The implosion of negativity: the poetry and early prose of Paul Auster
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Norderstedt
Books on Demand
2010
|
Ausgabe: | 1. Aufl. |
Links: | http://deposit.dnb.de/cgi-bin/dokserv?id=3499935&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022480293&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Umfang: | XI, 309 S. |
ISBN: | 9783839144329 |
Internformat
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Datensatz im Suchindex
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adam_text | Titel: The implosion of negativity
Autor: Hau, Andreas
Jahr: 2010
Contents
Acknowledgments........................................................................vii
1. Introduction......................................................................1
1.1 State of Previous Research.............................................................6
1.2 My Research...................................................................................8
1.3 Methodology................................................................................10
2. Foundations: The Early Poetry......................................12
2.1 Ascertaining the Text: Utiearth and Spokes,
Two Poems Intertwined...............................................................12
2.2 Unearth Unearthed: Textual Analysis.....................................20
2.2.1 Basic Structure..............................................................................20
2.3 Influences......................................................................................63
2.3.1 You Near: Unearth and Martin Buber s Dialogic Philosophy.....63
2.3.2 French Poetry and Jewish Exile:
The Influence of Jacques Dupin and Edmondjabes.................71
2.3.3 Breath Span: The Influence of Paul Celan in Translation......75
2.4 Conclusions..................................................................................83
3. Development: The Middle Phase...................................92
3.1 Middle Phase I: Continuation and Departure in Wall Writ mg
and Disappearances ...................................................................92
3.1.1 Continuation: Jewish Themes and Biblical Images
in White and Wall Writing .....................................................92
3.1.2 Departure: Disappearances ......................................................96
3.1.2.1 From this I shall evolve a Man :
Auster s Disappearances and the Poetics ofWallace Stevens... 100
3.1.2.2 Disappearances and the Objectivist Tradition.......................106
3.1.2.3 Disappearances as a Response to George Oppen s
Of Being Numerous ...............................................................111
3.1.3 Conclusions................................................................................117
3.2 Middle Phase II: Fragments from Cold and the Fine Arts...........123
3.2.1 Drawings by Norman Bluhm: Graphic Layout Throughout... 124
3.2.2 The Stone: Osip Mandelstam and the Poetics of Acmeism .... 134
4. Last Poems: Facing the Music.....................................139
4.1 Circumstances Surrounding the Composition of Auster s
Last Book of Poems........................................................... 139
4.2 Facing the Music as a Crisis Poem.........................................144
4.3 The Implosion of Auster s Poetics............................................151
4.3.1 The Poetics of Babel........................................................ 152
4.3.1.1 Babel and Buber............................................... 159
4.3.1.2 Babel and Celan...................................Z 1....................159
4.3.2 Auster, Celan, and Stevens.........................................................162
5. From Poetry to Prose: White Spaces...........................169
5.1 Wlüte Spaces and White Spaces:
Prose Poetry as Afterthought ....................................... 170
5.2 Textual Variants: Happiness, or a Journey through Space .....
(1979), Space: A Dance for Reading Aloud (1980), and
White Spaces (1988).................................... 173
5.3 Textual Analysis............................. .......................17c
Table: Textual variants............................. 176
6. Early Prose: The Invention of Solitude (1982)............198
61 Conclusions.......................
7. Other of r_The Poet as Doppelganger:
New Approaches to The New York Trilogy..................220
7.1 The Unity of the Trilogy: Poet versus Novel.st...... 221
!?*¦ heD.sappearanceoftheAuthor
7 3 The M°T1 rDCOme t0 RCSCUe the Poet in Citr * *«...........224
?¦ The Masked Poet in Chats . 9«
7-4 The Deceased Poet: ...................................................
fcul Auster as h,s Own Luerary Executor ,n The Locked Room ..238
8- Conclusions....
..............................................................250
Selected Bibliography.............................................................253
Primary Works.........................................................................................253
Magazine Contributions.........................................................................254
Recordings...............................................................................................256
Interviews................................................................................................256
Secondary Sources..................................................................................256
Other Sources Consulted or Referred to..............................................266
Personal Interview, July 4 2001 at Paul Auster s Home
in Brooklyn with contributions by Siri Hustvedt....................269
Deutsche Zusammenfassung.................................................287
Gegenstand der Arbeit............................................................................287
Gliederung...............................................................................................287
Kapitel 1: Forschungsbericht..................................................................288
Kapitel 2: Die frühen Gedichte..............................................................289
Kapitel 3: Entwicklung in der mittleren SchafFensphase......................291
Kapitel 4: Letzte Gedichte: Facing the Music...........................................294
Kapitel 5: Von der Lyrik zur Prosa: Wlüte Spaces...................................296
Kapitel 6: Frühe Prosa: Tlie bwenüon ofSolitude.....................................297
Kapitel 7: Der Dichter als Doppelgänger:
Neue Ansätze zur New York Trilogy.......................................298
Schlussbemerkungen..............................................................................302
Index .......................................................................................303
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spellingShingle | Hau, Andreas The implosion of negativity the poetry and early prose of Paul Auster |
title | The implosion of negativity the poetry and early prose of Paul Auster |
title_auth | The implosion of negativity the poetry and early prose of Paul Auster |
title_exact_search | The implosion of negativity the poetry and early prose of Paul Auster |
title_full | The implosion of negativity the poetry and early prose of Paul Auster Andreas Hau |
title_fullStr | The implosion of negativity the poetry and early prose of Paul Auster Andreas Hau |
title_full_unstemmed | The implosion of negativity the poetry and early prose of Paul Auster Andreas Hau |
title_short | The implosion of negativity |
title_sort | the implosion of negativity the poetry and early prose of paul auster |
title_sub | the poetry and early prose of Paul Auster |
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