Die Laute in Europa 2: Lauten, Gitarren, Mandolinen und Cistern = The lute in Europe 2
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Deutsch Englisch |
| Veröffentlicht: |
Menziken, CH
<<The>> Lute Corner
2011
|
| Ausgabe: | 2., stark erw. und überarb. Aufl. |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022639274&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 447 Seiten zahlreiche Illustrationen 25 cm 1 Beilage (Poster) |
| ISBN: | 9783952323212 |
Internformat
MARC
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| 246 | 1 | 1 | |a The lute in Europe 2 |
| 250 | |a 2., stark erw. und überarb. Aufl. | ||
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Datensatz im Suchindex
| _version_ | 1819366333142269952 |
|---|---|
| adam_text | Inhaltsverzeichnis
Eine Übersicht über die Instrumente.................................................................................... 8
Welches Instrument meinen Sie? ....................................................................................... 24
SYSTEMATISCHER TEIL
Wie funktioniert die Laute? ............................................................................................... 30
Altes Wissen mühsam wieder erlernen .............................................................................. 34
Der Lautenbau: Ausdruck der Wertvorstellungen einer Epoche.......................................... 36
Ein Beispiel: Die sogenannte „Presbyter-Laute ................................................................. 38
Musik und Proportion ....................................................................................................... 42
Die „Fehler im System: Kommata ........................................................................... 46
Die pythagoreische und die mitteltönige Stimmung .................................................. 48
Mitteltönige und gleichstufige Temperatur ............................................................... 54
„Knackpunkt Bundsystem ....................................................................................... 58
Tabulatur- Die Notation der Lauten, Gitarren und
Cistern
................................................. 66
Die Abhängigkeit zwischen Saitenmaterial, Mensur und Stimmtonhöhe ............................ 74
Entwicklungen in der Saitenherstellung ............................................................................. 80
... und deren Folgen für den Lautenbau ............................................................................ 86
Stimmungsangaben .......................................................................................................... 92
HISTORISCHER TEIL
Vom Umgang mit der Geschichte ...................................................................................... 94
Instrumente in Einzeldarstellungen
Die Diskantinstrumente der Lautenfamilie und die
Mandoline
............................................ 98
Colascione, Gallichon, Mandora ........................................................................................ 112
Die
Vihuela
de
mano
(Carlos
González)
............................................................................. 116
Renaissance- und Barockgitarre
(Renzo
Salvador) ............................................................... 128
Die
Bandurria (Pepe Rey)
................................................................................................... 136
Die Familie der
Cistern
bis 1700 (Peter Forrester) ............................................................... 144
DieZistervom 18. Jahrhundert bis heute (Lorenz Mühlemann & Andreas Schlegel) ........... 158
Die Blütezeit der Halszither in der Schweiz ............................................................... 164
Halszithern in Deutschland ....................................................................................... 164
Die Geschichte der
Guitarra Portuguesa
(Pedro
Caldeira Cabral)
.......................................... 166
Die
Svenskluta
(Schwedische Laute oder Schwedische Theorbe)
(Kenneth Spärr)
............... 176
Der
Torban
(Roman Turovsky)............................................................................................ 182
Geschichtlicher Abriss
Um 1200- Der Vorfrühling der Laute in Europa ................................................................ 188
1450 - Das Ende des Mittelalters und das Aufkommen des privaten Lautenspiels................ 200
Um 1500 - Der Aufstieg der Laute .................................................................................... 210
1580-Von der Renaissance zum Barock............................................................................ 228
1640- Blüte in Frankreich ................................................................................................. 262
Lautenmusik der Habsburger Lande (Michael Treder & Andreas Schlegel) .......................... 288
1710-Blüte der aristokratischen Laute.............................................................................. 300
^öO-Cister, Mandora und Gitarre .................................................................................. 312
Die Gitarre von 1810 bis heute .......................................................................................... 330
Wiederentdeckung der Laute im 19. und frühen 20. Jahrhundert ...................................... 341
Die Laute als Instrument der Alte-Musik-Bewegung ........................................................... 347
Die Konstruktion der Laute ............................................................................................... 360
Die Bauteile der modernen klassischen Gitarre .................................................................. 363
Definition der Instrumentennamen .................................................................................... 364
Anmerkungen ................................................................................................................... 382
Personenregister ................................................................................................................ 437
Danksagung / Copyright ................................................................................................... 447
Contents
A gallery of
instruments
.................................................................................................... 8
Which instrument do you mean?
