Alternative film culture in inter-war Britain:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Exeter
Univ. of Exeter Press
2008
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Exeter studies in film history
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016744218&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016744218&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Includes filmography Ip. 217-220) Includes bibliographical references (p. 200-216) and index |
| Umfang: | IX, 230 S. Ill. |
| ISBN: | 9780859898102 0859898105 |
Internformat
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Datensatz im Suchindex
| _version_ | 1819370122135994368 |
|---|---|
| adam_text | Contents
Lût
of
Illustrations
vii
Acknowledgements
ix
Introduction: From
Avant-Garde
Rim to Alternative Rim Culture
ι
1. The Network of Alternative Rim Culture
n
2.
Deconstruction, Burlesque and Parody
52
3.
Drifters and the Emergence of an Alternative British Cinema
75
4.
Alternative Rim Culture in the Shadow of Sound
89
5.
Montage, Machinery and Sound
108
6.
Mechanization and Abstraction
127
7.
Borderline: Subjectivity and Experimentation
147
Conclusion
164
Notes
169
Bibliography
200
Filmography
217
Index
221
European
film culture in the inter-war period has
long been celebrated for fostering the first wave
of avant-garde filmmaking. But many studies have
focused upon France, Germany and the Soviet
Union, ignoring the activity of the film industry
in Britain. This is the first book-length study of a
number of currents which opposed mainstream
filmmaking and which championed film as an
intellectual, modern art.
It traces the growth of new approaches to film
through exhibition and writing on cinema, and looks
at how this cultural formation shaped filmmaking.
As such, it takes an interdisciplinary approach in
which a study of independent filmmaking in this
era is firmly placed within a cultural context, linking
the ways in which films were presented, received
and produced.
Jamie
Sexton is Lecturer in Film Studies in the
University of Wales, Aberystwyth. His other books
include Cult Cinema: An Introduction (with Ernest
Mathijs,
forthcoming
2009);
Experimental British
Television (edited with Laura Mulvey,
2007);
Music,
Sound and Multimedia (edited,
2007).
|
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| illustrated | Illustrated |
| indexdate | 2024-12-20T13:19:33Z |
| institution | BVB |
| isbn | 9780859898102 0859898105 |
| language | English |
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| physical | IX, 230 S. Ill. |
| publishDate | 2008 |
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| publishDateSort | 2008 |
| publisher | Univ. of Exeter Press |
| record_format | marc |
| series2 | Exeter studies in film history |
| spellingShingle | Sexton, Jamie Alternative film culture in inter-war Britain Experimental films / Great Britain / History and criticism Motion pictures / Great Britain / History and criticism Film Experimental films Great Britain History and criticism Motion pictures Great Britain History and criticism Experimentalfilm (DE-588)4153359-8 gnd |
| subject_GND | (DE-588)4153359-8 (DE-588)4022153-2 |
| title | Alternative film culture in inter-war Britain |
| title_auth | Alternative film culture in inter-war Britain |
| title_exact_search | Alternative film culture in inter-war Britain |
| title_full | Alternative film culture in inter-war Britain Jamie Sexton |
| title_fullStr | Alternative film culture in inter-war Britain Jamie Sexton |
| title_full_unstemmed | Alternative film culture in inter-war Britain Jamie Sexton |
| title_short | Alternative film culture in inter-war Britain |
| title_sort | alternative film culture in inter war britain |
| topic | Experimental films / Great Britain / History and criticism Motion pictures / Great Britain / History and criticism Film Experimental films Great Britain History and criticism Motion pictures Great Britain History and criticism Experimentalfilm (DE-588)4153359-8 gnd |
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