Saved in:
| Main Authors: | , , , |
|---|---|
| Format: | Thesis/Dissertation Book |
| Language: | German |
| Published: |
Köln [u.a.]
Böhlau
2007
|
| Series: | KlangZeiten
3 |
| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016308269&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Physical Description: | 434 S. Notenbeisp. 2 CDs (12 cm) |
| ISBN: | 9783412200459 |
Staff View
MARC
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Record in the Search Index
| DE-BY-UBR_call_number | 6001/LQ 80107 N771 73/LQ 80107 N771 |
|---|---|
| DE-BY-UBR_katkey | 4600987 |
| DE-BY-UBR_location | UB Lesesaal Philosophicum 1: AV-Medien UB Lesesaal Philosophicum 2: Musikwissenschaft |
| DE-BY-UBR_media_number | 069036659829 069037358601 |
| _version_ | 1835111155809386496 |
| adam_text | Inhalt
Vorwort....................................................................................................................................
XI
Einleitung...................................................................................................................................
ι
Thema und Methodik..........................................................................................................1
Zur Gliederung.....................................................................................................................6
In eigener Sache....................................................................................................................8
Praktische Hinweise...........................................................................................................10
I.
Musik in der DDR..................................................................................................12
1.1 Historische Voraussetzungen....................................................................................12
1.2 Literatur und Forschungsstand.................................................................................24
II.
Die mittlere Generation um Paul Dessau...............................................34
11.
1 Zur Generationenfrage.............................................................................................34
11.2 Die Lehrer. Dessau, Eisler,
Wagner-Régeny
.........................................................38
11.3 Die Schüler.................................................................................................................44
11.
3.1 Reiner Bredemeyer.........................................................................................44
11.3.2 Friedrich Goldmann.......................................................................................48
11.3.3 Paul-Heinz Dittrich........................................................................................52
11.3.4 Friedrich Schenker..........................................................................................57
11.3.5 Georg Katzer...................................................................................................60
11.3.6 JörgHerchet....................................................................................................64
11.
3.7 Ergänzungen....................................................................................................66
11.3.8 Anmerkungen zum kulturellen Umfeld.......................................................70
III.
Musikalische Dekonstruktion.........................................................................78
ПІЛ
Kunst und Ideologie................................................................................................78
Ш.2
Voraussetzungen: Was ist Dekonstruktion?........................................................85
ΠΙ.3
Konzepte von Intertextualität................................................................................93
111.4 Dekonstruktion in der Musik..............................................................................100
111.5 Poststrukturalismus in der DDR?.......................................................................109
VIII
IV.
Kompositionen.......................................................................................................123
IV.
1. Vorbemerkungen..................................................................................................123
IV.1.1 Musik in der DDR - zur Analyse.........................................................124
IV.
1.2 Musikalische Dekonstruktion - Modifikationen...............................137
IV.2. Analysen..................................................................................................................144
IV.2.1 Produktives Erben und konkretes Verhalten zum Jetzt:
Traditionen................................................................................................144
IV.2.1.1 Bredemeyer. Bagatellen für
В
....................................................147
IV.2.1.2 Bredemeyer: Vorwahl 522.......................................................167
IV.2.1.3 Bredemeyer: Konzert für Oboe und Orchester............................179
IV.2.1.4
Oittńch:
Cantus
I.
.....................................................................190
IV.2.1.5
Bredemeyer.
Sonatine
für Orchester..........................................197
IV.2.1.6 Bredemeyer: Serenade 3
(furti. E.).........................................
203
IV.2.1.7 Schenker: Fanal Spanien 1936.................................................211
IV.2.2 Abschied vom Erbe?
Auf der Suche nach dem musikalischen Subjekt................................225
IV.2.2.1 Gattungskritik?.......................................................................225
rV.2.2.1.1 Sinfonie in der DDR...........................................226
IV.2.2.1.2 Goldmann: /. Sinfonie..........................................229
Erster Satz............................................................237
Zweiter Satz..........................................................244
Dritter Satz..........................................................246
IV.2.2.1.3 Goldmann: 2. Sinfonie..........................................254
IV.2.2.1.4 Goldmann: 3. Sinfonie.........................................257
IV.2.2.1.5 Bredemeyer: Sinfonie............................................263
IV.2.2.2 Soziale Konstellationen? Solo-Konzerte.............................272
IV.2.2.3 Tonaütätals Gesellschaftsmaschine?....................................286
IV.2.2.3.1 Katzer: Die D-Dur-Musikmaschine........................286
IV.2.2.3.2
Meccanico
..............................................................296
IV.2.2.3.3 Katzer: Baukasten für Orchester..............................302
IV.2.2.3.4 Katzer: Streichermusik
I.
