTANCIES AND EMOTIONAL RESPONSES 216
12.5.1 THE TENSION-ARCH 218
12.6 LIMBIC AND PARALIMBIC CORRELATES OF MUSIC-EVOKED EMOTIONS 219
12.6.1 MAJOR-MINOR AND HAPPY-SAD MUSIC 225
12.6.2 MUSIC-EVOKED DOPAMINERGIC NEURAL ACTIVITY 226 12.6.3 MUSIC AND
THE HIPPOCAMPUS 227
12.6.4 PARAHIPPOCAMPAL GYMS 231
12.6.5 A NETWORK COMPRISING HIPPOCAMPUS, PARAHIPPOCAMPAL GYMS, AND
TEMPORAL POLES 232 12.6.6 EFFECTS OF MUSIC ON INSULAR AND ANTERIOR
CINGULATE CORTEX ACTIVITY 232
12.7 ELECTROPHYSIOLOGICAL EFFECTS OF MUSIC-EVOKED EMOTIONS 233 12.8 TIME
COURSE OF EMOTION 234
12.9 SALUTARY EFFECTS OF MUSIC MAKING 235
13 CONCLUDING REMARKS AND SUMMARY 241
13.1 MUSIC AND LANGUAGE 241
13.2 THE MUSIC-LANGUAGE CONTINUUM 244
13.3 SUMMARY OF THE THEORY 249
13.4 SUMMARY OF OPEN QUESTIONS 258
REFERENCES 267
INDEX 303
|
| any_adam_object | 1 |
| author | Koelsch, Stefan 1968- |
| author_GND | (DE-588)122387783 |
| author_facet | Koelsch, Stefan 1968- |
| author_role | aut |
| author_sort | Koelsch, Stefan 1968- |
| author_variant | s k sk |
| building | Verbundindex |
| bvnumber | BV040101697 |
| classification_rvk | CX 7500 CZ 1300 LR 56650 |
| ctrlnum | (OCoLC)796203343 (DE-599)BVBBV040101697 |
| discipline | Psychologie Musikwissenschaft |
| edition | First edition |
| format | Book |
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| id | DE-604.BV040101697 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T16:08:04Z |
| institution | BVB |
| isbn | 9780470683408 9780470683392 9781118374023 9781119943112 9781119943129 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024958226 |
| oclc_num | 796203343 |
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| owner | DE-188 DE-12 DE-824 DE-703 DE-M29 DE-11 DE-355 DE-BY-UBR DE-19 DE-BY-UBM DE-B170 |
| owner_facet | DE-188 DE-12 DE-824 DE-703 DE-M29 DE-11 DE-355 DE-BY-UBR DE-19 DE-BY-UBM DE-B170 |
| physical | xiii, 308 Seiten Illustrationen, Diagramme, Notenbeispiele |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Wiley-Blackwell |
| record_format | marc |
| spellingShingle | Koelsch, Stefan 1968- Brain and music Music / Physiological aspects Music / Psychological aspects Cognitive neuroscience Musik Psychologie Neuropsychologie (DE-588)4135740-1 gnd Musik (DE-588)4040802-4 gnd Musikpsychologie (DE-588)4127817-3 gnd |
| subject_GND | (DE-588)4135740-1 (DE-588)4040802-4 (DE-588)4127817-3 |
| title | Brain and music |
| title_alt | Brain & music |
| title_auth | Brain and music |
| title_exact_search | Brain and music |
| title_full | Brain and music Stefan Koelsch |
| title_fullStr | Brain and music Stefan Koelsch |
| title_full_unstemmed | Brain and music Stefan Koelsch |
| title_short | Brain and music |
| title_sort | brain and music |
| topic | Music / Physiological aspects Music / Psychological aspects Cognitive neuroscience Musik Psychologie Neuropsychologie (DE-588)4135740-1 gnd Musik (DE-588)4040802-4 gnd Musikpsychologie (DE-588)4127817-3 gnd |
| topic_facet | Music / Physiological aspects Music / Psychological aspects Cognitive neuroscience Musik Psychologie Neuropsychologie Musikpsychologie |
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