Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London [u.a.]
Tauris
2011
|
| Schriftenreihe: | International library of visual culture
2 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024146856&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024146856&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 231 S. |
| ISBN: | 9781848855878 |
Internformat
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Datensatz im Suchindex
| DE-BY-UBR_call_number | 69/AP 51970 E46 |
|---|---|
| DE-BY-UBR_katkey | 4797965 |
| DE-BY-UBR_location | UB Lesesaal Philosophicum 1: Medienwissenschaft |
| DE-BY-UBR_media_number | 069039519188 |
| _version_ | 1835100416787873792 |
| adam_text | CONTENTS
Acknowledgments
ix
Introduction
1
Part One: The Theory
1.
Film Theory and Embodiment: New Sensations in Spectatorship
23
2.
Critical Theory and Embodiment: Refiguring the Corporeal Self
45
3.
Neuroscience
and Embodiment: Exploring the Thinking Flesh
73
Part Two: The Films
4.
On Hitchcock
93
5.
On Taste and Digestion
103
6.
On Smell
123
7.
On Hearing
143
8.
On Touching
163
Conclusion
183
Notes
187
Works Cited
209
Filmography
223
Index
225
What happens to us when we see a film?
For the experience of what we see on screen
draws as much upon the non-visual senses
as it does on sight. In the first full-length
analysis of the concept of embodied film
theory, Paul Elliott charts the development
of a cinema of sensations
-
examining how
cinema audiences use their corporeal selves
and sensual memory to quite literally flesh
out what they see on screen.
Through the prism of Alfred Hitchcock s
films, Paul Elliott reveals how the
body s sensations have a vital place in
cinematic reception and the study of
film: demonstrated here through the
trope of nausea in F*enzy, pollution and
smell in Shadow of
α
DcxÃt.
physical sound
reception in the Psycho shower scene
and the importance of corporeality and
closeness in Rear Window. He traces the
way in which conceptual tools such as
haptic
vision, synaesthesia, physical sound
reception and the aesthesiological body
have been employed by film theorists
and philosophers to better understand
the processes inherent in the cinematic
experience. He argues that the trend
towards a sensually based theoretical
framework for film is indicative of a
wider trend in visual thinking that is, in
turn, linked to epistemological shifts and
transformations in the way we situate
ourselves in the world.
Hitchcock and the Cinema of Sensations
rethinks the body in the cinema seat,
seeing it not as a fleshy, insentient shell for
the mind and eye but a feeling, thinking,
evanescent site of sensation, memory and
knowledge. The book provides a thoroughly
new take on Hitchcock s classic films in
order to demonstrate how taste, smell,
hearing and touch can provide us with
a corporeal level of understanding that
sometimes complements, sometimes
clashes with, our more cognitive
capabilities in the reception of film.
This is essential reading for scholars and
students of film studies, cultural theory
and philosophy.
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| discipline | Allgemeines Anglistik / Amerikanistik |
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| id | DE-604.BV039128462 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T15:50:41Z |
| institution | BVB |
| isbn | 9781848855878 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024146856 |
| oclc_num | 745497759 |
| open_access_boolean | |
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| physical | 231 S. |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Tauris |
| record_format | marc |
| series | International library of visual culture |
| series2 | International library of visual culture |
| spellingShingle | Elliott, Paul Hitchcock and the cinema of sensations embodied film theory and cinematic reception International library of visual culture Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Filmtechnik (DE-588)4017144-9 gnd Filmanalyse (DE-588)4140882-2 gnd Filmtheorie (DE-588)4071216-3 gnd Wahrnehmung (DE-588)4064317-7 gnd |
| subject_GND | (DE-588)118551647 (DE-588)4017144-9 (DE-588)4140882-2 (DE-588)4071216-3 (DE-588)4064317-7 |
| title | Hitchcock and the cinema of sensations embodied film theory and cinematic reception |
| title_auth | Hitchcock and the cinema of sensations embodied film theory and cinematic reception |
| title_exact_search | Hitchcock and the cinema of sensations embodied film theory and cinematic reception |
| title_full | Hitchcock and the cinema of sensations embodied film theory and cinematic reception Paul Elliott |
| title_fullStr | Hitchcock and the cinema of sensations embodied film theory and cinematic reception Paul Elliott |
| title_full_unstemmed | Hitchcock and the cinema of sensations embodied film theory and cinematic reception Paul Elliott |
| title_short | Hitchcock and the cinema of sensations |
| title_sort | hitchcock and the cinema of sensations embodied film theory and cinematic reception |
| title_sub | embodied film theory and cinematic reception |
| topic | Hitchcock, Alfred 1899-1980 (DE-588)118551647 gnd Filmtechnik (DE-588)4017144-9 gnd Filmanalyse (DE-588)4140882-2 gnd Filmtheorie (DE-588)4071216-3 gnd Wahrnehmung (DE-588)4064317-7 gnd |
| topic_facet | Hitchcock, Alfred 1899-1980 Filmtechnik Filmanalyse Filmtheorie Wahrnehmung |
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