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Bibliographic Details
Main Author:	Lepper, Marcel 1977- (Author)
Format:	Thesis/Dissertation Book
Language:	German
Published:	Frankfurt am Main [u.a.] Lang 2008
Subjects:	Geschichte 1450-1650 Klage <Literatur> - Affekt <Motiv> - Pathos - Geschichte 1450-1650 Affect (Psychology) Emotions in literature European literature > Renaissance, 1450-1600 > History and criticism Pathos in literature Affekt Literatur Klage > Religion Klage > Literatur Affekt > Motiv Pathos Hochschulschrift
Links:	http://d-nb.info/990156249/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017008906&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Physical Description:	294 S.
ISBN:	9783631562093

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MARC


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Record in the Search Index

DE-BY-UBR_call_number	54/LC 66000 L598
DE-BY-UBR_katkey	4415534
DE-BY-UBR_location	UB Lesesaal Philosophicum 2: Vergl. Kulturwissenschaft
DE-BY-UBR_media_number	069036018017
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adam_text	Inhalt Vorwort.............................................................................................................7 Erstes Kapitel: Klagegesang und Wehgeschrei...............................................9 A) Erzählrichtungen............................................................................................................9 1) Marsyas Wehgeschrei....................................................................................................................10 2) Ariadnes Klagegesang....................................................................................................................14 B) Begriffe..........................................................................................................................17 1) Rhetorik............................................................................................................................................17 2) Pathos...............................................................................................................................................22 C) Thesen...........................................................................................................................25 Zweites Kapitel: Darstellungsverfahren.........................................................27 A) Warburgs Begriff der .Pathosformel ............................................................................27 1) Bewegungssuggestion.....................................................................................................................43 2) Repertorisierbarkeit........................................................................................................................54 3) Memorabilität..................................................................................................................................64 4) Beglaubigung...................................................................................................................................68 B) Justus Iipsius: De constantìa (1584).............................................................................82 1) „Seneca tragicus , „Seneca moralis ............................................................................................82 2) „Regarding the pain of others .....................................................................................................85 3) Diszipiinarpolirik. ............................................................................................................................88 C) Daniel Heinsius: De ttagoediae constitutions (1611 /1643)........................................93 1) Therapeutische Einübung.............................................................................................................95 2) Ordnung der Darstellung..............................................................................................................98 Drittes Kapitel: Totenritual...........................................................................101 A) Hhetorik der Totenklage..............................................................................................102 1) Integration und Legitimation......................................................................................................104 2) Rhetorische Regulierung..............................................................................................................107 B) Georges Chastellain: Chronik (1461-1475)....................................................................117 1) Totenklage um Philipp den Guten (1467)................................................................................120 2) Bewegte Bilder, dynastisches Gedächtnis.................................................................................125 3) Zitat und Konfliktbewältigung...................................................................................................128 4) Rückblende: Klage um Johann Ohnefurcht (1419).................................................................132 5) .Pathosformel und Effektbegrenzung......................................................................................135 Viertes Kapitel: Geschlechterkonflikte........................................................139 A) Claudio Monteverdi: Lamento d Arianna (1608).........................................................146 1) Monteverdi-Konjunktur..............................................................................................................147 2) Monteverdi-Rezeptionen........