Verfügbarkeit: Forgery, replica, fiction | Technische Universität München

Forgery, replica, fiction: temporalities of German Renaissance art

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Bibliographische Detailangaben
Beteilige Person:	Wood, Christopher S. 1961- (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Chicago [u.a.] Univ. of Chicago Press 2008
Schlagwörter:	Geschichte 1420-1600 Geschichte 1450-1550 Archäologie Geschichte Kunst Art > Germany > Historiography Archaeology > Germany > History Historiography > Germany > History Altertum Kunstfälschung Kultur Kopie Renaissance Antike Rezeption Deutschland Augsburg
Links:	http://www.loc.gov/catdir/enhancements/fy0801/2007040674-t.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016460096&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016460096&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	XI, 386 S. Ill.
ISBN:	0226905977 9780226905976

Internformat

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Datensatz im Suchindex

_version_	1819270476846858240
adam_text	Today we often identify artifacts with the period when they were made. But in more traditional cultures pictures, effigies, and buildings were valued not as much for their chronological age as for their per¬ ceived links to the remote origins of reli¬ gions, nations, monasteries, or families. In premodern Germany, for example, statues or tombs that documented the ancient Roman or medieval German past were seen as such important evidence that they were forged if they could not be found. As a result, Christopher Wood argues, premodern Germans tended not to distin¬ guish between older buildings and their newer replacements, or between ancient icons and more recent replicas. But Wood shows that over the course of the fifteenth and early sixteenth centu¬ ries, emerging replication technologies — such as woodcut, copper engraving, and movable type — altered the relationship between artifacts and time. Mechaniza¬ tion highlighted the dependence of all transmission processes on the artifice, materials, and individual authorship necessary to create an object, calling into question the replica s ability to represent a history that was not its own. Meanwhile, print catalyzed the new discipline of archaeological scholarship, which began to draw sharp distinctions between true and false claims about the past. Ultimately, as forged copies lost their value as historical evidence, they found a new identity as the deliberately fictional construct we have come to understand as the work of art. Contents Acknowledgments ix Abbreviations xii 1 Credulity ι Druid portraits * How to relax the paradox * Strange temporalities of the artifact 2 Reference by Artifact 25 Relics of earliest Europe * Creative archeology * Replica chains * Reference by typology * Resemblance as an emergent property * Relics dependent on labels * Onomastic magic 3 Germany and Renaissance 61 Destructive intimacy with the distant past * No German Middle Ages * Modernity as disenchantment * A different way to describe modernization * The German career of the heathen forms * Disruption of the substitutional chain by print 4 Forgery 109 The fabrication of facts * Document forgery as paradigm * Retrospective tombs * The translation of St. Simpertus * Likeness without reference * Some misidentiñed portraits * The true image of the emperor * The iterable profile * The colossus of Crete * Mirabilium * The quest for the bones of Siegfried 5 Replica 185 Recovery of the round arch * The return of Romanesque, in two dimensions * Alphabetic archeology * Early experiments in epigraphic perfection * Career of the Trajanic majuscule in Germany * Publication of icons and relics * Maximilian amplified * Replication of irregular information * Scholarly ambivalence about print * Urban archeology 4 Fiction 255 Learned credulity * Quasi-antiquities * Fictional architecture * Hypertrophy of alphabetic choice * Ethnologies of form * Convergences on the epigraphic ideal * Unreadable alphabets * Banishment, temporal and spatial, of the nude * The tomb of the poet * The tomb of the emperor * Colossal puppets * The tremor of forgery * Fiction and counterfiction 7 Re-enactment 331 Virtual pilgrimage * Devotion folded over on itself * Paradoxes of the signature * Pressures on the referential model * Art and prophecy * The future of credulity Index 375
any_adam_object	1
author	Wood, Christopher S. 1961-
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building	Verbundindex
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callnumber-first	N - Fine Arts
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dewey-tens	700 - The arts
discipline	Kunstgeschichte
era	Geschichte 1420-1600 gnd Geschichte 1450-1550 gnd
era_facet	Geschichte 1420-1600 Geschichte 1450-1550
format	Book
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geographic	Deutschland Deutschland (DE-588)4011882-4 gnd Augsburg (DE-588)4003614-5 gnd
geographic_facet	Deutschland Augsburg
id	DE-604.BV023275184
illustrated	Illustrated
indexdate	2024-12-20T13:12:20Z
institution	BVB
isbn	0226905977 9780226905976
language	English
lccn	2007040674
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-016460096
oclc_num	173748850
open_access_boolean
owner	DE-29 DE-384 DE-739 DE-12 DE-19 DE-BY-UBM DE-11 DE-188 DE-Y3 DE-255 DE-Y2 DE-Y7 DE-37 DE-20
owner_facet	DE-29 DE-384 DE-739 DE-12 DE-19 DE-BY-UBM DE-11 DE-188 DE-Y3 DE-255 DE-Y2 DE-Y7 DE-37 DE-20
physical	XI, 386 S. Ill.
psigel	DHB_JDG_ISBN_1
publishDate	2008
publishDateSearch	2008
publishDateSort	2008
publisher	Univ. of Chicago Press
record_format	marc
spellingShingle	Wood, Christopher S. 1961- Forgery, replica, fiction temporalities of German Renaissance art Archäologie Geschichte Kunst Art Germany Historiography Archaeology Germany History Historiography Germany History Altertum (DE-588)4001480-0 gnd Kunstfälschung (DE-588)4166027-4 gnd Kunst (DE-588)4114333-4 gnd Kultur (DE-588)4125698-0 gnd Kopie (DE-588)4032423-0 gnd Renaissance (DE-588)4049450-0 gnd Antike (DE-588)4068754-5 gnd Rezeption (DE-588)4049716-1 gnd
subject_GND	(DE-588)4001480-0 (DE-588)4166027-4 (DE-588)4114333-4 (DE-588)4125698-0 (DE-588)4032423-0 (DE-588)4049450-0 (DE-588)4068754-5 (DE-588)4049716-1 (DE-588)4011882-4 (DE-588)4003614-5
title	Forgery, replica, fiction temporalities of German Renaissance art
title_auth	Forgery, replica, fiction temporalities of German Renaissance art
title_exact_search	Forgery, replica, fiction temporalities of German Renaissance art
title_full	Forgery, replica, fiction temporalities of German Renaissance art Christopher S. Wood
title_fullStr	Forgery, replica, fiction temporalities of German Renaissance art Christopher S. Wood
title_full_unstemmed	Forgery, replica, fiction temporalities of German Renaissance art Christopher S. Wood
title_short	Forgery, replica, fiction
title_sort	forgery replica fiction temporalities of german renaissance art
title_sub	temporalities of German Renaissance art
topic	Archäologie Geschichte Kunst Art Germany Historiography Archaeology Germany History Historiography Germany History Altertum (DE-588)4001480-0 gnd Kunstfälschung (DE-588)4166027-4 gnd Kunst (DE-588)4114333-4 gnd Kultur (DE-588)4125698-0 gnd Kopie (DE-588)4032423-0 gnd Renaissance (DE-588)4049450-0 gnd Antike (DE-588)4068754-5 gnd Rezeption (DE-588)4049716-1 gnd
topic_facet	Archäologie Geschichte Kunst Art Germany Historiography Archaeology Germany History Historiography Germany History Altertum Kunstfälschung Kultur Kopie Renaissance Antike Rezeption Deutschland Augsburg
url	http://www.loc.gov/catdir/enhancements/fy0801/2007040674-t.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016460096&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016460096&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT woodchristophers forgeryreplicafictiontemporalitiesofgermanrenaissanceart

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