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Modern music and after:

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Bibliographic Details
Main Author:	Griffiths, Paul 1947- (Author)
Format:	Book
Language:	English
Published:	Oxford [u.a.] Oxford Univ. Press 2010
Edition:	3. ed.
Subjects:	Geschichte 1900-2000 Geschichte 1945-1995 Geschichte 1945-2010 Musik Music > 20th century > History and criticism
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020644615&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Physical Description:	XVII, 456 S. zahlr. Notenbeisp.
ISBN:	9780199740505

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Record in the Search Index

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adam_text	Contents Prelude xvii 1945 1. Rational and Irrational: Western Europe, 1945-50 З Paris, 1945^18 — The Young Boulez — Boulez s Second Piano Sonata — Other Stories — Musique Concrète — Variations: Nono 2. Silencing Music: Cage, 1946-52 22 Rhythmic Structuring — Towards Silence — Around Cage 3. Total Organization: Western Europe, 1949-54 34 The Moment of Total Serialism 1: Darmstadt 1949 and Darmstadt 1951 — Interlude: The Patrons of Modernism — The Moment of Total Serialism 2: Paris 1952 — The Human Voice 1: Nono — Electronic Music — The Human Voice 2: Barraqué 4. Classic Modernism and Other Kinds: The United States, 1945-55 57 Schoenberg — Carter — Babbitt — Homemade Music — Wolpe — After Silence 5. The Cold War 76 xiv Contents 6. Extension and Development: Western Europe, 1953-56 80 From Points to Groups — Systems of Organization — Le Marteau sans maître — Sound and Word — ... how time passes ... — Statistics 1956 7. Mobile Form: 1956-61 107 Cage — Stockhausen and Boulez — Boulez and Berio — Barraqué — Exit from the Labyrinth 8. Elder Responses 127 Stravinsky — Messiaen — Várese — Symphonists and Others 9. Reappraisal and Disintegration: 1959-64 145 Questioning Voices: Ligeti, Bussotti, Kagel — Stumbling Steps: Kurtág — Listening Ears: Cage, Young, Babbitt — Exploiting the Moment: Stockhausen — The Last Concert: Nono 1965 10. Of Elsewhen and Elsewhere 167 The Distant Past — (The Imaginary Past) — The Distant or Not So Distant East — Quotation — Meta-Music 11. Music Theatre 190 Opera and Opera — Music Theatre — Instrumental Theatre 12. Politics 203 Cardew — Rzewski — The Composer in the Factory 13. Virtuosity and Improvisation 210 The Virtuoso — Virtuosity in Question — The Electric Musician — Improvisation 14. Orchestras or Computers 228 Orchestras — Computer Music 15. Minimalism and Melody 233 New York Minimalism — Minimalism in Europe — Melody 16. Ending 251 1975 17. Holy Minimalisms 257 Part — Górecki and Tavener — (Messiaen) — Ustvolskaya Contents xv 18. New Romanticisms 265 Rihm — Schnittke, and the Hectic Present — Gubaidulina, and the Visionary Future — Silvestrov, and the Reverberating Past — Symphony? — Feldman and Loss — Lachenmann and Regain 19. New Simplicities 285 Cage, or Innocence — Denyer, or Outsiderness — Kurtág, or Immediacy — Holliger, or Extremity — Sciarrino, or Intimacy 20. New Complexities 298 Ferneyhough — Finnissy — Charged Solos 21. Old Complexities 312 Carter and the Poets — Xenakis and the Arditti Quartet — Nono and Listening — Stockhausen and Licht — Birtwistle and Ritual — Berio and Memory — IRCAM and Boulez 22. Specialisms 339 Radulescu and Tenney — Grisey — Vivier 23. (Unholy?) Minimalisms 348 Reich — Andriessen 24. Referencings 3 54 Kagel, et al. — Donatoni — Bolcom and Adams — Ligeti 1989 25. Towards Mode/Même 365 Rootless Routes: Ligeti — Memory s Memorials: Berio and Kurtág — Remade Modes: Adams, Adès, Benjamin — Pesson s Past and Pauset s — Traditions Tracks: Around Zorn 26. Towards the Strange Self 382 Act I: Schneewittchen — Entr acte: Kurtág s Beckett — Act II: Luci mie traditrici — Entr acte: Birtwistle s Celan — Act III: Three Sisters — Entr acte: Kyburz s No-one — Act IV: Das Mädchen mit den Schwefelhölzern 27. Towards Transcendence 396 Gubaidulina and Christ — Haas and Darkness — Harvey and the Goddess — Grisey and Rebirth — Riehm and Reality xvi Contents 2001 28. Towards Change? 409 Resources 425 Index 441
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dewey-sort	3780.9 14
dewey-tens	780 - Music
discipline	Musikwissenschaft
edition	3. ed.
era	Geschichte 1900-2000 Geschichte 1945-1995 gnd Geschichte 1945-2010 gnd
era_facet	Geschichte 1900-2000 Geschichte 1945-1995 Geschichte 1945-2010
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isbn	9780199740505
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physical	XVII, 456 S. zahlr. Notenbeisp.
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spellingShingle	Griffiths, Paul 1947- Modern music and after Musik Music 20th century History and criticism Musik (DE-588)4040802-4 gnd
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title	Modern music and after
title_auth	Modern music and after
title_exact_search	Modern music and after
title_full	Modern music and after Paul Griffiths
title_fullStr	Modern music and after Paul Griffiths
title_full_unstemmed	Modern music and after Paul Griffiths
title_short	Modern music and after
title_sort	modern music and after
topic	Musik Music 20th century History and criticism Musik (DE-588)4040802-4 gnd
topic_facet	Musik Music 20th century History and criticism
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