Sha'ar Hagolan: 3 Symbolic dimensions of the Yarmukian culture: canonization in Neolithic art
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford
Oxbow Books
2010
Jerusalem Israel Exploration Society 2010 |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021153962&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | XV, XXXIV, 353 S. Ill., Kt. |
| ISBN: | 9789652210814 |
Internformat
MARC
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| 020 | |a 9789652210814 |9 978-965-221-081-4 | ||
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| 245 | 1 | 0 | |a Sha'ar Hagolan |n 3 |p Symbolic dimensions of the Yarmukian culture: canonization in Neolithic art |c Yosef Garfinkel and Michele A. Miller |
| 264 | 1 | |a Oxford |b Oxbow Books |c 2010 | |
| 264 | 1 | |a Jerusalem |b Israel Exploration Society |c 2010 | |
| 300 | |a XV, XXXIV, 353 S. |b Ill., Kt. | ||
| 336 | |b txt |2 rdacontent | ||
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| 700 | 1 | |a Miller, Michele A. |e Verfasser |4 aut | |
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Datensatz im Suchindex
| _version_ | 1819309799675789312 |
|---|---|
| adam_text | CONTENTS
Foreword
........................................................................................
XI
Acknowledgements
................................................................................
XII
List of Illustrations and Tables
......................................................................XIII
Color Plates
.....................................................................................XVII
Chapter
1.
Introduction
...............................................................................1
1.1.
Canonization in Neolithic Art (Yosef Garfinkel)
...................................................1
1.2.
The Site of Sha ar Hagolan and its Art Assemblage
................................................4
1.3.
Aims of Research and Methodology
...........................................................10
PART I: THE SHA AR HAGOLAN ART ASSEMBLAGE
Chapter
2.
The Clay Statue
...........................................................................17
2.1.
Introduction
..............................................................................17
2.2.
The Statue
................................................................................18
Chapter
3.
Cowrie-Eye Clay Figurines
.................................................................29
3.1.
Introduction
..............................................................................29
3.2.
State of Preservation
........................................................................29
3.3.
Modeling Techniques
.......................................................................30
3.4.
Iconographie
Analysis
......................................................................31
3.5.
The Corpus
...............................................................................38
Chapter
4.
Pebble Figurines
.........................................................................123
4.1.
Introduction
.............................................................................123
4.2.
History of Research
.......................................................................124
4.3.
Raw Materials and State of Preservation
.......................................................126
4.4.
Iconographie
Analysis
.....................................................................128
4.5.
Pebble Figurines with Two Figures
...........................................................134
4.6.
The Corpus
.............................................................................134
4.7.
Appendix. Multivariate Analysis: Variable Data
.................................................212
Chapter
5.
Other Anthropomorphic Clay Figurines and an Anthropomorphic Vessel
.............................217
5.1.
Pillar Figurines
...........................................................................217
5.2.
Cylindrical Figurines
......................................................................221
5.3.
The Bent Figure
..........................................................................225
5.4.
D13
(Varia)
.............................................................................228
5.5.
Anthropomorphic Vessel
...................................................................229
Chapter
6.
Various Anthropomorphic Stone Figurines
.....................................................231
6.1.
Non-Pebble Stone Figurines
.................................................................231
6.2.
Mineralogical Analysis of Figurine
ЕЮ
(Dov
Levitte)............................................
246
Chapter
7.
The Spatial Distribution of Anthropomorphic Figurines at Sha ar Hagolan
............................247
7.1.
Introduction and Methodology
..............................................................247
7.2.
Area
E
..................................................................................248
7.3.
Areas
G, H
and
N.........................................................................253
7.4.
Discussion
..............................................................................253
Chapter
8.
The Zoomorphic Figurines (Michael Freikman)
.................................................257
8.1.
Introduction
.............................................................................257
8.2.
Modeling Techniques
......................................................................257
8.3.
Stylistic Analysis
.........................................................................258
8.4.
The Spatial Distribution of the Zoomorphic Figurines
............................................258
8.5.
