Strong experiences with music: music is much more than just music
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch Schwedisch |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2011
|
| Ausgabe: | 1. publ. |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024503442&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | XVII, 492 S. |
| ISBN: | 9780199695225 |
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| 240 | 1 | 0 | |a Starka musikupplevelser |
| 245 | 1 | 0 | |a Strong experiences with music |b music is much more than just music |c Alf Gabrielsson. Translated by Rod Bradbury |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Oxford [u.a.] |b Oxford Univ. Press |c 2011 | |
| 300 | |a XVII, 492 S. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 546 | |a Aus dem Schwed. übers. | ||
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Psychologie | |
| 650 | 4 | |a Music |x Psychological aspects | |
| 650 | 4 | |a Musical perception | |
| 650 | 4 | |a Music appreciation | |
| 650 | 4 | |a Cognition | |
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Datensatz im Suchindex
| _version_ | 1824438119510835200 |
|---|---|
| adam_text |
Contents
ι.
Introduction
ι
1.1 General background
ι
1.2
Strong experiences with music
(SEM)
2
1.3
Some previous studies
3
1.4
Perception and reaction
5
1.5
Structure of the book
6
2.
How the investigation was carried out
7
2.1
Tasks and participants
7
2.2
Analysis of the accounts
9
2.3
Questionnaire
9
3.
General points about the accounts
11
4.
Experiences during childhood
13
4.1
Security/safety and closeness
13
4.2
Absorbed, moved, in wonderment, struck, overwhelmed
18
4.3
Music for the first time
22
4.4
Listening over and over again
25
4.5
Strong experiences with music on special days
27
4.6
Singing or playing music oneself
30
4.7
Other special childhood experiences
33
4.8
Commentary
35
5.
Experiences during one's teenage years
36
5.1
Meeting one's idols
37
5.2
Encountering new, unknown music
45
5.3
Music as consolation, support, and therapy
during one's teens
56
5.4
Performing music during one's teens
61
5.5
Commentary
65
XII CONTENTS
6.
When music takes over
67
6.1
In everyday situations
67
6.2
Certain music takes over
72
7.
Merging with the music
77
7.1
Special receptivity
77
7.2
Being drawn into the music
79
7.3
Alone with the music
81
7.4
Identifying with the music
83
7.5
Being led/governed by the music
86
8.
Feeling light, floating, leaving one's body
91
8.1
Feeling light, weightless, taking off, being lifted, floating
91
8.2
Leaving one's body, out-of-body experiences
93
8.3
Commentary
97
9.
Inner music
99
9.1
Music that just comes into one's head
99
9.2
Composing music
103
9.3
Inner music afterwards
107
10.
Inner images
110
10.1
Images with a background in earlier experiences
110
10.2
Images in connection with programme music
113
10.3
Images of a religious character
116
10.4
Commentary
118
11.
Feelings/Emotion
120
in Strong, intense feelings
121
11.2
Positive feelings
122
11.3
Negative feelings
129
11.3.1
Negative experiences due to other circumstances
130
11.3.2
Negative experiences ascribed to the music itself
134
11.4
Mixed, contradictory, changed feelings
140
11.5
Using music to influence feelings
144
12.
Music and existence
149
12.1
The content and meaning of life
149
CONTENTS XIII
12.2
Presence in life, ultimate moments
153
12.3
Changed view of oneself and one's life
155
13.
Music and transcendence
159
13.1
Magical, supernatural, mysterious, spiritual experiences
159
13.2
Ecstasy, trance
161
13.3
Cosmic experiences, merging into something greater,
dissolution of one's ego
162
13.4
Experiences of other worlds, other realities
165
14.
Music and religious experiences
171
14.1
Visions of heaven, paradise, eternity
172
14.2
Spiritual peace, holy atmosphere, Christian community
176
14.3
Music conveys a religious message and contact
with divinity
178
14.4
Meeting the divine, God
182
15.
New insights, new possibilities
190
15.1
Making contact with one's innermost self:
new perspectives
190
15.2
Music opens up new possibilities in negative states
194
16.
Confirmation through music
199
16.1
Music reflects me, my feelings, and thoughts
200
16.2
Feeling selected, personally addressed
203
16.3
Self-confidence is strengthened
205
17.
