Verfügbarkeit: A critical history of German film | Technische Universität München

A critical history of German film:

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Bibliographische Detailangaben
Beteilige Person:	Brockmann, Stephen 1960- (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Rochester, NY Camden House 2010
Ausgabe:	1. publ.
Schriftenreihe:	Studies in German literature, linguistics, and culture
Schlagwörter:	Geschichte 1900-2000 Geschichte Film Motion pictures > Germany > History > 20th century Motion pictures > Germany > History > 21st century Deutschland
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020680524&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020680524&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	X, 522 S. Ill.
ISBN:	9781571134684 1571134689

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Datensatz im Suchindex

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adam_text	IMAGE 1 A CRITICAL HISTORY OF GERMAN FILM STEPHEN BROCKMANN CAMDEN HOUSE ROCHESTER, NEW YORK IMAGE 2 CONTENTS ACKNOWLEDGMENTS IX INTRODUCTION: CRITICAL FILM HISTORY AND GERMAN STUDIES 1 PART ONE: EARLY GERMAN FILM HISTORY 1895-1918 1: EARLY GERMAN FILM HISTORY 1895-1918: HISTORICAL OVERVIEW 13 2: DER STUDENT VON PRAG (1913) AND LEARNING TO LOOK 29 PART TWO: WEIMAR CINEMA 1919-1933 3: WEIMAR CINEMA 1919-1933: HISTORICAL OVERVIEW 43 4: DAS CABINET DES DR. CALIGARI (1920) OR FILM AS HYPNOSIS 59 5: DER LETZTE MANN (1924) OR LEARNING TO MOVE 71 6: METROPOLIS (1927) OR TECHNOLOGY AND SEX 81 7: DER BLAUE ENGEL (1930) AND LEARNING TO TALK 97 8: M(1931) OR SOUND AND TERROR 113 PART THREE: NAZI CINEMA 1933-1945 9: NAZI CINEMA 1933-1945: HISTORICAL OVERVIEW 131 10: TRIUMPH DES WILLENS (1935): DOCUMENTARY AND PROPAGANDA 151 11: DIEGROFIE LIEBE (1942) OR LOVE AND WAR 167 PART FOUR: GERMAN CINEMA AT THE ZERO HOUR 1945-1949 12: GERMAN CINEMA AT THE ZERO HOUR 1945-1949: HISTORICAL OVERVIEW 183 13: DIE MORDER SIND UNTER UNS (1946): THE RUBBLE FILM 197 PART FIVE: POSTWAR EAST GERMAN CINEMA 1949-1989 14: POSTWAR EAST GERMAN CINEMA 1949-1989: HISTORICAL OVERVIEW 213 15: SONNENSUCHER (1958) OR SEARCHING FOR THE SOCIALIST SUN 235 16: SPUR DER STEINE (1966) OR TRACES OF REPRESSION 247 IMAGE 3 VIII * CONTENTS 17: DIE LEGENDE YON PAUL UND PAULA (1973) OR EAST GERMANY IN THE 70S 259 18: SOLO SUNNY (19HO) OR EVEN SOCIALISM CAN T STAVE OFF LONELINESS 275 PART SIX: POSTWAR WEST GERMAN CINEMA 1949-1989 19: POSTWAR WEST GERMAN CINEMA 1949-1989: HISTORICAL OVERVIEW 285 20: DIEBRUCKE (1959): FILM AND WAR 303 21: DER JUNGE TORLESS (1966) OR RECAPTURING TRADITION 315 22: AGUIRRE, DER ZORN GOTTES (1972): FILM AND THE SUBLIME 329 23: DEUTSCHLAND IM HERBST ( 1978) OR FILM AND POLITICS 343 24: DIE EHE DER MARIA BRAUN (1979) OR WEST GERMANY REBUILDS 357 25: DIE BLECHTROMMEL (1979) OR COMING TO TERMS WITH THE NAZI PAST 371 26: DIE BLEIERNE ZEIT (1981): FILM AND TERRORISM 383 27: DER HIMMEL UBER BERLIN (1987): BERLIN, CITY OF ANGELS 399 PART SEVEN: GERMAN FILM AFTER REUNIFICATION 1990-2010 28: GERMAN FILM AFTER REUNIFICATION 1990-2010: HISTORICAL OVERVIEW 413 29: DER BEWEGTE MANN (1994) OR WEST GERMAN SELF-ABSORPTION 437 30: ROSSINI (1997) OR WEST GERMAN SELF-ABSORPTION CRITICIZED 447 31: LOLA RENNT (1998) OR COOL GERMANIA 457 32: GOOD BYE LENIN! (2003) OR FAREWELL TO THE SOCIALIST MOTHERLAND 469 33: GEGEN DIE WAND (2004) OR GERMANY GOES MULTICULTURAL 479 34: DAS LEBEN DER ANDEREN (2006) OR THE POWER OF ART 489 INDEX 501 A HISTORY OF GERMAN FILM dealing with individual films as works of art has long been needed. Existing histories tend to treat cinema as an economic rather than an aesthetic phenom¬ enon; earlier surveys that do engage with individual films do not include films of recent decades. This book treats representative films from the beginnings of German film to the present. Provid¬ ing historical context through an introduction and interchapters preceding the treatments of each era s films, the volume is suitable for semester- or year-long survey courses and for anyone with an interest in German cinema. The films: The Student of Prague — The Cabinet of Dr. Caligari — The Last Laugh — Metropolis — The Blue Angel — M — Triumph of the Will — The Great Love — The Murderers Are among Us — Sun Seekers — Trace of Stones — The Legend of Paul and Paula — Solo Sunny — The Bridge — Young To rless — Aguirre, The Wrath of God — Germany in Autumn — The Marriage of Maria Braun — The Tin Drum — Marianne and Juliane — Wings of Desire — Maybe, Maybe Not — Rossini — Run Loh Run — Good Bye Lenin ! — Head On — The Lives of Others
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author	Brockmann, Stephen 1960-
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spellingShingle	Brockmann, Stephen 1960- A critical history of German film Film Geschichte Motion pictures Germany History 20th century Motion pictures Germany History 21st century Film (DE-588)4017102-4 gnd
subject_GND	(DE-588)4017102-4 (DE-588)4011882-4
title	A critical history of German film
title_auth	A critical history of German film
title_exact_search	A critical history of German film
title_full	A critical history of German film Stephen Brockmann
title_fullStr	A critical history of German film Stephen Brockmann
title_full_unstemmed	A critical history of German film Stephen Brockmann
title_short	A critical history of German film
title_sort	a critical history of german film
topic	Film Geschichte Motion pictures Germany History 20th century Motion pictures Germany History 21st century Film (DE-588)4017102-4 gnd
topic_facet	Film Geschichte Motion pictures Germany History 20th century Motion pictures Germany History 21st century Deutschland
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020680524&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020680524&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
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