Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Boston, Mass.
Berklee Press
2012
|
| Ausgabe: | 2. ed. |
| Schriftenreihe: | Berklee guide
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024769879&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024769879&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | A guide to the business, process, and procedures for writing music for film or television. Includes interviews with film scoring professionals. |
| Umfang: | XI, 410 S. Ill. |
| ISBN: | 9780876391099 |
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Datensatz im Suchindex
| _version_ | 1819275709074374656 |
|---|---|
| adam_text | Table of Contents
flcknowledgements
............................................
vii
Preface to the Second Edition
...............................viii
Introduction
......................................................
x
Part I: The History of Film Music
____________________1
Chapter
1
Early Films and Music:
The Silent Movies
....................................3
Chapter
2
The First Talkies:
The Beginning of Synchronized Music
..........13
Chapter
3
The Studio System and
The Studio Music Department
...................19
Chapter
4
Musical Styles-1930 to
1950:
The Golden
fige
of Hollywood
....................27
Chapter
5
Musical Styles
1950
to
1975 .....................35
Chapter
6 1975
to Today
......................................45
Chapter
7
Film-Scoring Technology
..........................55
I Part II: Production
______________________________65
Chapter
8
The Film-Making Process
.........................67
Chapter
9
The Composer s Time Frame
.....................79
Chapter
10
Spotting
............................................87
Chapter
11
The Music Editor
...................................93
Chapter
12
The Music Team:
Orchestrators and Music Preparation
.........109
Chapter
13
The Recording Session and Mix
................119
I Part III: The Music
_____________________________127
Chapter
14
Creating the Music
...............................129
Chapter
15
Technical Requirements of the Score
........139
Chapter
16
Syncing the Music to Picture
..................151
Chapter
17
Television
.........................................163
Chapter
18
Ethnic and Period Music
........................171
Chapter
19
flnimation
.........................................179
Chapter
20
Songs, Soundtracks, and Source Music
......189
■
Part IV: The Business of Film Scoring
___________203
Chapter
21
Making the Deal:
:
flgents, flttorneys, and Contracts
............205
1
Chapter
22
Publishing and Copyrights
......................217
Chapter
23
Royalties
..........................................231
Chapter
24
Demos and Marketing
...........................245
Chapter
25
Finding Work
......................................255
■
Part V: Interviews
__________________________263
Elmer Bernstein
................................................264
Terence
Blanchard
.............................................270
fllf Clausen
......................................................276
Cliff Eidelman
..................................................281
Danny Elf man
...................................................286
Richard Gibbs
...................................................293
Elliot
Goldenthal ...............................................299
Michael Gorfaine
ε
Sam Schwartz
...........................305
Harry Gregson-Willioms
........................................310
;
Mark Isham
.....................................................316
Michael
Kamen .................................................322
Mark
Mancina
...................................................329
1
David Newman
..................................................333
David Raksin
....................................................338
Lolita Ritmanis
.................................................345
William Ross
....................................................351
Marc Shaiman
...................................................356
;
fllan
Silvestri
....................................................366
Mark Snow
.......................................................372
і
RichardStone
..................................................377
і
Shirley Walker
..................................................382
É
End Notes
________________________________388
■
Resources
________________________________38?
φ
Obout
the fluthor
____________________________
3?3
■ Index
____________________________________
3>4
MUSIC/FILM SCORING
Step-ky-Step
б«ик
to Rhi Sewing
This comprehensive guide is essential for
anyone interested in the business, process,
and procedures of writing music for film or
television. Learn step-by-step the Berklee
College of Music approach to the art of film
scoring, including such topics as: the film¬
making process, preparing and recording a
score, and the business side of film scoring
including contracts, fees, publishing,
royalties, and copyrights. Learn first-hand
from interviews with
21
film-scoring
professionals such as Michael
Kamen
(Mr. Holland s Opus, Brazil), fllf Clausen
(The Simpsons, Naked Gun), Ulan
Silvestri
(Forrest Gump, Contact), Mark Snow
(X-Files, Millennium), and Elmer Bernstein
(Го
Kill a Mockingbird, Airplane, Rainmaker).