Music as therapy
209
17.1
Relief of physical pain
209
17.2
Music in stress, uneasiness, anxiety, and depression
213
17.3
Summarizing comments
220
18.
When performing music oneself
222
18.1
Feelings and thoughts while performing music
222
18.2
Getting to play with advanced musicians
234
18.3
Improvisation
235
18.4
Nervousness or performance anxiety, and the
feelings when it passes
237
18.5
When feelings' take over
239
XIV CONTENTS
18.6
When everything fits and works: magical moments
242
18.7
Commentary
248
19.
Singing in a choir
250
19.1
Choir singing during childhood and adolescence
250
19.2
Singing in large choirs
253
19.3
Choir singing in church/religious contexts
255
19.4
Choir singing in other, unusual surroundings
259
19.5
Commentary
263
20.
Music in love: happy and unhappy
264
21.
Music in connection with illness and death
272
22.
Music at funerals
278
23.
Music in nature
283
24.
Music from and in other cultures
293
25.
Music at concerts: classical music
305
25.1
Experiences of the compositions
305
25.2
Experiences of particular artistes
322
26.
Music at concerts: jazz
336
27.
Music at concerts: pop and rock
346
28.
Metaphors and similes
355
28.1
Descriptions of the music or the performance
355
28.2
Descriptions of both the music and the experience
357
28.3
Listeners' descriptions of the experience
358
28.4
Performers' and composers' descriptions of
the experience
365
28.5
Summary
367
28.5.1
The music
367
28.5.2
The experience
368
29.
Survey of all reactions
373
29.1
General characteristics
374
29.2
Physical reactions and behaviours
374
CONTENTS
XV
29.2.1
Physiological reactions
374
29.2.2
Behaviours, actions, activity
376
29.2.3
Quasi-physical reactions
376
29.3
Perception
377
29.3.1
Auditory perception
377
29.3.2
Tactile perception
378
29-3-3
Visual perception
379
29.3.4 Multimodal
perception
379
29.3.5
Other senses
380
29.3.6
Synaesthetic perception
380
29.3.7
Intensified perception
381
29.3.8
Musical perception-cognition
381
29.4
Cognition
381
29.4.1
Expectations, receptivity, absorption
382
29.4.2
Altered experience of situation, body-mind,
time-space, parts-wholeness
382
29.4.3
Lose control, be surprised, moved, struck,
overwhelmed
383
29.4.4
Special relation to the music
383
29.4.5
Associations, memories, thoughts
384
29.4.6
Inner images, inner music
384
29.4.7
Musical cognition-emotion
385
29.5
Feelings, emotion
385
29.5.1
Strong, intense feelings
385
29.5.2
Positive feelings
386
29.5.3
Negative feelings
387
29.5.4
Mixed, contradictory, changed feelings
388
29.6
Existential and transcendental aspects
389
29.6.1
Existential aspects
389
29.6.2
Transcendental aspects
390
29.6.3
Religious experiences
390
29.7
Personal and social aspects
391
29.7.1
New insights, new possibilities
391
29.7.2
New insights, new possibilities, and new needs
concerning music
392
XVI CONTENTS
29.7.3
Confirmation, self-actualization
393
29.7.4
Community
394
29.8
Answers to other questions
395
29.8.1
Gender and age
395
29.8.2
Listeners and performers
397
29.8.3
Where, when, and in what social situation did
SEM
occur?
398
29.8.4
Live or reproduced music?
399
29.8.5
The first time?
399
29.8.6
The same strong experience next time?
400
29.8.7
How often does
SEM
occur?
401
29.8.8
Results of the questionnaire
401
30.
Music in
SEM 403
30.1
Division into categories
403
30.2
Distribution across different categories
405
30.3
Examples of music in
SEM 410
30.3.1
Art music, classical music
410
30.3.2
Artistes and ensembles within art music
410
30.3.3
Religious music
415
30.3.4
Folk music
416
30.3.5
Jazz
416
30.3.6
Rock, pop, other popular music
417
30.3.7
Songs, tunes
417
30.3.8
Entertainment music, dance music
418
30.3.9
Instruments, voices
418
30.4
Connection between categories and reactions?
419
31.
What in the music elicited the reactions?
