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Appropriation:

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Bibliographische Detailangaben
Weitere beteiligte Personen:	Evans, David 20. Jh (HerausgeberIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	London [u.a.] Whitechapel [u.a.] 2009
Ausgabe:	1. publ.
Schriftenreihe:	Documents of contemporary art
Schlagwörter:	Geschichte 1900-2008 Appropriation Art Kopie Aufsatzsammlung
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022887942&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	239 S. 21 cm
ISBN:	9780262550703 9780854881611

Internformat

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Datensatz im Suchindex

_version_	1819302319786819584
adam_text	À Ν О À О Documents of Contemporary Art PRECURSORS//024 AGITPROP//048 THE SITUATIONIST LEGACY//064 SIMULATION//074 FEMINIST CRITI6ŁUE//104 POSTCOLONIALISM//126 POSTCOMMUNISM//140 POSTPRODUCTION// 156 APPRAISALS// 176 BIOGRAPHICAL NOTES//226 BIBLIOGRAPHY//231 INDEX//233 ACKNOWLEDGEMENTS//239 PRECURSORS Gustave Flaubert Dictionary of Received Ideas, 1850-80//026 Anon. The Richard Mutt Case, 1917//026 Louis Aragon The Challenge to Painting, 1930//027 Raoul Hausmann Photomontage, 1931//029 André Breton and Paul Éluard The Object, 1938/7031 Georges Didi-Huberman Modest Masterpiece: Bertolt Brechťs War Primer (1955), 2007//032 Guy Debord and Gil J. Wolman Directions for the Use of Détournement, 1956//035 Marcel Duchamp Apropos of Readymades , 1961//040 Andy Warhol Interview with Gene R. Swenson, 1963//041 Jeff Wall On Dan Graham s Homes for America (1966-67), 1988//043 Reiko Tomii Rebel with a Cause: Akasegawa Genpei s Greater Japan Zero-Yen Note (1967), 2000//045 AGITPROP Lucy R. Lippard On the Art Workers Coalition: Q. And babies? A. And babies, 1970//050 Cildo Meireles Insertions in Ideological Circuits, 1970//051 Jean-Luc Godard and Jean-Pierre Gorin Inquest on an Image, 1972//052 Miguel Orodea Alvarez and Vertov, 1980//056 Susan Stoops Martha Rosier: Bringing the War Home (1967-2004), 2007//058 THE SITUATIONIST LEGACY Guy Debord The Use of Stolen Films, 1989//066 Johan Grimonprez On Dial H-I-S-T-O-R-Y: Interview with Pierre Bal-Blanc and Mathieu Marguerin, 1998//067 Retort The New 1914 That Confronts Us: Interview with David Evans, 2007//069 SIMULATION Douglas Crimp Pictures, 1979//076 Jean Baudrillard The Precession of Simulacra, 1981//080 Sherrie Levine Statement, 1982//081 Michael Newman Simulacra, 1983//082 Richard Prince Interview with Peter Halley, 1984//83 Thomas Crow The Return of Hank Herron, 1986//087 Elisabeth Sussman The Last Picture Show, 1986//092 John Stezaker Interview with John Roberts, 1997//095 David A. Meilor Media-Haunted Humans: Cindy Sherman, Richard Prince, John Stezaker, 1998//099 FEMINIST CRITIQUE Barbara Kruger Taking Pictures, 1982//106 Jo Spence What is a Political Photograph?, 1983//107 Lisa Tickner Sexuality and/in Representation, 1984//108 Barbara Kruger Interview with Anders Stephanson, 1987// 111 Laura Mulvey A Phantasmagoria of the Female Body: The Work of Cindy Sherman, 1991//118 Deborah Cherry Maud Suiter: Žabař (1989), 2003//124 POSTCOLONIALISM MalekAlloula The Colonial Harem, 1981//128 Kobena Mercer Maroonage of the Wandering Eye: Keith Piper, 1996//131 JormaPuranen Imaginary Homecoming, 1999//135 Okwui Enwezor Créolité and Creolization, 2002//137 Robert Fisk Retaking Iwo Jima (Tehran 1979), 2005//139 POSTCOMMUNISM Slobodan Mijuskovic Discourse in the Indefinite Person, 1987//142 Walter Benjamin Interview with Beti Zerovc, 2006//149 Boris Groys Interview with John-Paul Stonard, 2007//153 POSTPRODUCTION Nicolas Bourriaud Deejaying and Contemporary Art, 2002//158 Katrina M. Brown Douglas Gordon: 24 Нош Psycho (1993), 2004//163 Lucy Soutter The Collapsed Archive: Idris Khan, 2006//166 David Evans War Artist: Steve McQueen and Postproduction Art, 2007//169 APPRAISALS Benjamin H.D, Buchloh Parody and Appropriation in Francis Picabia, Pop and Sigmar Polke, 1982//178 Douglas Crimp Appropriating Appropriation, 1982//189 John C. Welchman Global Nets: Appropriation and Postmodernity, 2001//194 Johanna Burton Subject to Revision, 2004//205 Isabelle Graw Fascination, Subversion and Dispossession in Appropriation Art, 2004//214 Sven Lütticken The Feathers of the Eagle, 2005//219
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edition	1. publ.
era	Geschichte 1900-2008 gnd
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format	Book
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id	DE-604.BV037674412
illustrated	Not Illustrated
indexdate	2024-12-20T15:23:32Z
institution	BVB
isbn	9780262550703 9780854881611
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-022887942
oclc_num	778784924
open_access_boolean
owner	DE-Y3 DE-255 DE-B170 DE-188 DE-11 DE-29
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physical	239 S. 21 cm
publishDate	2009
publishDateSearch	2009
publishDateSort	2009
publisher	Whitechapel [u.a.]
record_format	marc
series2	Documents of contemporary art
spellingShingle	Appropriation Appropriation Art (DE-588)4515449-1 gnd Kopie (DE-588)4032423-0 gnd
subject_GND	(DE-588)4515449-1 (DE-588)4032423-0 (DE-588)4143413-4
title	Appropriation
title_auth	Appropriation
title_exact_search	Appropriation
title_full	Appropriation ed. by David Evans
title_fullStr	Appropriation ed. by David Evans
title_full_unstemmed	Appropriation ed. by David Evans
title_short	Appropriation
title_sort	appropriation
topic	Appropriation Art (DE-588)4515449-1 gnd Kopie (DE-588)4032423-0 gnd
topic_facet	Appropriation Art Kopie Aufsatzsammlung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022887942&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT evansdavid appropriation

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