Kara Walker: my complement, my enemy, my oppressor, my love
Gespeichert in:
| Weitere beteiligte Personen: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Ostfildern
Hatje Cantz [u.a.]
2007
|
| Ausgabe: | 1. ed. |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022870843&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Ausst.: Walker Art Center <Minneapolis, Minn.> : 17.2.-13.5.2007 Ausst.: Whitney Museum of American Art <New York, NY> : 11.10.2007-3.2.2008 Ausst.: Armand Hammer Museum of Art and Cultural Center <Los Angeles, Calif.> : 17.2.-11.5.2008 |
| Umfang: | XII, 418 S. überw. Ill. |
| ISBN: | 9783775719322 |
Internformat
MARC
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|---|---|---|---|
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| 245 | 1 | 0 | |a Kara Walker |b my complement, my enemy, my oppressor, my love |c Walker Art Center. Organized by Philippe Vergne. With texts by Sander L. Gilman, Thomas McEvilley |
| 250 | |a 1. ed. | ||
| 264 | 1 | |a Ostfildern |b Hatje Cantz [u.a.] |c 2007 | |
| 300 | |a XII, 418 S. |b überw. Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Ausst.: Walker Art Center <Minneapolis, Minn.> : 17.2.-13.5.2007 | ||
| 500 | |a Ausst.: Whitney Museum of American Art <New York, NY> : 11.10.2007-3.2.2008 | ||
| 500 | |a Ausst.: Armand Hammer Museum of Art and Cultural Center <Los Angeles, Calif.> : 17.2.-11.5.2008 | ||
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Armand Hammer Museum of Art and Cultural Center |y 17.02.2008-11.05.2008 |z Los Angeles, Calif. |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Walker Art Center |y 17.02.2007-13.05.2007 |z Minneapolis, Minn. |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Whitney Museum of American Art |y 11.10.2007-03.02.2008 |z New York, NY |2 gnd-content | |
| 700 | 1 | |a Vergne, Philippe |0 (DE-588)132723174 |4 edt | |
| 700 | 1 | |a Gilman, Sander L. |d 1944- |e Sonstige |0 (DE-588)123314062 |4 oth | |
| 700 | 1 | |a McEvilley, Thomas |d 1939-2013 |e Sonstige |0 (DE-588)124351123 |4 oth | |
| 710 | 2 | |a Walker Art Center |e Sonstige |0 (DE-588)1029551-3 |4 oth | |
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| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-022870843 | |
Datensatz im Suchindex
| _version_ | 1819288734697259008 |
|---|---|
| adam_text | „
МУ
Complement,
Oppressor,
Love
Organized by Philippe Vergne, with texts by
Sander L.
Gilman,
Thomas McEvilley, Yasmil Raymond,
Robert Storr, Philippe Vergne, and Kevin Young
-HATJE CANTZ-
-WALKER ART CENTER-
CONTENTS
Foreword
.............................................1
Acknowledgments
........................................4
PART ONE. ESSAYS
Tlie
Black Saint Is the Sinner Lady by Philippe Vergne
.....................7
Confessions of an Academic Pornographer by Sander L.
Gilman
...............27
Triangular Trade: Coloring, Remarking, and Narrative in the Writings
of Kara Walker by Kevin Young
...............................37
Primitivism
in the Worlds of an Emancipated Negress by Thomas McEvilley
.........53
Spooled by RobertStorr
.....................................63
PAKT
TWO. VISUAL ESSAY
Chronology of Black Suffering: Images and Notes,
1992-2007
by Kara Walker
.......................................75
PART THREE. ARTWORKS
You Do
..............................................112
TheNewNegro
.........................................113
Untitled (Destroying the Terror)
.................................114
Untitled (Emancipation Proclamation)
............................115
FOLDOUT i: Gone, An Historical Romance of a Civil War
as It Occwred Between the Dusky Thiglxs
of One Young Negress and Her Heart
...........................116
Untitled (Final Solutions)
....................................122
Untitled (Free Northern Girb)
....................■.............123
Untitled (The Oppressor/Oppressed Paradigm)
........................124
Untitled (Words Too Heavy for My Head)
................ ...........125
Empire
..............................................126
Dinah sDais
..........................................127
White night
...........................................128
Battlefield at Dusk
.......................................129
Beacon
..............................................130
By Extension
..........................................131
TheDogs
.............................................132
The Future
............................................133
Gaining
.............................................134
Interior Scene
..........................................135
Leap
...............................................136
Little
Matchstick
Girl
......................................137
Ship
...............................................138
Stealing
.............................................139
Negress Notes
..........................................140
Before the Battle (Chickin Dumplin )
.............................160
Letter from a Black Girl
....................................161
Allegory
.............................................162
Brer
...............................................163
John Brown
...........................................164
Philadelphia
..........................................165
Negress Notes [Brown Follies)
...............................166/178
FOLDOUT
2:
The End of Uncle Tom and the
Grand Allegorical Tableau of Eva in Heaven
.......................172
Do You Like
Creme
in Your Coffee and Chocolate in Your Milk?
............196/266
FOLDOUT
3:
Slavery! Slavery!
Presentinga
GRAND and LIFELIKE
Panoramic Journey into Picturesque Southern Slavery
or Life at
01
Virginny s Hole (sketchesfrom Plantation Life)
See the Peculiar Institution as
neuer
before!
All cut from black paper by the able hand of Kara Elizabeth Walker,
an Emancipated Negress and leader in her Cause
....................260
Cut
................................................268
A Work on Progress
.......................................269
Emancipated, and On Tour
..........,.......................270
Mistress Demanded a Swift and Dramatic Empathctic Reaction
Which WeObligedHer
...................................271
Ancestor
.............................................272
The Negro Muse Misses
Ніч
Mark (Again)
...........................273
Big House
............................................274
Dawn of Ann
......................,...................