422
31.1
Emotional expression
422
31.2
Special elements in the music
423
31.3
Certain parts or portions of the music
428
31.4
The importance of text (lyrics, libretto)
432
31.5
Commentary
435
32.
Causes, consequences, and importance
436
32.1
Causes
436
CONTENTS
XVII
32.1.1
Music
437
32.1.2
Person
438
32.1.3
Situation
439
32.1.4
Interplay: music-person-situation
441
32.2
Consequences
441
32.2.1
Directly afterwards
441
32.2.2
Long-term perspective
442
32.3
What music can mean: quotations
444
33.
Overview, comparisons, questions, outlooks
449
33.1
Brief overview/summary
449
33.2
Comparisons with earlier studies
451
33.3
Similarities with other strong experiences
452
33.4
Can one trust memory and language?
455
33.5
Some outlooks and relations to other topics
457
33.6
Personal final comments
460
Appendix A: A descriptive system for strong experiences
with music
462
Appendix B: An example of analysis of an account
469
Notes
471
Index
487 |
| any_adam_object | 1 |
| author | Gabrielsson, Alf 1936-2024 |
| author_GND | (DE-588)138277281 |
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| classification_rvk | LR 56650 |
| ctrlnum | (OCoLC)760141230 (DE-599)BVBBV039653839 |
| dewey-full | 781/.11 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781/.11 |
| dewey-search | 781/.11 |
| dewey-sort | 3781 211 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV039653839 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-18T23:02:56Z |
| institution | BVB |
| isbn | 9780199695225 |
| language | English Swedish |
| lccn | 2011024655 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024503442 |
| oclc_num | 760141230 |
| open_access_boolean | |
| owner | DE-12 DE-824 |
| owner_facet | DE-12 DE-824 |
| physical | XVII, 492 S. |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Gabrielsson, Alf 1936-2024 Verfasser (DE-588)138277281 aut Starka musikupplevelser Strong experiences with music music is much more than just music Alf Gabrielsson. Translated by Rod Bradbury 1. publ. Oxford [u.a.] Oxford Univ. Press 2011 XVII, 492 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Aus dem Schwed. übers. Musik Psychologie Music Psychological aspects Musical perception Music appreciation Cognition Intensität (DE-588)4114033-3 gnd rswk-swf Gefühlsreaktion (DE-588)4156271-9 gnd rswk-swf Musikerlebnis (DE-588)4170819-2 gnd rswk-swf Musikerlebnis (DE-588)4170819-2 s Gefühlsreaktion (DE-588)4156271-9 s Intensität (DE-588)4114033-3 s DE-604 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024503442&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gabrielsson, Alf 1936-2024 Strong experiences with music music is much more than just music Musik Psychologie Music Psychological aspects Musical perception Music appreciation Cognition Intensität (DE-588)4114033-3 gnd Gefühlsreaktion (DE-588)4156271-9 gnd Musikerlebnis (DE-588)4170819-2 gnd |
| subject_GND | (DE-588)4114033-3 (DE-588)4156271-9 (DE-588)4170819-2 |
| title | Strong experiences with music music is much more than just music |
| title_alt | Starka musikupplevelser |
| title_auth | Strong experiences with music music is much more than just music |
| title_exact_search | Strong experiences with music music is much more than just music |
| title_full | Strong experiences with music music is much more than just music Alf Gabrielsson. Translated by Rod Bradbury |
| title_fullStr | Strong experiences with music music is much more than just music Alf Gabrielsson. Translated by Rod Bradbury |
| title_full_unstemmed | Strong experiences with music music is much more than just music Alf Gabrielsson. Translated by Rod Bradbury |
| title_short | Strong experiences with music |
| title_sort | strong experiences with music music is much more than just music |
| title_sub | music is much more than just music |
| topic | Musik Psychologie Music Psychological aspects Musical perception Music appreciation Cognition Intensität (DE-588)4114033-3 gnd Gefühlsreaktion (DE-588)4156271-9 gnd Musikerlebnis (DE-588)4170819-2 gnd |
| topic_facet | Musik Psychologie Music Psychological aspects Musical perception Music appreciation Cognition Intensität Gefühlsreaktion Musikerlebnis |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024503442&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT gabrielssonalf starkamusikupplevelser AT gabrielssonalf strongexperienceswithmusicmusicismuchmorethanjustmusic |