Verfügbarkeit: Rock and roll | Technische Universität München

Rock and roll: an introduction

Gespeichert in:

Bibliographische Detailangaben
Beteiligte Personen:	Campbell, Michael (VerfasserIn), Brody, James (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Belmont, Calif. [u.a.] Thomson Schirmer 2008
Ausgabe:	2. ed.
Schlagwörter:	Geschichte Rock music > History and criticism Rockmusik
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016154366&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	Recorded musical examples are available via a separately published CD set and online services. -- Includes index.
Umfang:	XX, 491 S. Ill. 24 cm
ISBN:	9780534642952 0534642950

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Datensatz im Suchindex

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adam_text	Contents. Intro · Roc Is Music/Roc^ as Music · X V11 P.ART.1 ...RQCKIS.-.l. Chapter 1 It s Only Rock and Roll · 2 Rock Is · 2 Form in Rock: The Anatomy of a Rock Song · 3 Verse/Chorus Form · 5 The Rhythms of Rock · 5 Beat, Rhythm, and Tempo · 6 Rock Beat and Rock Style · 7 Syncopation: It Has a Good Beat, and You Can Dance to It · 8 The Instrumentation of Rock · 9 The Rhythm Section · 9 Voices and Instruments Together · 13 Rock s Approach to Sound · 13 Melody in Rock Music · 13 Riffs and Hooks · 14 From Riff to Melody · 15 Key Elements of Rock Style · 15 Rock Style and Rock Attitude · 16 Terms to Remember · 17 Applying Chapter Concepts · 17 PART. .2... BEFORE.ROCK;.ROOTS. AND.ANTECEDENTS,. EVOLUTION AND REVOLUTION -19 iv Chapter 2 Before Rock: An Evolutionary Perspective · 21 EUROPEAN AND AFRICAN MUSICAL TRADITIONS IN THE NEW WORLD · 21 CONTENTS Ж Folk Music from the British Isles · 22 Barbara Allen · 22 Old Joe Clark · 22 Music of the Urban Middle and Upper Classes ♦ 23 The African Influence · 25 Santería · 2 5 From Senegal to Mississippi «26 Reconstructing a Heritage: African Retentions in Contemporary Rhythm and Blues · 26 European Versus African Musical Traditions · 28 THE EVOLUTION OF POPULAR MUSIC, FROM MINSTRELSY TO MODERN POPULAR SONG · 29 Minstrelsy, the First Synthesis · 29 A New Century-and New Sounds · 31 Ragtime and Its Impact · 31 Early Commercial Blues Styles «33 Jazz · 34 A Modern Era in Popular Music · 35 Taking Stock · 3 7 Terms to Remember 38 Applying Chapter Concepts · 3 8 Chapter 3 Before Rock: A Revolutionary Perspective · 40 THE ROOTS OF ROCK · 40 The Sounds of the Blues, 1929-1945 · 40 Country Blues · 41 Hokum · 42 Boogie-Woogie · 43 Swing and Jump Bands · 44 Swing · 44 Jump Bands · 46 Black Gospel Music · 47 Male Quartets · 4 9 Female Soloists · 49 Gospel Harmony · 5 0 Country and Folk Music · 50 Country Music · 51 Country Music s First Stars · 51 CONTENTS Honky Tonk· 52 Folk Music · 54 Afro-Cuban Music · 55 Mambo ·56 The Roots of Rock Versus Mainstream Pop · 58 THE POP MUSIC ESTABLISHMENT · 5 8 American Values in the Fifties «59 Mainstream Popular Music »59 ; Terms to Remember «62 Applying Chapter Concepts · 62 PA R X .3... BECO. MING. ROCK;. THE. ROCKÉRA, ........ 1951-1964 . 65 Chapter 4 Rhythm and Blues, 1951-1959 · 67 The Emergence of Rhythm and Blues · 6 7 Black Social and Economic Issues in the Fifties · 68 The Media Revolution · 69 Crossover Appeal · 70 The Range of Rhythm and Blues · 72 Heavy Rhythms: Big-Beat Rhythm and Blues · 72 The Rhythms of Up-Tempo Rhythm and Blues · 72 The Sound of Up-Tempo Fifties R&B: Hard Shuffles and Honking Saxophones · 73 The Sound of Up-Tempo Fifties R&B: Backbeats, Blues, and Sex · 75 Rhythm and Blues, Rock and Roll, and the Beat · 77 Blues in the Fifties · 78 Electrifying the Blues · 78 The Sound of Electric Blues · 79 Electric Blues Legacy to Rock · 8 0 The Latin Tinge · 81 New Orleans and Latin Influence · 81 The Bo Diddley Beat · 83 Latin Music and R&B · 84 Gospel and Rhythm