The second edition has updated information
about the technology of film scoring, new
insights into finding work in the industry,
plus two additional interviews with film
composers Harry Gregson-Williams (Shrek,
Kingdom of Heaven) and Marc Shaimon
(Hairspray, The American President).
Berklee Press,
а
publishing activity of Berklee College of
Music, is a not-for-profit educational publisher. Available
proceeds from the sales of our products are contributed
to the scholarship funds of the college.
Series and cover design: moore moscowitz
beridee
press
Berklee
Ртем
1140
Boylston Street
Boston, MA
02215
USA
617-747-2146
www.berfcleepress.com
U.S.
$27.99
Often, when writing
α
film score I wish I hod
studied the art sufficiently to avoid reinventing the
wheel. This book is a valuable oddition to the world
of music—interesting, informative, and inspiring.
Michael Kbmen
This is
о
splendidly-constructed reference manual
with a winning combination of technical expertise
and the human touch of a film composer s life
experiences. It will serve
os a
great motivator for all
composers burning for a career in the film industry.
flLF Clpusen, Emmy and
ňnnie
winning composer—
The Simpsons, Moonlighting,
ÁLF
I ve spent my entire professional life working with
composers, from the most talented and successful
to those just beginning their career. This guide has
captured it oil, from the history of film music to
modern-day trends, as well as providing invaluable
information about the music business.
Noncy Knutsen, HSCHP Special Consultant for
Film and Television Repertory
Rn insightful, enlightening, and comprehensive
resource for anybody interested in pursuing a career
as a film composer.
Doreen
Rincer-Ross, Rssistont
Vice President,
Film
ε
Television Relations,
BMI
Provides an insight into the
ort
of scoring music for
films in unusually clear and concise longuage.
Elmer Bernstein
DtsnttauTCD
Вт
2
HAL LEONARD·
ISBN
978-0-87639-109-9
■8408847419^5
HL50449607
|
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| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 2. ed. |
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| isbn | 9780876391099 |
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| spellingShingle | Davis, Richard 1930-2023 Complete guide to film scoring the art and business of writing music for movies and TV Film Motion picture music Instruction and study Television music Instruction and study Motion pictures Production and direction Motion picture music History and criticism Motion pictures and television Komposition (DE-588)4032012-1 gnd Filmmusik (DE-588)4017129-2 gnd Komponist (DE-588)4032009-1 gnd Komposition Musik (DE-588)4133320-2 gnd |
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| title | Complete guide to film scoring the art and business of writing music for movies and TV |
| title_auth | Complete guide to film scoring the art and business of writing music for movies and TV |
| title_exact_search | Complete guide to film scoring the art and business of writing music for movies and TV |
| title_full | Complete guide to film scoring the art and business of writing music for movies and TV Richard Davis |
| title_fullStr | Complete guide to film scoring the art and business of writing music for movies and TV Richard Davis |
| title_full_unstemmed | Complete guide to film scoring the art and business of writing music for movies and TV Richard Davis |
| title_short | Complete guide to film scoring |
| title_sort | complete guide to film scoring the art and business of writing music for movies and tv |
| title_sub | the art and business of writing music for movies and TV |
| topic | Film Motion picture music Instruction and study Television music Instruction and study Motion pictures Production and direction Motion picture music History and criticism Motion pictures and television Komposition (DE-588)4032012-1 gnd Filmmusik (DE-588)4017129-2 gnd Komponist (DE-588)4032009-1 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Film Motion picture music Instruction and study Television music Instruction and study Motion pictures Production and direction Motion picture music History and criticism Motion pictures and television Komposition Filmmusik Komponist Komposition Musik Einführung |
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