...................................................................................... 24
SYSTEMATIC SECTION
Howdoes the lute work?
.................................................................................................. 30
The hard work of reclaiming old, lost knowledge
.............................................................. 34
Lute building as the expression of an epoch s values
......................................................... 36
An example: The so-called Presbyter lute
....................................................................... 38
Music and proportion
........................................................................................................ 42
Commata- The system s bugs
................................................................................. 46
Pythagorean end meantone tuning
.......................................................................... 48
Meantone and equal temperament
.......................................................................... 54
The crunch: The system
offretting
........................................................................... 58
Tablature-
The notation of lute, guitar, and cittern
........................................................... 66
The interdependency of string material, string length and pitch
........................................ 76
Developments in string making
........................................................................................
SO
...
and their consequences for lute building
...................................................................... 86
The specification of tunings
.............................................................................................. 92
HISTORICAL SECTION
How to deal with history
.................................................................................................... 94
Individual instrument types
The descant instruments of the lute family and the mandolin
............................................ 98
Colascione, Gallichon, Mandora
........................................................................................ 7 72
The
Vihuela de mano
(Carlos
González)
............................................................................ /16
Renaissance and Baroque guitar
(Renzo
Salvador)
............................................................. 128
The
Bandurria (Pepe Rey)
................................................................................................... 136
The Cittern family to
1700
(Peter Forrester)
....................................................................... 144
The Cittern from the 18th century to our days
(Lorenz Mühlemann &
Andreas
Schlegel) .... 158
The fluorishing of the
Halszither
in Switzerland
........................................................ 764
Halszithers in Germany
............................................................................................. 764
The history of the
Guitarra Portuguesa
(Pedro
Caldeira Cabral)
......................................... 766
The
Svenskluta
(Swedish lute or Swedish theorbo) (Kenneth Sparr)
................................... 176
The
Torban
(Roman Turovsky)
............................................................................................ 182
The History
С
1200-
The early spring of the lute in Europe
................................................................ 188
1450 -
The end of the Middle Ages and the rise of domestic lute playing
......................... 200
Around
1500 -
The rise of the lute
................................................................................... 208
1580-From Renaissance to Baroque
................................................................................ 228
1640
-Flowering in France
................................................................................................ 260
Lute music of the
Habsburg
territories (Michael Treder
&
Andreas
Schlegel) ....................... 288
1710 -
Flowering of the aristocratic lute
............................................................................ 300
1760 -
Cittern, Mandora and Guitar
.................................................................................. 312
The Guitar,
1810
to the present day
................................................................................... 332
Rediscovery of the lute in the
1
9th and early 20th century
