Gespeichert in:
| Beteiligte Personen: | , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Hountingdon
Elm Publ.
2008
|
| Ausgabe: | 3. ed. |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020142160&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Music industry management and promotion |
| Umfang: | XIV, getr. Zählung Ill., graph. Darst. |
| ISBN: | 9781854504470 1854504479 9781854505071 |
Internformat
MARC
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| 020 | |a 9781854505071 |9 978-1-85450-507-1 | ||
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| 100 | 1 | |a Kemp, Chris |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Music event |b management and promotion |c Chris Kemp. With contributions from Richard Chamberlain and Russel Stone |
| 250 | |a 3. ed. | ||
| 264 | 1 | |a Hountingdon |b Elm Publ. |c 2008 | |
| 300 | |a XIV, getr. Zählung |b Ill., graph. Darst. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Music industry management and promotion | ||
| 700 | 1 | |a Chamberlain, Richard |e Verfasser |4 aut | |
| 700 | 1 | |a Stone, Russel |e Verfasser |4 aut | |
| 856 | 4 | 2 | |m HBZ Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020142160&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-020142160 | |
Datensatz im Suchindex
| _version_ | 1819304420652875776 |
|---|---|
| adam_text | Contents
List of Figures and Photographs............................................................................vi
List of Case Studies.................................................................................................vm
Dedication................................................................................................................ix
Acknowledgements....................................................................................................ix
The Author.................................................................................................................x
Contributors..............................................................................................................xi
Introduction.............................................................................................................xii
Chapter 1: Selecting an Artist and the Role of the Promoter...........................1-1 to 1-38
Chapter 2: The Agent.......................................................................................2-1 to 2-20
Chapter 3: Managing Publicity.........................................................................3-1 to 3-12
Chapter 4: Marketing the Event.......................................................................4-1 to 4-28
Chapter 5: Venue Management, including Licensing Health Safety......5-1 to 5-32
Chapter 6: Staffing, Crew and Security............................................................6-1 to 6-20
Chapter 7: Getting the Promotion as Perfect as Possible.................................7-1 to 7-14
Chapter 8: Finance Administration..............................................................8-1 to 8-16
Chapter 9: Managing the Band Setting up a Tour........................................9-1 to 9-32
Chapter 10: Music Event Management Outdoors - Dr Robert Carpenter......10-1 to 10-34
Chapter 11: Production in the Studio - Tony Platt.........................................11-1 to 11-22
Chapter 12: The Record Company.................................................................12-1 to 12-12
Chapter 13: The PR Promotions Company................................................13-1 to 13-12
References.....................................................................................14-1 to 14-6
Index...........................................................................................15-1 to 15-10
List of Figures and Photographs
Figure 1.1 Factors affecting the promoter s decision when selecting an artist........1-4
Figure 1.2 Punters enjoying themselves - the promoter s responsibility................1-5
Figure 1.3 Key elements studied when fitting together an economic picture of a
promotion................................................................................................1-7
Figure 1.4 Differing audience catchment profiles for five events at the Pitz in Milton
Keynes..................................................................................................1-10
Figure 1.5 Awareness vehicles for the Pitz in Milton Keynes...............................1-10
Figure 1.6 Enhancing the experience - backlighting and screens.........................1-13
Figure 1.7 Screens for distant punters....................................................................1-15
Figure 1.8 Some major considerations taken into account during a promotion.... 1-17
Figure 1.9 Event information sheet...........................................................1-20 to 1-21
Figure 1.10 Components of a successful promotion................................................1-22
Figure 1.11 A range of types of attendee at a concert.............................................1-24
Figure 1.12 Barrier problems...................................................................................1-27
Figure 2.1 Artists......................................................................................................2-5
Figure 2.2 An example of a standard contract at the negotiation stage......2-8 to 2-13
Figure 2.3 A typical agency hierarchy chart..........................................................2-14
Figure 3.1 Paper sizes..............................................................................................3-4
Figure 3.2 Printed posters........................................................................................3-7
Figure 3.3 Two ways of planning an A2 print job...................................................3-9
Figure.3.4 Posters to attract the youngsters...........................................................3-11
Figure 4.1 The marketing plan.................................................................................4-2
Figure 4.2 Sponsorship............................................................................................4-3
Figure 4.3 How all the constituent parts of the marketing machine interrelate
with the promoter during a promotion..................................................4-12
Figure 4.4 Music industry quality circle................................................................4-13
Figure 4.5 The marketing machine........................................................................4-16
VI
Figure 4.6 Flyposting - it s official!......................................................................4-18
Figure 4.7 Promotion and advertising....................................................................4-25
Figure 5.1 Venues....................................................................................................5-3
