Verfügbarkeit: H. C. Artmann's structuralist imagination

H. C. Artmann's structuralist imagination: a semiotic study of his aesthetic and postmodernity

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Bibliographische Detailangaben
Beteilige Person:	Schuster, Marc-Oliver 1968- (VerfasserIn)
Format:	Hochschulschrift/Dissertation Buch
Sprache:	Englisch
Veröffentlicht:	Würzburg Königshausen & Neumann 2010
Schlagwörter:	Artmann, H. C. > 1921-2000 Strukturalismus Postmoderne Ästhetik Hochschulschrift
Links:	http://deposit.dnb.de/cgi-bin/dokserv?id=3562952&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020704776&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	585 S. 24 cm, 990 g
ISBN:	9783826044731

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Datensatz im Suchindex

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adam_text	TABLE OF CONTENTS INTRODUCTION 11 I THREE CONTEXTS OF ARTMANN S WORK 23 1.1 BIOGRAPHIC CONTEXT 23 1.2 SCHOLARLY CONTEXT 40 1.2.1 ARTMANN S AESTHETIC IN HIS PLAYS 41 1.2.2 ARTMANN S AESTHETIC IN HIS WORK GENERALLY 48 1.3 CULTURAL CONTEXT OF AUSTRIANNESS 56 1.3.1 AUSTRIANNESS AS IDEOLOGY 56 1.3.2 ARTMANN S SCHNEEWITTGENSTEIN : THE MOTIF OF THE SURFACE 63 1.3.3 ARTMANN S SYNCHRONY IN BI-PARADIGMATIC OPPOSITION 72 TO AUSTRIAN DIACHRONY II METHODOLOGY: THEORIZING POSTMODERNITY 77 II.L GERMAN-LANGUAGE/AUSTRIAN DISCOURSES ON POSTMODERNITY 77 AND ARTMANN S POTENTIAL FOR POSTMODERNITY N.1.1 GERMAN-LANGUAGE DISCOURSES ON POSTMODERNITY. THE ISSUE OF HISTORY 78 II. 1.2 ARTMANN S DEFENSE OF POPULAR CULTURE 83 11.1 .3 AUSTRIAN CONTEXTS OF POSTMODERNITY: LITERATURE AND CRITICAL DISCOURSES 92 II.L.4 ARTMANN S POTENTIAL FOR POSTMODERNITY 98 11.2 METHODOLOGICAL FRAMEWORK 105 N.2.1 RADICAL CONSTRUCTIVISM (MCHALE, GLASERSFELD, SCHMIDT) 105 11.2.2 PARADIGMS OF SIGNIFICATION: TWO PERSPECTIVES (DIACHRONY, SYNCHRONY), 109 THREE IDEOLOGIES (COMMUNICATIONISM, POSTSTRUCTURALISM, STRUCTURALISM) 11.2.2.1 LITERARY THEORY AND ANALYTIC PHILOSOPHY OF SCIENCE 109 11.2.2.2 GENERAL SEMIOTICS 113 11.2.3 SEMIOTICS AND POSTMODERNITY 120 11.2.4 DEFINITION OF POSTMODERNITY (POSTMODERN SIGNIFICATION): 123 BI-PARADIGMATIC IRONY 11.2.4.1 STRUCTURAL (STATIC) IRONY: THE MINIMAL VERSION OF IRONY 123 11.2.4. BIBLIOGRAFISCHE INFORMATIONEN HTTP://D-NB.INFO/1008233552 DIGITALISIERT DURCH ILL ARTMANN S AESTHETIC OF AUTONOMY AND SMALLNESS 131 111.1 THREE AESTHETIC PRINCIPLES 134 (AESTHETIC CO-NOTATIONS CI, CN, CM) III.L.1 SMALLNESS: TERTIARY PRINCIPLE (CO-NOTATION CM) 135 111.1.1.1 SPECIAL SMALLNESS: CONCRETENESS 141 111.1.1.2 PSYCHOLOGICAL SMALLNESS IN ARTMANN S SELF-PORTRAITS 152 III. 1.2 AREALISM: SECONDARY PRINCIPLE (CO-NOTATION CN) 157 III. 1.3 SYNCHRONY: PRIMARY PRINCIPLE (CO-NOTATION CI) 165 111.1.3.1 SURFACE DISPLAY, ANALYTIC REASONING, NON-BRETONIAN SURREALISM 166 111.1.3.2 APRAGMATIC AND STRUCTURALIST AUTHORSHIP 171 111.1.3.3 STRUCTURALIST RHETORIC: PARODY, IRONY, METAPHOR 180 111.1.3.4 CONTAINMENT: 196 THE METHODIC IDEAL OF CONTEXTUAL CLOSURE, THE AESTHETIC IDEAL OF CO-TEXTUAL ENCLOSURE 111.1.3.5 FOUR SPECIAL ASPECTS OF CONTEXTUAL CLOSURE: 222 MULTIPLE CLOSURE, STRUCTURAL ENCLOSURE OF COMMUNICATIVE CLOSURE, MISE-EN-TABLEAU, METHODIC HORROR OF POSTSTRUCTURAL DISCLOSURE 111.1.3.6 SPACE AND VISUAHTY 238 111.2 FROM CO-TEXT [TEXT] TO CIC U CIN[...]: 250 THE STRUCTURALIST DESIGN OF ARTMANN S WORK 111.2.1 CO-TEXT[TEXTJ: THE PARADIGMATIC FORMULA OF