and Blues: Doo-Wop · 85 Doo-Wop and Black Singing Groups · 86 Cover Versions and Commercial Success · 8 7 CONTENTS m The Sound of Up-Tempo Doo-Wop · 88 The Sound of Slow Doo-Wop · 89 The Coasters and Music Production in the Fifties Gospel-Influenced Solo Singing · 92 Sam Cooke · 93 Ray Charles · 95 Rhythm and Blues and Rock and Roll · 9 7 Terms to Remember · 9 8 Applying Chapter Concepts «98 90 Chapter 5 Rock and Roll «100 The Beginnings of Rock and Roll »100 Alan Freed «101 Rockabilly 101 Bill Haley and Rockabilly «102 Elvis, Sam Phillips, and Rockabilly «103 Rockabilly and Rock and Roll «105 Elvis Presley: The First Rock-and-Roll Star «105 The King of Rock and Roll? »106 Chuck Berry: The Architect of Rock and Roll »109 Maybellene, His First Hit · 109 Rock Rhythm and Rock Style «112 Berry and His Audience · 113 Little Richard and Jerry Lee Lewis «114 Little Richard «115 Jerry Lee Lewis ·118 The Everly Brothers and Buddy Holly «119 The Everly Brothers «119 Buddy Holly 121 The Birth, Death, and Resurrection of Rock and Roll «124 Rock and Roll s Hall of Fame Acts «125 The Death and Resurrection of Rock and Roll «125 Rock and Roll: A New Attitude «126 Terms to Remember «128 Applying Chapter Concepts «128 Chapter 6 On the Roads to Rock: From Girl Groups and Garage Bands to Folk and Surf Music · 129 Pop, Rock, and Rhythm and Blues in the Early Sixties «129 О CONTENTS Pop Versus Rock and Rhythm and Blues «129 The Integration of Popular Music «130 Twisting the Night Away «130 The Twist · 131 Girl Groups, Young Songwriters, and Celebrity Producers «133 Gender and Race · 13 4 Songs and Production «135 Style and Commerce · 137 The Songs »137 Redefining Song: The Recording as the Document · 141 From Folk to Rock «143 Restoring the Past «143 Social Commentary: The Legacy of Woody Guthrie «144 Bob Dylan and the Folk Revival · 144 From Rockabilly to Rock: The Music of Roy Orbison «146 Oh, Pretty Woman «147 Garages and Cars and Surf and Sun «149 Rock and Recordings: A New Mode of Musical Transmission «150 Multitrack Recording «151 A Garage-Band Triumph: Louie Louie «152 Surf Music· 153 Coming Together: From Rock and Roll to Rock and Soul «156 Common Musical Features of Early Sixties Music · 156 Terms to Remember · 15 7 Applying Chapter Concepts · 157 Ρ A RT.4 .. ROCK:. THE. .R.Q CK ERA,. 1.9 64.r1.97 7. ...159...... Chapter 7 Bob Dylan and the Beatles: Making Rock Matter · 162 Dylan Goes Electric »163 From Folk to Rock· 163 Dylan Rocks «164 The Beatles· 168 The Music of the Beatles «169 The Beatles: Impact and Influence «177 CONTENTS Rock That Matters· 179 Terms to Remember· 179 Applying Chapter Concepts · 179 Chapter 8 Black Music in the Sixties: Motown and Soul · 180 Motown «181 The Motown Formula «182 The Motown Sound «182 Motown and Black Pop «186 Soul »187 Black and White Music in the Sixties «187 Soul Power· 187 Soul Music· 188 Southern Soul Music · 188 Aretha Franklin «192 James Brown »195 The Impact of Black Music of the Sixties «197 Terms to Remember «198 Applying Chapter Concepts «198 Chapter 9 Rock· 199 From Blues to Rock · 199 Deep Blues and Rock «200 Hard Rock in the Mid-Sixties «201 The Kinks· 201 The Rolling Stones «203 Power Trios: Rock as a Soloist s Music «205 Blues Guitar and Rock «205 Eric Clapton and Cream «205 Jimi Hendrix· 207 The Perfection of Rock Rhythm «210 Heavy Metal in the Seventies «212 Sounds and Influences «212 Black Sabbath · 213 Sound and Space, Chords and Power in Heavy Metal «215 Deep Purple »217 Heavy Metal and Early Seventies Rock »218 θ e M CONTENTS The Liberation of Rock and Roll · 219 The Who · 219 Led Zeppelin «221 The Essence of Rock «224 Assimilating Deep Blues «224 The Maturation of Rock Rhythm «225 A Timeless Music «225 Terms to Remember «226 Applying Chapter Concepts «226 Chapter 10 San Francisco and the Diversity of Rock · 227 