Figure 5.2 Access for punters..................................................................................5-9
Figure 5.3 Dangerous behaviour 1.........................................................................5-13
Figure 5.4 Dangerous behaviour 2.........................................................................5-19
Figure 5.5 Medical staff and services....................................................................5-27
Figure 6.1 The crew.................................................................................................6-3
Figure 6.2 Security staff...........................................................................................6-7
Figure 6.3 Police and other services......................................................................6-11
Figure 6.4 Security staff checking for drugs..........................................................6-15
Figure 6.5 Separate parking for bicycles helps access, egress crowd control ..6-17
Figure 6.6 Security staff empty rubbish bags and get ready to admit the next wave of
punters..................................................................................................6-19
Figure 7.1 Not just a luxury: medical services........................................................7-3
Figure 7.2 Well-behaved crowds.............................................................................7-5
Figure 7.3 Facilities and services for customers......................................................7-9
Figure 7.4 Equipment set up on stage....................................................................7-13
Figure 8.1 Four ways in which a deal can be fixed......................................8-6 to 8-7
Figure 8.2 A specimen contract................................................................8-10 to 8-11
Figure 9.1 Official merchandise..............................................................................9-9
Figure 9.2 A Sample tour budget..............................................................9-15 to 9-19
Angry Chair European Tour Itinerary....................................9-20 to 9-32
Figure 9.2a -i Typical documents for an itinerary.........................................9-20 to 9-25
Figure 9.4 Stage positioning plan..........................................................................9-26
Figure 9.5 Input list................................................................................................9-27
Figure 9.6 Technical specification.........................................................................9-28
Figure 9.7 Rider agreement.......................................................................9-29 to 9-31
Figure 9.8 Financial settlement..............................................................................9-32
Figure 10.1 Weather problems.................................................................................10-3
Figure 10.2 Behind the scenes...............................................................................10-11
Figure 10.3 Planning safety outdoors................................................................10-15
Figure 10.4 Site security and emergency services.................................................10-19
vii
Figure 10.5 Even an emergency lighting rig gets its own personal security fence.........
............................................................................................................10-21
Figure 10.6 Crowd control barriers........................................................................10-25
Figure 10.7 When they all go home.......................................................................10-29
Figure 10.8 A professional protects his camera at all costs...................................10-32
Figure 11.1 Involvement in a recording production................................................11-5
Figure 11.2 Producer procedure guidelines.............................................................11-6
Figure 11.3 Specimen album budget..........................................................11-8 to 11-9
Figure 11.4 In the studio........................................................................................11-11
Figure 11.5 Studio options.....................................................................................11-12
Figure 12.1: General structure of a record label.......................................................12-3
Figure 12.2: Young indie artists................................................................................12-6
Figure 12.3 Most live music events do not allow you to record the artists.............12-9
Figure 13.1 Radio reports............................................................................13-6 to 13-8
Figure 13.2 Football activity report..........................................................13-9 to 13-10
The photographer and owner of the copyright is cited with each picture. No copies may
be made without the prior, written permission of this person or of Elm Publications acting
as agent on their behalf.
List of Case Studies
Case Study 1 MCP Case Study - A Story of Success...................................1-31 to 1-38
Case Study 2 Case Study: The Noise Factory Crew....................................................6-9
Case Study 3 PIAS - A short overview....................................................................12-10
Vlll
|
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| id | DE-604.BV025540427 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T14:29:59Z |
| institution | BVB |
| isbn | 9781854504470 1854504479 9781854505071 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-020142160 |
| oclc_num | 917417574 |
| open_access_boolean | |
| owner | DE-11 |
| owner_facet | DE-11 |
| physical | XIV, getr. Zählung Ill., graph. Darst. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Elm Publ. |
| record_format | marc |
| spellingShingle | Kemp, Chris Chamberlain, Richard Stone, Russel Music event management and promotion |
| title | Music event management and promotion |
| title_auth | Music event management and promotion |
| title_exact_search | Music event management and promotion |
| title_full | Music event management and promotion Chris Kemp. With contributions from Richard Chamberlain and Russel Stone |
| title_fullStr | Music event management and promotion Chris Kemp. With contributions from Richard Chamberlain and Russel Stone |
| title_full_unstemmed | Music event management and promotion Chris Kemp. With contributions from Richard Chamberlain and Russel Stone |
| title_short | Music event |
| title_sort | music event management and promotion |
| title_sub | management and promotion |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020142160&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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