Lessons from a street-wise professor: what you won't learn at most music schools
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Fairport, NY
Soundown
2011
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024591294&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | XIV, 256 S. |
| ISBN: | 9780982863909 |
Internformat
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| 264 | 1 | |a Fairport, NY |b Soundown |c 2011 | |
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| 650 | 4 | |a Music |x Economic aspects | |
| 650 | 4 | |a Musicians |v Anecdotes | |
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Datensatz im Suchindex
| _version_ | 1819339977015689216 |
|---|---|
| adam_text | CONTENTS
Introduction: A
Little Background
xi
Chapter
ι.
Legos and Putting Them Together
1
Legos
1
You, Inc.
2
What Do You Consider Success?
3
Chapter
2.
The Musician s Business Challenge
5
It s a Commodity Market
5
There Is Changing Demand
8
There Are Price Pressures
9
Reduced Resources
10
A Highly Competitive and Large Talent Pool
12
Chapter
3.
What Is
Entrepreneurship
and Why Should
We Care?
15
Be Prepared for a Career That Must Evolve
16
Breadth/Depth
16
Musicians Are Already Owners
17
It s a Commodity Market (a reprise)
17
You, Inc. (another reprise)
18
Chapter
4.
What Are the Characteristics of an
Entrepreneurial Musician?
19
A Definition
19
Successful Entrepreneurial Musicians Need and
Usually Have.
. .
20
...
a Broad Education
20
iii
vi
Lessons from a Street-Wise Professor
Effect of Reducing Your Gross Earnings with a
401Kor403b
113
Instruments Available for Pre-tax Saving
115
Tax Deductable Plans
116
Where to Put Your Money
116
Credit Cards
122
Insurance
124
Instrument Insurance
125
Health Insurance
125
Life Insurance
126
Chapter
9.
Five Non-Linear Career Journeys
129
Maria Schneider
—
It s Not Your Father s Record Business
Anymore
129
Todd and Chandra Lowery
—
We Want to Live Here. How
Can We Make a Living?
134
Jeff Tyzik—What s in My Lego Kit?
139
Robert DiLutis
—
Invest in Yourself
145
Alarm Will Sound
—
More of a Band Than an Orchestra
150
Chapter
10.
Ninety-Six Street Level Tips That You Won t
Learn in Most Music Schools
157
Being a Professional
158
Do Your Own Thing, Then Figure Out How
To Get Paid For It
158
Make Friends
—
Your Peers Are Your Best Resource
158
Be Yourself
159
Know The Players
—
Size up the Situation
159
Try Not To Be Noticed
160
Don t Lay Low
—
Be Noticed
161
Don t Play Lead from the Second Chair
161
Don t Look at the Soloist
162
Look at the Soloist
162
Control Your Nerves
162
Learn to Deal with Stress
163
Contents
vii
Be Nice to the Stagehands
165
Give Compliments, Take Compliments
166
Give Credit
166
If You re a Jerk You Had Better Be the Leader
166
The Union Is Your Friend
167
Avoid One-Offs, Get Mileage Out of What You Do
168
Don t Worry About the Other Guy
168
Be a Life-Long Student
169
Write Down What You Know
169
Have an Idea/Project File
170
One Thing Leads to Another
170
We Know You Will Be a Teacher
171
Don t Talk Money in Front of Others
171
Don t Talk About Upcoming Gigs in Front of Others
172
Know the Difference Between Honesty and Tact
172
Make Sure You Can Back Up What You Say
173
Know How to Turn Down a Gig
174
It s Okay To Say I Don t Know
174
You Don t Have To Be Perfect All the Time
175
Make Yourself Indispensible
175
What Do You Do BeyondYour Job Description?
175
Career or Job
176
Know When To Fold Em
177
Always Remember Why You Decided on a
Career in Music
178
Keep Your Dream Alive
179
Being a Successful Entrepreneur
179
Don t Make Money the Number One Objective
—
Learn to Wait
179
Don t Dilute Your Product in Order to Make Money
180
Don t Be Embarrassed about Making Money
180
There Is No One Model for Entrepreneurs
—
Gain
Experience First
181
Envision the Future
182
viii
Lessons from a Street-Wise Professor
Think
Big—
Or Go Home
183
Think Global
183
Big Problem
=
Big Opportunity
185
Don t Spend a Lot of Time Looking in Your
Rear-View Mirror
186
Don t Confuse
Entrepreneurship
with
Self-Promotion or Making Something
186
Running a Successful Business-You, Inc.