The Counterculture »227 Hippies «229 Acid Rock· 230 Jefferson Airplane «231 Down to Earth: Janis Joplin and the ; Blues «233 Toward an American Rock Sound «236 Creedence Clearwater Revival »236 The Grateful Dead· 238 Santana and Latin Rock «240 Carlos Santana· 241 Funk and Fun; Sly and the Family Stone «242 The Bass as a Percussion Instrument «245 Bridging Soul and Funk · 246 Diversity, a Rock-Era Innovation «246 Terms to Remember «248 Applying Chapter Concepts «248 Chapter 11 Rock as Art · 2 4 9 Rock and Art · 249 Classical Music: Music as Art · 249 Rock as an Art Music «250 The Classics and Popular Music Before Rock «251 Rock s Dark Side· 252 The Doors: Rock, Sex, and Death «253 The Velvet Underground: Rock and Drugs «255 CONTENTS Rock as Serious Satire: Frank Zappa and the Mothers of Invention «258 Rock Opera: The Who «260 Glam Rock: Rock as Spectacle »261 Art as Artifice »262 David Bowie· 263 Rock, Art, and Technology «264 The Tools of Electronic Music «265 Pink Floyd «266 Rock as Art and Art Rock «266 From Dance Floor to Concert Hall «267 Yes· 268 Rock as Art Redux «269 The Impact of Rock as Art · 270 Terms to Remember · 271 Applying Chapter Concepts 271 Chapter 12 The Singer-Songwriters: Rock, Melody, and Meaning · 272 The Singer-Songwriters · 272 Meaning and Melody · 273 From Ballads to Blue: The Deep Roots of the Singer-Songwriters «273 Recapitulating the Sixties »274 Elevating the Feminine «274 Carole King «275 Joni Mitchell «277 They ve Got Friends: The Intimate World of the Singer-Songwriters «280 James Taylor: A Friend Among Friends «280 Words, Melodies, and Sounds «282 Pumping Irony: Randy Newman «282 Plumbing Psyches: Paul Simon «284 Singer-Songwriters and Rock «286 Neil Young «286 A New Kind of Popular Song «288 Terms to Remember · 2 8 8 Applying Chapter Concepts «288 Chapter 13 Black Popular Music in the Early Seventies · 290 Black Music: Change, Context, and Culture «290 Iti Φ CONTENTS Black Issues, Black Voices «290 Accentuating the Positive: Rhythm, Mood, and Message «291 Reclaiming a Legacy: The Collective Memory of the African Diaspora «291 The Range of Black Music «293 Motown in the Early Seventies: New Acts, New Attitudes «293 The Jackson 5 · 293 Beyond Motown: The Music of Marvin Gaye «295 Beyond Motown: The Music of Stevie Wonder· 297 The Philadelphia Sound — and Beyond «300 Black Films, Black Music «302 Soul in the Seventies «303 Al Green «303 Crossroads: The Blues in Black and White «305 The Continuing Evolution of Black Music «306 Terms to Remember «307 Applying Chapter Concepts · 307 Chapter 14 Mainstream Rock in the Seventies «308 The Business of Rock «309 Media and Money «309 Portable Tapes: Cassettes and Eight-Track Tapes «310 Rock: The New Mainstream «310 Mainstream Rock: Inclusiveness, Exuberance, Expansiveness «311 Elton John: The Expansion of Mainstream Rock «312 Queen: The Champions of Camp? «314 From Country to City «317 The Eagles and the Rise of Country Rock »317 Fleetwood Mac: Old Troubles for New Women «319 Jazzing Up the Rock Mainstream «321 Chicago: A Rock Band with Horns (and Jazz Chops) «321 Steely Dan: The Pursuit of Studio Perfection «323 The Jazz Renaissance of the Seventies «325 CONTENTS The Future of Rock and Roil «325 Bruce Springsteen and the Rebirth of Important Rock «326 Aerosmith: Bridging Rock s Generation Gap «329 The Diversity of Mainstream Rock «331 Terms to Remember »332 Applying Chapter Concepts «332 PART. .5... BEY. OND. ROCK ¡THE. ROCK ER A,. 1.9.7.7.