.................................................... 347
The lute-An instrument of the Early Music movement
...................................................... 347
The construction of the lute
.............................................................................................. 360
The parts of the modern classical guitar
............................................................................ 363
Nomenclature of instruments
............................................................................................ 364
Notes
................................................................................................................................ 382
Index of names
.................................................................................................................. 437
Acknowledgements
/
Copyright
........................................................................................ 447
|
| any_adam_object | 1 |
| author | Schlegel, Andreas 1962- Lüdtke, Joachim 1958- |
| author_GND | (DE-588)132873397 (DE-588)135422612 |
| author_facet | Schlegel, Andreas 1962- Lüdtke, Joachim 1958- |
| author_role | aut aut |
| author_sort | Schlegel, Andreas 1962- |
| author_variant | a s as j l jl |
| building | Verbundindex |
| bvnumber | BV037487869 |
| classification_rvk | LR 11800 |
| ctrlnum | (OCoLC)775067123 (DE-599)BVBBV037487869 |
| discipline | Musikwissenschaft |
| edition | 2., stark erw. und überarb. Aufl. |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| genre_facet | Führer |
| geographic | Europa (DE-588)4015701-5 gnd |
| geographic_facet | Europa |
| id | DE-604.BV037487869 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T15:17:58Z |
| institution | BVB |
| isbn | 9783952323212 |
| language | German English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-022639274 |
| oclc_num | 775067123 |
| open_access_boolean | |
| owner | DE-M17 DE-210 DE-W89 DE-12 DE-824 DE-1259 |
| owner_facet | DE-M17 DE-210 DE-W89 DE-12 DE-824 DE-1259 |
| physical | 447 Seiten zahlreiche Illustrationen 25 cm 1 Beilage (Poster) |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | <<The>> Lute Corner |
| record_format | marc |
| spellingShingle | Schlegel, Andreas 1962- Lüdtke, Joachim 1958- Die Laute in Europa 2 Lauten, Gitarren, Mandolinen und Cistern = The lute in Europe 2 Mandoline (DE-588)4232939-5 gnd Lautenmusik (DE-588)4166941-1 gnd Laute (DE-588)4166936-8 gnd Cister (DE-588)4148045-4 gnd Musikinstrumentenbau (DE-588)4040852-8 gnd Lautenspiel (DE-588)4461709-4 gnd Gitarre (DE-588)4124933-1 gnd |
| subject_GND | (DE-588)4232939-5 (DE-588)4166941-1 (DE-588)4166936-8 (DE-588)4148045-4 (DE-588)4040852-8 (DE-588)4461709-4 (DE-588)4124933-1 (DE-588)4015701-5 (DE-588)4155569-7 |
| title | Die Laute in Europa 2 Lauten, Gitarren, Mandolinen und Cistern = The lute in Europe 2 |
| title_alt | The lute in Europe 2 |
| title_auth | Die Laute in Europa 2 Lauten, Gitarren, Mandolinen und Cistern = The lute in Europe 2 |
| title_exact_search | Die Laute in Europa 2 Lauten, Gitarren, Mandolinen und Cistern = The lute in Europe 2 |
| title_full | Die Laute in Europa 2 Lauten, Gitarren, Mandolinen und Cistern = The lute in Europe 2 Andreas Schlegel & Joachim Lüdtke |
| title_fullStr | Die Laute in Europa 2 Lauten, Gitarren, Mandolinen und Cistern = The lute in Europe 2 Andreas Schlegel & Joachim Lüdtke |
| title_full_unstemmed | Die Laute in Europa 2 Lauten, Gitarren, Mandolinen und Cistern = The lute in Europe 2 Andreas Schlegel & Joachim Lüdtke |
| title_short | Die Laute in Europa 2 |
| title_sort | die laute in europa 2 lauten gitarren mandolinen und cistern the lute in europe 2 |
| title_sub | Lauten, Gitarren, Mandolinen und Cistern = The lute in Europe 2 |
| topic | Mandoline (DE-588)4232939-5 gnd Lautenmusik (DE-588)4166941-1 gnd Laute (DE-588)4166936-8 gnd Cister (DE-588)4148045-4 gnd Musikinstrumentenbau (DE-588)4040852-8 gnd Lautenspiel (DE-588)4461709-4 gnd Gitarre (DE-588)4124933-1 gnd |
| topic_facet | Mandoline Lautenmusik Laute Cister Musikinstrumentenbau Lautenspiel Gitarre Europa Führer |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022639274&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT schlegelandreas dielauteineuropa2lautengitarrenmandolinenundcisterntheluteineurope2 AT ludtkejoachim dielauteineuropa2lautengitarrenmandolinenundcisterntheluteineurope2 AT schlegelandreas theluteineurope2 AT ludtkejoachim theluteineurope2 |