Medieval music:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Farnham, Surrey, [u.a.]
Ashgate
2011
|
| Schriftenreihe: | Library of essays on music performance practice
1 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024186463&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Aufsatzsammlung |
| Umfang: | XLI, 517 S. Ill., Notenbeisp. |
| ISBN: | 9780754628514 |
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Datensatz im Suchindex
| _version_ | 1819270857186344960 |
|---|---|
| adam_text | Contents
Acknowledgements
vii
Series Preface
ix
Introduction
xi
PARTI PLAINCHANT
1
Lance W. Brunner
(1982),
The Performance of Plainchant: Some Preliminary
Observations of the New Era , Early Music,
19,
pp.
316-28. 3
2 Katarina
Livljanić
(2002),
Giving Voice to Gregorian Chant or: Coping with
Modern Orthodoxies ,
Basler Jahrbuch für historische
Musikpraxis,
26,
pp.
47-58. 15
PART II SECULAR MONOPHONY
3
Hans
Tischler (1974-1976),
Rhythm, Meter, and Melodic Organization in Medieval
Songs , Revue
belge de musicologie,
28-30,
pp.
5-23. 29
4 Hendrik
van
der Werf (1988),
The Not-So-Precisely Measured Music of the
Middle Ages , Performance Practice Review,
1,
pp.
42-60. 49
5
Sylvia Huot
(1989),
Voices and Instruments in Medieval French Secular Music:
On the Use of Literary Texts as Evidence for Performance Practice ,
Musica
Disciplina,
43,
pp.
63—113. 69
6
Christopher Page
(1993),
Johannes
de Grocheio
on Secular Music: A Corrected
Text and a New Translation , Plainsong and Medieval Music,
2,
pp.
17-41. 121
PART III POLYPHONY TO
1300
7
Edward Roesner
(1979),
The Performance of Parisian
Organum ,
Early Music,
7,
pp.
174-89. 149
8
Charles M. Atkinson
(1989),
Franco of Cologne on the Rhythm of
Organum
Purum , Early Music History,
9,
pp.
1-26. 165
9
Jeremy Yudkin
(1980),
The Copula According to Johannes
de Garlandia ,
Musica Disciplina,
34,
pp.
67-84. 191
10
Ernest H. Sanders
(1985),
Conductos
and Modal Rhythm , Journal of the
American Musicological Society,
38,
pp.
439-69. 209
11
Christopher Page
(1988),
The Performance of
Ars Antiqua
Motets , Early Music,
16,
pp.
147-64. 241
v/ Medieval
Music
PART IV MASS AND MOTET AFTER
1300
12
James W. McKinnon
(1978),
Representations of the Mass in Medieval and
Renaissance Art , Journal of the American Musicological Society,
31,
pp.
21-52. 261
13
Roger Bowers
(1983),
The Performing Ensemble for English Church Polyphony,
c. 1320-c.
1390 ,
in Stanley Boorman
(ed.),
Studies in the Performance of Late
Mediaeval Music, Cambridge: Cambridge University Press, pp.
161-92. 293
14
Gilbert Reaney
(1969),
Text Underlay in Early Fifteenth-Century Musical
Manuscripts , in
Gustave
Reese and Robert J. Snow
(eds),
Essays in Musicology
in Honor of
Dragan
Plamenac
on His 70th Birthday, Pittsburgh: University of
Pittsburgh Press, pp.
245-51. 325
PART V THE POLYPHONIC CHANSON
15
Christopher Page
(1977),
Machaut s Pupil
Deschamps on
the Performance of
Music: Voices or Instruments in the
14th-century
Chanson , Early Music,
5,
pp.
484-91. 335
16
Christopher Page
(1982),
The Performance of Songs in Late Medieval France:
A New Source , Early Music,
10,
pp.
441-50. 343
17
Lawrence Earp
(1991),
Texting in
15th-century
French Chansons: A Look
Ahead from the 14th Century , Early Music,
19,
pp.
194-210. 353
18
David Fallows
(1990),
Embellishment and
Urtext
in the Fifteenth-Century Song
Repertories ,
Basler Jahrbuch für historische
Musikpraxis,
14,
pp.
59-85. 365
PART VI OTHER MATTERS
19
Margaret Bent
(1972),
Musica
Recta and
Musica
Ficta ,
Musica Disciplina,
26,
pp.
73-100. 395
20
Anna Maria Busse
Berger
(1988),
The Origin and Early History of Proportion Signs ,
Journal of the American Musicological Society,
41,
pp.
403-33. 423
21
Christopher Page
(1979),
Jerome of Moravia on the Rubeba and Viella
Galpin Society Journal,
32,
pp.
77-98. 455
22
Shai Burstyn
(1990),
The Arabian Influence Thesis Revisited , Current
Musicology,
46,
pp.
119-46. 481
Series Bibliography
509
Name Index
513
|
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| discipline | Musikwissenschaft |
| era | Geschichte 500-1500 gnd |
| era_facet | Geschichte 500-1500 |
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| id | DE-604.BV039169186 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T15:51:38Z |
| institution | BVB |
| isbn | 9780754628514 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024186463 |
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| physical | XLI, 517 S. Ill., Notenbeisp. |
| publishDate | 2011 |
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| publisher | Ashgate |
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| series | Library of essays on music performance practice |
| series2 | Library of essays on music performance practice |
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| title | Medieval music |
| title_auth | Medieval music |
| title_exact_search | Medieval music |
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| title_fullStr | Medieval music Honey Meconi |
| title_full_unstemmed | Medieval music Honey Meconi |
| title_short | Medieval music |
| title_sort | medieval music |
| topic | Komposition Musik (DE-588)4133320-2 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
| topic_facet | Komposition Musik Musikalische Aufführungspraxis Aufsatzsammlung |
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