__................................................................................................150 3) Das Ariadne-ModeU.....................................................................................................................154 В) Veit Warbeck: Die schöne Mageloně (1527)................................................................160 1) Überlieferung der Mageionenklage.............................................................................................161 2) Pathos und Ehedokttin................................................................................................................163 3) Kontingenz und Beständigkeit....................................................................................................168 4) Affektrepräsentation und Geschlecht........................................................................................171 5) Historisiertes Pathos.....................................................................................................................174 Fünftes Kapitel: Politische Allegorien.........................................................177 A) Allegorische lamentationes..........................................................................................181 1) Liturgie und Tragödie...................................................................................................................181 2) Soziale Klagen...............................................................................................................................184 B) Elegia deobsidioneMagdcburgcnsiQSbl / 1631)......................................................186 1) Gedächtnisort................................................................................................................................186 2) Topographie der Klage: Jerusalem, Troja, Sagunt...................................................................188 3) Politisches Zitat: Lotichius Magdeburg-Elegie........................................................................192 4) Vergewaltdgungsmetaphorik ........................................................................................................198 5) Politische Eschatologie ................................................................................................................205 Sechstes Kapitel: Höllentheologie...............................................................213 A) Tradition der Höllenklage...........................................................................................215 1) Höllendidaktik...............................................................................................................................216 2) Visio Tnugdali, danteskes Inferno..............................................................................................221 B) Historia voa D. Jobann Fausten (1587)......................................................................225 1) Höllische Evidenz.........................................................................................................................226 2) Die „Weheklag ............................................................................................................................231 3) Faustisches Pathos........................................................................................................................237 Siebtes Kapitel: Poetisches Nachleben?......................................................241 A) Beschreibungsweisen..................................................................................................242 1) Kontinuität, Diskontinuität.........................................................................................................242 2) Philologisches Pathos...................................................................................................................246 B) Dichterklage................................................................................................................248 1) Arkadische Klage..........................................................................................................................248 2) Johann Christian Günthers Klagepoetik...................................................................................255 C) Kunst der Überbrückung............................................................................................ 262 Abkürzungen........................................................................... _ 265 Bibliographie........................................................................ 267
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author	Lepper, Marcel 1977-
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discipline	Germanistik / Niederlandistik / Skandinavistik Literaturwissenschaft Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft
era	Geschichte 1450-1650 gnd
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spellingShingle	Lepper, Marcel 1977- Lamento zur Affektdarstellung in der Frühen Neuzeit Klage <Literatur> - Affekt <Motiv> - Pathos - Geschichte 1450-1650 Affect (Psychology) Emotions in literature European literature Renaissance, 1450-1600 History and criticism Pathos in literature Affekt (DE-588)4135470-9 gnd Literatur (DE-588)4035964-5 gnd Klage Religion (DE-588)4163994-7 gnd Klage Literatur (DE-588)4711784-9 gnd Affekt Motiv (DE-588)4141547-4 gnd Pathos (DE-588)4173545-6 gnd
subject_GND	(DE-588)4135470-9 (DE-588)4035964-5 (DE-588)4163994-7 (DE-588)4711784-9 (DE-588)4141547-4 (DE-588)4173545-6 (DE-588)4113937-9
title	Lamento zur Affektdarstellung in der Frühen Neuzeit
title_auth	Lamento zur Affektdarstellung in der Frühen Neuzeit
title_exact_search	Lamento zur Affektdarstellung in der Frühen Neuzeit
title_full	Lamento zur Affektdarstellung in der Frühen Neuzeit Marcel Lepper
title_fullStr	Lamento zur Affektdarstellung in der Frühen Neuzeit Marcel Lepper
title_full_unstemmed	Lamento zur Affektdarstellung in der Frühen Neuzeit Marcel Lepper
title_short	Lamento
title_sort	lamento zur affektdarstellung in der fruhen neuzeit
title_sub	zur Affektdarstellung in der Frühen Neuzeit
topic	Klage <Literatur> - Affekt <Motiv> - Pathos - Geschichte 1450-1650 Affect (Psychology) Emotions in literature European literature Renaissance, 1450-1600 History and criticism Pathos in literature Affekt (DE-588)4135470-9 gnd Literatur (DE-588)4035964-5 gnd Klage Religion (DE-588)4163994-7 gnd Klage Literatur (DE-588)4711784-9 gnd Affekt Motiv (DE-588)4141547-4 gnd Pathos (DE-588)4173545-6 gnd
topic_facet	Klage <Literatur> - Affekt <Motiv> - Pathos - Geschichte 1450-1650 Affect (Psychology) Emotions in literature European literature Renaissance, 1450-1600 History and criticism Pathos in literature Affekt Literatur Klage Religion Klage Literatur Affekt Motiv Pathos Hochschulschrift
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work_keys_str_mv	AT leppermarcel lamentozuraffektdarstellunginderfruhenneuzeit

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