The Function of Zoomorphic Figurines
........................................................259
8.6.
Conclusions
.............................................................................263
8.7.
The Corpus
..............................................................................263
PART II: COMPARATIVE ANALYSIS
Chapter
9.
The Cowrie-Eye Motif (Yosef Garfinkel)
......................................................283
9.1.
Cowrie-Eye Representations from the Levant in the 8th Millennium
ВСЕ
.............................283
9.2.
Cowrie-Eye Figurines from the Levant and Mesopotamia in the
Tth-óth
Millennia
ВСЕ
.................285
9.3.
Cowrie-Eye Vessels from the Levant and Mesopotamia in the 7th-6th Millennia
ВСЕ
..................286
9.4.
Cowrie-Eye Figurines from Iran in the 6th-5th Millennia
ВСЕ
.....................................291
9.5.
Cowrie-Eye Figurines from Turkey in the 6th-5th Millennia
ВСЕ
..................................291
9.6.
Cowrie-Eye Figurines from Southeastern Europe in the
óth-Early
4th Millennia
ВСЕ
..................301
9.7.
Cowrie-Eye Vessels from Southeastern Europe in the 6th-5th Millennia
ВСЕ
.........................309
9.8.
Cowrie-Eye Figurines from Southern Mesopotamia in the 5th Millennium
ВСЕ
.......................312
9.9.
Typology of the Cowrie-Eye Motif
...........................................................315
9.10.
Discussion
..............................................................................315
Chapter
10.
Pebble Figurines in the Levant (Yosef Garfinkel)
...............................................319
10.1.
Yarmukian Pebble Figurines from Munhata
....................................................319
10.2.
Pebble Figurines from Hamadya
.............................................................330
10.3.
APebble Figurine from
Ain Ghazal
..........................................................331
10.4.
Pebble Figurines from Byblos
...............................................................331
10.5.
An Incised Pottery Sherd from
Ard el
Samra
....................................................335
10.6.
Post Yarmukian Pebble Figurines in the Levant
..................................................335
Chapter
11.
Discussion (Yosef Garfinkel)
..............................................................339
11.1.
Stekelis
Approach to the Sha ar Hagolan Art Assemblage
........................................339
11.2.
The Cowrie-Eye Anthropomorphic Figurines
...................................................340
11.3.
The Pebble Figurines and Clay-Pebble
Iconographie
Relationship
...................................342
11.4.
Manufacturing Differences between Zoomorphic and Anthropomorphic Clay Figurines
..................343
11.5.
The Herringbone Pattern
...................................................................344
11.6.
The Unique Character of Yarmukian Art
.......................................................344
Bibliography
.....................................................................................347
|
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| id | DE-604.BV037240466 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T14:47:23Z |
| institution | BVB |
| isbn | 9789652210814 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-021153962 |
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| physical | XV, XXXIV, 353 S. Ill., Kt. |
| psigel | gbd_0 |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Oxbow Books Israel Exploration Society |
| record_format | marc |
| spellingShingle | Garfinḳel, Yosef 1956- Miller, Michele A. Sha'ar Hagolan |
| title | Sha'ar Hagolan |
| title_auth | Sha'ar Hagolan |
| title_exact_search | Sha'ar Hagolan |
| title_full | Sha'ar Hagolan 3 Symbolic dimensions of the Yarmukian culture: canonization in Neolithic art Yosef Garfinkel and Michele A. Miller |
| title_fullStr | Sha'ar Hagolan 3 Symbolic dimensions of the Yarmukian culture: canonization in Neolithic art Yosef Garfinkel and Michele A. Miller |
| title_full_unstemmed | Sha'ar Hagolan 3 Symbolic dimensions of the Yarmukian culture: canonization in Neolithic art Yosef Garfinkel and Michele A. Miller |
| title_short | Sha'ar Hagolan |
| title_sort | sha ar hagolan symbolic dimensions of the yarmukian culture canonization in neolithic art |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=021153962&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV014155037 |
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