Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, NY
Three Rivers Press
1998
|
| Ausgabe: | 1st ed. |
| Schlagwörter: | |
| Links: | http://www.loc.gov/catdir/description/random048/97045528.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015585546&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Literaturverz. S. 232 |
| Umfang: | XXII, 232 S. graph. Darst. |
| ISBN: | 0609801198 |
Internformat
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Datensatz im Suchindex
| _version_ | 1819310586096254976 |
|---|---|
| adam_text | Good Scripts,
Bad Scripts
THOMAS PDPE
Three Rivers Press / New York
Contents
Acknowledgments ix
Preface xi
Introduction: The Theory xv
PART DNE: STRUCTURE
i The Abyss
The Narrative Spine Needs a Chiropractor
2 Cutthroat Island
Shiver Me Structure!
3 Inherit the Wind
The Play s the First Thing, the Screenplay s
the Second
4 Singin in the Rain
The Perfect Film That Shouldn t Work
5 Pulp Fiction
Reinventing Structure
6 The Usual Suspects
The Great Script That Could Have Been Greater 52
j High Noon
Aristotle Goes Out West 60
8 Citizen Kane
Flashback As Narrative 70
9 The Bonfire of the Vanities
Third Act Suicide 80
10 Last Action Hero
Deconstruction Self-Destructs 92
11 Fargo
Satire Isn t Always What Closes on Saturday Night 102
12 The Jewel of the Nile
Your Subtext Is Showing: The Problem of the False
Second Act 108
13 Groundhog Day
The Unexpected, Expected Structure 119
14 The Searchers
The Third Act Hiccup 125
15 The Verdict
Dialogue As Litany 133
16 Tender Mercies
Less Is More, Lots More 140
17 Some Like It Hot
Fewer Scenes, Bigger Laughs 147
PART TWD: CHARACTER
i8 Prizzi s Honor
The Passive Second Act Protagonist 157
19 The Day of the Jackal
The Antagonist As Protagonist 166
20 Network
The Catalytic Monster 175
21 Chinatown
The Elusive Antagonist 183
22 Casablanca
The Antihero As Protagonist 193
VI
23 Havana
Casablanca Lite 204
24 The Treasure of the Sierra Madre
The Greatest Adventure 210
25 Falling in Love
The Good Guys Ought to Be the Bad Guys 223
Resources 231
Vll
|
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| title | Good scripts, bad scripts learning the craft of screenwriting through 25 of the best and worst films in history |
| title_auth | Good scripts, bad scripts learning the craft of screenwriting through 25 of the best and worst films in history |
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