-. r 33.3.. Chapter 15 Reggae, Funk, and Disco: Views from the Outside · 337 Reggae «338 From Ska to Reggae: The Evolution of Rock-Era Jamaican Music »339 Jimmy Cliff and Reggae as Protest Music «341 Topical Tropical Music: Reggae and Music with a Message »341 Bob Marley · 342 Reggae as an International Music «344 Funk · 345 George Clinton and Funk »346 Earth, Wind & Fire: A Black Music Synthesis «348 Disco «349 Donna Summer: The Queen of Disco · 351 The Village People: Disco out of the Closet «352 Dance Fads and the Influence of Disco «354 Disco and Twentieth-Century Dance Fads «354 Moving Beyond Rock «355 Terms to Remember «356 Applying Chapter Concepts «356 Chapter 16 Punk and Its Aftermath «357 The Punk Movement »358 The Roots of Punk «358 The Power of Punk «360 Saturated Rock Rhythm «360 The Ramones · 361 The Sex Pistols · 363 New Wave «365 φ φ CONTENTS The Talking Heads · 366 Elvis Costello ·368 Punk: Devolution and Evolution »369 New Wave Humor «369 The Clash «370 The Reverberations of Punk «372 Terms to Remember · 373 Applying Chapter Concepts «373 Chapter 17 Electronica and Rap · 374 The Digital Revolution · 374 The New Digital Technologies »375 Electronica · 378 The Antecedents of Electronica «3 78 Music for Dancing, Places to Dance »379 Hearing Electronica «380 Electronica and Dance Music «381 Electronica as Popular Music: Moby «382 Rap· 384 Forerunners of Rap «384 Rap and African American Culture «385 Grandmaster Flash: Messages and Techniques «386 Public Enemy: Rap as a Political Music «389 Mainstreaming Rap: The Case of Gangsta Rap «391 Beyond Rock· 395 The New Rhythmic Foundation of Popular Music «395 Rap and the Percussionization of Popular Music »396 Deconstructing Popular Song «396 Terms to Remember »39 7 Applying Chapter Concepts «397 Chapter 18 The New Sound of Pop in the Eighties «399 MTV and Music Videos · 399 MTV· 400 Music Videos «401 The Impact of Music Videos «401 The Transformation of Pop «401 Michael Jackson and Madonna: Redefining Pop in the Eighties «402 CONTENTS Michael Jackson · 4 0 2 Madonna «404 Post-Punk/Post-Disco Fusions: The Music of Prince · 407 Prince · 40 7 The Maturation of Black Pop · 410 Musical Features of the New Black Pop «411 Tina Turner ·412 Luther Vandross «412 The Persistence of Love «414 The Divas «415 The Emergence of the Divas «415 Christina Aguilera: What a Girl Wants «417 Beyond Rock: The Legacy of Motown «419 Terms to Remember «421 Applying Chapter Concepts «421 Chapter 19 Renewing Rock: Rock Since 1980 · 422 The Relevance of Rock · 422 A New Pop Rock: Mainstreaming Reggae and Punk «424 Reggatta de Blanc: The Police »424 Punk-Inspired Pop «426 Significant Rock· 428 Springsteen in the Eighties «429 112*430 Significant-Sounding Rock· 433 Extreme Virtuosity: Heavy Metal After 1980 «434 The Revival of Heavy Metal «434 Metallica· 436 Renewing Rock and Roll «439 Neo-Traditional Trends of the Eighties «439 The Dave Matthews Band «439 Reinvigorating Rock· 441 Terms to Remember- 442 Applying Chapter Concepts «442 Chapter 20 Alternatives «443 The Alternative Movement «443 The Alternative Ecosystem «444 Alternative, a Neo-Traditional Trend «445 ftî, CONTENTS The Transformation of the Recording Industry · 446 Music and the Personal Computer «446 The Internet »446 Consolidation of the Majors and the Rise of Indies «447 From Punk to Alternative · 448 Early Alternative «448 Beyond Punk: Infusions of Funk and Metal «450 Women s Voices «451 Alienation «454 Generation X · 4 5 4 Grunge «454 Industrial Rock· 456 The New Art Rock of the Nineties «458 Alienation and Fragmentation »461 The Persistence of Punk »461 Enhancing Punk «462 Pop Punk ·464 Alternatives «465 Terms to Remember «466 Applying Chapter Concepts «466 Outro Koc in the Twenty-First Century: issues and Opportunities «467 Index . 472
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title	Rock and roll an introduction
title_auth	Rock and roll an introduction
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title_full	Rock and roll an introduction Michael Campbell with James Brody
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Verfügbarkeit

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