187
Act Like a Business
187
Do Things When You Say You Will
187
Dress the Part
188
Talk Less
—
Listen and Observe
188
Discipline Yourself
189
Be Diplomatic
190
Be Objective When It Matters
191
Don t Burn Bridges
191
Ask for Advice
—
Have a Mentor, Have a Confidant
192
Mean What You Say
192
Do Something Nice
193
Let People Off the Hook
193
Drive a Soft Bargain
194
Be Proactive Not Reactive
195
Know How To Get Lucky
196
Make a Pledge to Quality
197
Don t Be in a Hurry
197
Grow Slowly
197
Diversify
198
Seek Out the Best To Teach You What You
Don t Know
200
Know What You Don t Know
200
Be Flexible
201
Know Your Competition
203
Manage Your Time Well
205
Contents ix
Stick
to a Schedule
206
Getting Ahead
207
Make the Client Feel Good
207
Know When To Take a Solo
209
Know the Rules
209
There Is Always a System
209
Don t Change the System: Work Through It
—
Then Change It
210
Go Cheap at the Outset
210
Improvise
210
Trust, Loyalty and Commitment
211
Attention to Detail and Immediate Follow-Up
211
Don t Use a Gig To Make a Personal Statement
211
Never Go One-On-One with the Boss
212
What an Internship Can Teach You
213
Negotiation
213
Have Your Price in Mind
214
Let the Other Guy Talk First
214
I See Your Point, But
. . . 215
Do It in Person
215
Be Prepared
216
Separate Personalities from the Issues
216
Avoid Showdowns
216
It Ain t Over Till It s Over
217
What Contractors Like
219
Someone Who Is Available
219
Someone Who Is Loyal (They Will Be Loyal
in Return)
219
Someone Who Is Always on Time (If You re on
Time You re Late)
220
Someone Who Makes Them Look Good
220
Someone Who Doesn t Ask Dumb Questions
221
χ
Lessons from a Street-Wise Professor
Chapter
11.
Coda
223
Bibliography
227
Endnotes 229
Appendix
A-Index
of Lessons
233
Index
243
Acknowledgements
253
About the Author
255
|
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| dewey-ones | 780 - Music |
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| discipline | Musikwissenschaft |
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| id | DE-604.BV039743682 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T16:01:20Z |
| institution | BVB |
| isbn | 9780982863909 |
| language | English |
| lccn | 2010912972 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024591294 |
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| physical | XIV, 256 S. |
| publishDate | 2011 |
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| publisher | Soundown |
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| spellingShingle | Ricker, Ramon 1943- Lessons from a street-wise professor what you won't learn at most music schools Musik Music trade Vocational guidance Music Economic aspects Musicians Anecdotes Musiker (DE-588)4040841-3 gnd Berufsausbildung (DE-588)4005871-2 gnd Karriereplanung (DE-588)4129406-3 gnd |
| subject_GND | (DE-588)4040841-3 (DE-588)4005871-2 (DE-588)4129406-3 (DE-588)4048476-2 |
| title | Lessons from a street-wise professor what you won't learn at most music schools |
| title_auth | Lessons from a street-wise professor what you won't learn at most music schools |
| title_exact_search | Lessons from a street-wise professor what you won't learn at most music schools |
| title_full | Lessons from a street-wise professor what you won't learn at most music schools Ramon Ricker |
| title_fullStr | Lessons from a street-wise professor what you won't learn at most music schools Ramon Ricker |
| title_full_unstemmed | Lessons from a street-wise professor what you won't learn at most music schools Ramon Ricker |
| title_short | Lessons from a street-wise professor |
| title_sort | lessons from a street wise professor what you won t learn at most music schools |
| title_sub | what you won't learn at most music schools |
| topic | Musik Music trade Vocational guidance Music Economic aspects Musicians Anecdotes Musiker (DE-588)4040841-3 gnd Berufsausbildung (DE-588)4005871-2 gnd Karriereplanung (DE-588)4129406-3 gnd |
| topic_facet | Musik Music trade Vocational guidance Music Economic aspects Musicians Anecdotes Musiker Berufsausbildung Karriereplanung Ratgeber |
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