27R
ColN Bale
............................................276
Cleanser
.............................................277
Entrance to the Underground Railroad
............................278
Familiar
.............................................279
Flood
...............................................280
Frederick Douglass Distracted (The Game Is On)
.......................281
General Defeat
.........................................282
John Brown or Big Love
....................................283
Gettysburg Battlefield
......................................284
Gettysburg Battlefield II.
....................................285
The Invisible Beauty
.......................................286
Influence of the Recent Dead
..................................287
Land Cave
............................................288
Monument
...........................................289
BeatsMc
.............................................290
Night Conjure
..........................................291
A Picture Obviously Pertaining to Escape by Any Means
...................292
Preacher Offers Direction
....................................293
Revised Trajectory
........................................294
Revisionist Liberation
.....................................295
Scape
..............................................296
Tiilogv
..............................................297
Straw Pallet on Floor
......................................298
Stone Mountain, Georgia
....................................299
FOLDOUT 4s Endless Conundrum, An African Anonymous Adventuress
...........300
Two Competing Suns and the Impostor
............................306
Untitled
.............................................307
Unfitted
.............................................308
Untitled
.............................................309
Untitled
.............................................310
Untitled
.............................................311
Unfitted
.............................................312
Untitled
.............................................313
They Say Water Represents the Subconscious in Dreams
...................314
Darkytown Rebellion
......................................315
Unfitted
............................·................316
Untitled
.............................................317
Drawing
.............................................318
Untìtled
.............................................
319
Untìtled
.............................................
328
Untìtled
.............................................329
Untìtled
.............................................330
Untìtled
.............................................331
FOLDOUT
5:
Excavotedfrom the
Black
Heart of a Negress..................
332
Untìtled
.............................................338
Untìtled
.............................................339
Untìtled
.............................................340
Untìtled
.............................................341
Untìtled
.............................................342
Untìtled
.............................................343
Testimony:
Narrative
of a Negress Burdened by Good Intentions..............
344
8
Possible Beginnings or: The Creation of African-America,
a Moving Picture by Kara E. Walker
...........................345
PART FOUR. LEXICON
Maladies of Power: A Kara Walker Lexicon by Yasmil Raymond
..............347
PART FIVE. THESIS
Many Black Women (Certain Types) by Kara Walker
.....................371
PART SIX. EPILOGUE
Exhibition Checklist
..............................,.......384
Selected Exhibition History
...................................390
Selected Bibliography
......................................396
Lenders to the Exhibition
....................................407
Walker Art Center Board of Directors
.............................408
Reproduction Credits
......................................409
Index
..............................................411
|
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| discipline | Kunstgeschichte |
| edition | 1. ed. |
| format | Book |
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| genre | (DE-588)4135467-9 Ausstellungskatalog Armand Hammer Museum of Art and Cultural Center 17.02.2008-11.05.2008 Los Angeles, Calif. gnd-content (DE-588)4135467-9 Ausstellungskatalog Walker Art Center 17.02.2007-13.05.2007 Minneapolis, Minn. gnd-content (DE-588)4135467-9 Ausstellungskatalog Whitney Museum of American Art 11.10.2007-03.02.2008 New York, NY gnd-content |
| genre_facet | Ausstellungskatalog Armand Hammer Museum of Art and Cultural Center 17.02.2008-11.05.2008 Los Angeles, Calif. Ausstellungskatalog Walker Art Center 17.02.2007-13.05.2007 Minneapolis, Minn. Ausstellungskatalog Whitney Museum of American Art 11.10.2007-03.02.2008 New York, NY |
| id | DE-604.BV037657315 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T15:23:02Z |
| institution | BVB |
| institution_GND | (DE-588)1029551-3 |
| isbn | 9783775719322 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-022870843 |
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| owner_facet | DE-255 DE-Y7 |
| physical | XII, 418 S. überw. Ill. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Hatje Cantz [u.a.] |
| record_format | marc |
| spellingShingle | Kara Walker my complement, my enemy, my oppressor, my love |
| subject_GND | (DE-588)4135467-9 |
| title | Kara Walker my complement, my enemy, my oppressor, my love |
| title_auth | Kara Walker my complement, my enemy, my oppressor, my love |
| title_exact_search | Kara Walker my complement, my enemy, my oppressor, my love |
| title_full | Kara Walker my complement, my enemy, my oppressor, my love Walker Art Center. Organized by Philippe Vergne. With texts by Sander L. Gilman, Thomas McEvilley |
| title_fullStr | Kara Walker my complement, my enemy, my oppressor, my love Walker Art Center. Organized by Philippe Vergne. With texts by Sander L. Gilman, Thomas McEvilley |
| title_full_unstemmed | Kara Walker my complement, my enemy, my oppressor, my love Walker Art Center. Organized by Philippe Vergne. With texts by Sander L. Gilman, Thomas McEvilley |
| title_short | Kara Walker |
| title_sort | kara walker my complement my enemy my oppressor my love |
| title_sub | my complement, my enemy, my oppressor, my love |
| topic_facet | Ausstellungskatalog Armand Hammer Museum of Art and Cultural Center 17.02.2008-11.05.2008 Los Angeles, Calif. Ausstellungskatalog Walker Art Center 17.02.2007-13.05.2007 Minneapolis, Minn. Ausstellungskatalog Whitney Museum of American Art 11.10.2007-03.02.2008 New York, NY |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022870843&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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