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Beteilige Person: | |
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Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
Imprinted at London
By Peter Short, dwelling on Breedstreet hill at the signe of the Starre
1597
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Schlagwörter: | |
Links: | https://search.proquest.com/docview/2240915552 https://search.proquest.com/docview/2240915552 https://search.proquest.com/docview/2240915552 https://search.proquest.com/docview/2240915552 https://search.proquest.com/docview/2240915552 https://search.proquest.com/docview/2240915552 https://search.proquest.com/docview/2240915552 https://search.proquest.com/docview/2240915552 https://search.proquest.com/docview/2240915552 https://search.proquest.com/docview/2240915552 https://search.proquest.com/docview/2240915552 |
Beschreibung: | Printed in red and black. - Reproduction of the original in the Henry E. Huntington Library and Art Gallery. - STC (2nd ed.), 18133 |
Umfang: | Online-Ressource music |
Internformat
MARC
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245 | 1 | 0 | |a A plaine and easie introduction to practicall musicke |b set downe in forme of a dialogue: deuided into three partes, the first teacheth to sing with all things necessary for the knowledge of pricktsong. The second treateth of descante and to sing two parts in one vpon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, fiue or more parts with many profitable rules to that effect. With new songs of 2. 3. 4. and .5 [sic] parts. By Thomas Morley, Batcheler of musick, & of the gent. of hir Maiesties Royall Chapell |
264 | 1 | |a Imprinted at London |b By Peter Short, dwelling on Breedstreet hill at the signe of the Starre |c 1597 | |
300 | |a Online-Ressource |b music | ||
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648 | 4 | |a Geschichte 1600-1700 | |
650 | 4 | |a aMusic theory xHistory y17th century vEarly works to 1800 | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Music theory |x History |y 17th century |v Early works to 1800 | |
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Datensatz im Suchindex
DE-BY-UBR_katkey | 3986518 |
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any_adam_object | |
author | Morley, Thomas 1557-1602 |
author_GND | (DE-588)119063891 |
author_facet | Morley, Thomas 1557-1602 |
author_role | aut |
author_sort | Morley, Thomas 1557-1602 |
author_variant | t m tm |
building | Verbundindex |
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era | Geschichte 1600-1700 |
era_facet | Geschichte 1600-1700 |
format | Electronic eBook |
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id | DE-604.BV022677640 |
illustrated | Not Illustrated |
indexdate | 2024-12-20T13:01:09Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015883499 |
oclc_num | 216773996 |
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physical | Online-Ressource music |
psigel | ZDB-1-EEB |
publishDate | 1597 |
publishDateSearch | 1597 |
publishDateSort | 1597 |
publisher | By Peter Short, dwelling on Breedstreet hill at the signe of the Starre |
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spellingShingle | Morley, Thomas 1557-1602 A plaine and easie introduction to practicall musicke set downe in forme of a dialogue: deuided into three partes, the first teacheth to sing with all things necessary for the knowledge of pricktsong. The second treateth of descante and to sing two parts in one vpon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, fiue or more parts with many profitable rules to that effect. With new songs of 2. 3. 4. and .5 [sic] parts. By Thomas Morley, Batcheler of musick, & of the gent. of hir Maiesties Royall Chapell aMusic theory xHistory y17th century vEarly works to 1800 Geschichte Music theory History 17th century Early works to 1800 |
title | A plaine and easie introduction to practicall musicke set downe in forme of a dialogue: deuided into three partes, the first teacheth to sing with all things necessary for the knowledge of pricktsong. The second treateth of descante and to sing two parts in one vpon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, fiue or more parts with many profitable rules to that effect. With new songs of 2. 3. 4. and .5 [sic] parts. By Thomas Morley, Batcheler of musick, & of the gent. of hir Maiesties Royall Chapell |
title_auth | A plaine and easie introduction to practicall musicke set downe in forme of a dialogue: deuided into three partes, the first teacheth to sing with all things necessary for the knowledge of pricktsong. The second treateth of descante and to sing two parts in one vpon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, fiue or more parts with many profitable rules to that effect. With new songs of 2. 3. 4. and .5 [sic] parts. By Thomas Morley, Batcheler of musick, & of the gent. of hir Maiesties Royall Chapell |
title_exact_search | A plaine and easie introduction to practicall musicke set downe in forme of a dialogue: deuided into three partes, the first teacheth to sing with all things necessary for the knowledge of pricktsong. The second treateth of descante and to sing two parts in one vpon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, fiue or more parts with many profitable rules to that effect. With new songs of 2. 3. 4. and .5 [sic] parts. By Thomas Morley, Batcheler of musick, & of the gent. of hir Maiesties Royall Chapell |
title_full | A plaine and easie introduction to practicall musicke set downe in forme of a dialogue: deuided into three partes, the first teacheth to sing with all things necessary for the knowledge of pricktsong. The second treateth of descante and to sing two parts in one vpon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, fiue or more parts with many profitable rules to that effect. With new songs of 2. 3. 4. and .5 [sic] parts. By Thomas Morley, Batcheler of musick, & of the gent. of hir Maiesties Royall Chapell |
title_fullStr | A plaine and easie introduction to practicall musicke set downe in forme of a dialogue: deuided into three partes, the first teacheth to sing with all things necessary for the knowledge of pricktsong. The second treateth of descante and to sing two parts in one vpon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, fiue or more parts with many profitable rules to that effect. With new songs of 2. 3. 4. and .5 [sic] parts. By Thomas Morley, Batcheler of musick, & of the gent. of hir Maiesties Royall Chapell |
title_full_unstemmed | A plaine and easie introduction to practicall musicke set downe in forme of a dialogue: deuided into three partes, the first teacheth to sing with all things necessary for the knowledge of pricktsong. The second treateth of descante and to sing two parts in one vpon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, fiue or more parts with many profitable rules to that effect. With new songs of 2. 3. 4. and .5 [sic] parts. By Thomas Morley, Batcheler of musick, & of the gent. of hir Maiesties Royall Chapell |
title_short | A plaine and easie introduction to practicall musicke |
title_sort | a plaine and easie introduction to practicall musicke set downe in forme of a dialogue deuided into three partes the first teacheth to sing with all things necessary for the knowledge of pricktsong the second treateth of descante and to sing two parts in one vpon a plainsong or ground with other things necessary for a descanter the third and last part entreateth of composition of three foure fiue or more parts with many profitable rules to that effect with new songs of 2 3 4 and 5 sic parts by thomas morley batcheler of musick of the gent of hir maiesties royall chapell |
title_sub | set downe in forme of a dialogue: deuided into three partes, the first teacheth to sing with all things necessary for the knowledge of pricktsong. The second treateth of descante and to sing two parts in one vpon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, fiue or more parts with many profitable rules to that effect. With new songs of 2. 3. 4. and .5 [sic] parts. By Thomas Morley, Batcheler of musick, & of the gent. of hir Maiesties Royall Chapell |
topic | aMusic theory xHistory y17th century vEarly works to 1800 Geschichte Music theory History 17th century Early works to 1800 |
topic_facet | aMusic theory xHistory y17th century vEarly works to 1800 Geschichte Music theory History 17th century Early works to 1800 |
url | https://search.proquest.com/docview/2240915552 |
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