ARTMANN S WORK 251 111.2.2 CO-NOTATION[NOTATION]: RELATIVE PRIMACY OF SIGNIFIED OVER SIGNIFIER 256 111.2.3 CO-NOTATIONF...]: ABSOLUTE PRIMACY OF CO-NOTATION OVER NOTATION 267 111.2.4 QCNCM [...]: ABSOLUTE PRIMACY OF ARTMANN S AESTHETIC CO-NOTATIONS 272 111.3 IDEOLOGY-RHETORIC: 283 ARTMANN IV ARTMANN S POSTMODERNITY AS BI-PARADIGMATIC IRONY 369 IV.L DRACULA DRACULA (1966): 376 A HIGHLY EMBARRASSING SITUATION HAS ARISEN! RV.1.1 VAMPIRISM AS A WHITE-BLACK SIGN 380 RV.1.1.1 WHITE-BLACK VAMPIRES: HEAVY MORFER DRACULA, LIGHT MONSTER CARMILLA 380 IV.L.1.2 VICTIMS OF VAMPIRISM: CORNWALLIS AND BANCROFT 390 IV. 1.1.3 APOMTYM APAMPA: VAMPIRIC TYPOGRAPHY AS A HEAVY MONSTER 405 IV.L.1.4 VAMPIRISM AS A RHETORICALLY BLACK METAPHOR OF 418 IDEOLOGICALLY WHITE STASIS IV.1.2 POSTMODERNITY: 427 ANTI-VAMPIRIST COMMUNICATIONISM AS THE IRONICALLY SAID IV.1.2.1 PARODIE DIFFERENCES: ANTI-VAMPIRISM AS THE TARGET OF 427 APRAGMATIC PARODY IV. 1.2.2 IRONIC OPPOSITION: COMMUNICATIONISM AS THE TARGET OF 435 BI-PARADIGMATIC IRONY IV.2 TOEK PH TONG SULENG (1967): 442 RIDDLES WITHIN RIDDLES IV.2.1 RIDDLES 444 IV.2.1.1 RIDDLES ABOUT THE FIGURES INVOLVED WITH THE HUNTING PARTY 444 IV.2.1.2 RIDDLES ABOUT SUSPECT FIGURES CONCERNING LYCANTHROPY 460 IV.2.1.3 RIDDLES ABOUT WHITE-BLACK LYCANTHROP
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author	Schuster, Marc-Oliver 1968-
author_GND	(DE-588)141545933
author_facet	Schuster, Marc-Oliver 1968-
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author_variant	m o s mos
building	Verbundindex
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dewey-tens	830 - Literatures of Germanic languages
discipline	Germanistik / Niederlandistik / Skandinavistik
format	Thesis Book
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isbn	9783826044731
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spellingShingle	Schuster, Marc-Oliver 1968- H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity Artmann, H. C. 1921-2000 (DE-588)118504533 gnd Strukturalismus (DE-588)4058129-9 gnd Postmoderne (DE-588)4115604-3 gnd Ästhetik (DE-588)4000626-8 gnd
subject_GND	(DE-588)118504533 (DE-588)4058129-9 (DE-588)4115604-3 (DE-588)4000626-8 (DE-588)4113937-9
title	H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity
title_auth	H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity
title_exact_search	H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity
title_full	H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity Marc-Oliver Schuster
title_fullStr	H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity Marc-Oliver Schuster
title_full_unstemmed	H. C. Artmann's structuralist imagination a semiotic study of his aesthetic and postmodernity Marc-Oliver Schuster
title_short	H. C. Artmann's structuralist imagination
title_sort	h c artmann s structuralist imagination a semiotic study of his aesthetic and postmodernity
title_sub	a semiotic study of his aesthetic and postmodernity
topic	Artmann, H. C. 1921-2000 (DE-588)118504533 gnd Strukturalismus (DE-588)4058129-9 gnd Postmoderne (DE-588)4115604-3 gnd Ästhetik (DE-588)4000626-8 gnd
topic_facet	Artmann, H. C. 1921-2000 Strukturalismus Postmoderne Ästhetik Hochschulschrift
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work_keys_str_mv	AT schustermarcoliver hcartmannsstructuralistimaginationasemioticstudyofhisaestheticandpostmodernity

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