.........................................305
rV.2.2.3.5 Katzer: Konzert für Orchester..................................316
IV.2.2.4 Grenzfalle....................................................................................326
IV.2.2.4.1 Suspension der Zeit - Bredemeyer:
anfangen aufhören und Außakte..............................326
IX
IV.2.2.4.2
Verwischung der Grenzen - Goldmann:
vorherrschend gegensätzlich.........................................336
IV.2.3 Perspektiven: Aisthesis.............................................................................345
IV.2.3.1 Parataktisch-instrumentale Mikrophonie: P.-H. Dittrich.....345
IV.2.3.1.1
Parataxis
...................................................................345
IV.2.3.1.2 Dittrich: Etym..........................................................358
IV.2.3.2 JörgHerchet................................................................................378
IV.2.3.2.1 Rezeption.................................................................378
IV.2.3.2.2 Herchet: Komposition
furOboe,
Englisch
Horn,
Posaune, Schlagzeug, Klavier, Viola, Violoncello und
Kontrabaß (I-III)........................................................382
V.
Resümee und Ausblick.......................................................................................395
Abkürzungen.......................................................................................................................404
Archive....................................................................................................................................406
Partituren...............................................................................................................................407
Tonträger...............................................................................................................................409
Literatur...................................................................................................................................411
Personen.................................................................................................................................430
Hinweise zu den CDs....................................................................................................435
|
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| author | Noeske, Nina 1975- Bredemeyer, Reiner 1929-1995 Bredemeyer, Reiner 1929-1995 Dittrich, Paul-Heinz 1930-2020 Goldmann, Friedrich 1941-2009 |
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| era_facet | Geschichte 1970-1989 |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Deutschland DDR (DE-588)4011890-3 gnd |
| geographic_facet | Deutschland DDR |
| id | DE-604.BV023105593 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T13:08:45Z |
| institution | BVB |
| isbn | 9783412200459 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016308269 |
| oclc_num | 166763586 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-355 DE-BY-UBR DE-20 |
| owner_facet | DE-12 DE-11 DE-355 DE-BY-UBR DE-20 |
| physical | 434 S. Notenbeisp. 2 CDs (12 cm) |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Böhlau |
| record_format | marc |
| series | KlangZeiten |
| series2 | KlangZeiten |
| spellingShingle | Noeske, Nina 1975- Bredemeyer, Reiner 1929-1995 Bredemeyer, Reiner 1929-1995 Dittrich, Paul-Heinz 1930-2020 Goldmann, Friedrich 1941-2009 Musikalische Dekonstruktion neue Instrumentalmusik in der DDR KlangZeiten Instrumental music Germany (East) History and criticism Neue Musik (DE-588)4428235-7 gnd Dekonstruktion (DE-588)4149032-0 gnd |
| subject_GND | (DE-588)4428235-7 (DE-588)4149032-0 (DE-588)4011890-3 (DE-588)4113937-9 |
| title | Musikalische Dekonstruktion neue Instrumentalmusik in der DDR |
| title_alt | Anfangen, aufhören Auftakte Konzerte, Vc Orch, 1975 Sinfonien, Nr. 2 |
| title_auth | Musikalische Dekonstruktion neue Instrumentalmusik in der DDR |
| title_exact_search | Musikalische Dekonstruktion neue Instrumentalmusik in der DDR |
| title_full | Musikalische Dekonstruktion neue Instrumentalmusik in der DDR von Nina Noeske. Hrsg. von Detlev Altenburg ... |
| title_fullStr | Musikalische Dekonstruktion neue Instrumentalmusik in der DDR von Nina Noeske. Hrsg. von Detlev Altenburg ... |
| title_full_unstemmed | Musikalische Dekonstruktion neue Instrumentalmusik in der DDR von Nina Noeske. Hrsg. von Detlev Altenburg ... |
| title_short | Musikalische Dekonstruktion |
| title_sort | musikalische dekonstruktion neue instrumentalmusik in der ddr |
| title_sub | neue Instrumentalmusik in der DDR |
| topic | Instrumental music Germany (East) History and criticism Neue Musik (DE-588)4428235-7 gnd Dekonstruktion (DE-588)4149032-0 gnd |
| topic_facet | Instrumental music Germany (East) History and criticism Neue Musik Dekonstruktion Deutschland DDR Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016308269&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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