Chris Marker:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Urbana, Ill. [u.a.]
Univ. of Ill. Press
2006
|
| Series: | Contemporary film directors
|
| Subjects: | |
| Links: | http://www.loc.gov/catdir/toc/ecip061/2005028936.html |
| Abstract: | "Having spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s and developed a distinctive style involving still images, Chris Marker (born Christian François Bouche-Villeneuve) stands among the most influential filmmakers of the postwar era, yet remains enigmatic. His notorious reclusiveness has led to surprisingly few studies, and Nora M. Alter's Chris Marker presents the first English-language study of the unpredictable and reclusive director who remains politically and artistically influential. Marker's 1953 debut "filmic essay," The Statues Also Die (with Alain Resnais) exposed the European art market's complicity in the former Belgian Congo atrocities, and provided a bold model for other politically committed filmmakers. Thus began Marker's long struggle against global injustice, a trajectory that included his involvement with Night and Fog, La Jetée, Le Joli Mai, Far from Vietnam, Le fond du l'air est Rouge, and Prime Time in the Camps. Alter's careful study includes interviews with the director and investigates the core themes and motivations behind an often unpredictable and transnational career that defies easy classification." -- Publisher's description. |
| Item Description: | Literaturverz. S. 187 - 198 |
| Physical Description: | XV, 205 S. Ill. 21 cm |
| ISBN: | 0252030737 0252073169 9780252030734 9780252073168 |
Staff View
MARC
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| 100 | 1 | |a Alter, Nora M. |d 1962- |e Verfasser |0 (DE-588)128732385 |4 aut | |
| 245 | 1 | 0 | |a Chris Marker |c Nora M. Alter |
| 264 | 1 | |a Urbana, Ill. [u.a.] |b Univ. of Ill. Press |c 2006 | |
| 300 | |a XV, 205 S. |b Ill. |c 21 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Contemporary film directors | |
| 500 | |a Literaturverz. S. 187 - 198 | ||
| 520 | 3 | |a "Having spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s and developed a distinctive style involving still images, Chris Marker (born Christian François Bouche-Villeneuve) stands among the most influential filmmakers of the postwar era, yet remains enigmatic. His notorious reclusiveness has led to surprisingly few studies, and Nora M. Alter's Chris Marker presents the first English-language study of the unpredictable and reclusive director who remains politically and artistically influential. Marker's 1953 debut "filmic essay," The Statues Also Die (with Alain Resnais) exposed the European art market's complicity in the former Belgian Congo atrocities, and provided a bold model for other politically committed filmmakers. Thus began Marker's long struggle against global injustice, a trajectory that included his involvement with Night and Fog, La Jetée, Le Joli Mai, Far from Vietnam, Le fond du l'air est Rouge, and Prime Time in the Camps. Alter's careful study includes interviews with the director and investigates the core themes and motivations behind an often unpredictable and transnational career that defies easy classification." -- Publisher's description. | |
| 600 | 1 | 4 | |a Marker, Chris |d 1921- |x Criticism and interpretation |
| 600 | 1 | 7 | |a Marker, Chris |d 1921-2012 |0 (DE-588)119261464 |2 gnd |9 rswk-swf |
| 650 | 7 | |a Filmkunst |2 gtt | |
| 650 | 7 | |a Films |2 gtt | |
| 650 | 4 | |a Film | |
| 689 | 0 | 0 | |a Marker, Chris |d 1921-2012 |0 (DE-588)119261464 |D p |
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| 856 | 4 | |u http://www.loc.gov/catdir/toc/ecip061/2005028936.html |3 Table of contents only | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-014973377 | |
Record in the Search Index
| _version_ | 1818963182024130560 |
|---|---|
| any_adam_object | |
| author | Alter, Nora M. 1962- |
| author_GND | (DE-588)128732385 |
| author_facet | Alter, Nora M. 1962- |
| author_role | aut |
| author_sort | Alter, Nora M. 1962- |
| author_variant | n m a nm nma |
| building | Verbundindex |
| bvnumber | BV021760292 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
| callnumber-raw | PN1998.3.M366 |
| callnumber-search | PN1998.3.M366 |
| callnumber-sort | PN 41998.3 M366 |
| callnumber-subject | PN - General Literature |
| ctrlnum | (OCoLC)61879670 (DE-599)BVBBV021760292 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV021760292 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T12:41:09Z |
| institution | BVB |
| isbn | 0252030737 0252073169 9780252030734 9780252073168 |
| language | English |
| lccn | 2005028936 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014973377 |
| oclc_num | 61879670 |
| open_access_boolean | |
| owner | DE-12 DE-M472 DE-B170 DE-Po75 |
| owner_facet | DE-12 DE-M472 DE-B170 DE-Po75 |
| physical | XV, 205 S. Ill. 21 cm |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Univ. of Ill. Press |
| record_format | marc |
| series2 | Contemporary film directors |
| spelling | Alter, Nora M. 1962- Verfasser (DE-588)128732385 aut Chris Marker Nora M. Alter Urbana, Ill. [u.a.] Univ. of Ill. Press 2006 XV, 205 S. Ill. 21 cm txt rdacontent n rdamedia nc rdacarrier Contemporary film directors Literaturverz. S. 187 - 198 "Having spearheaded the bourgeoning Nouvelle Vague scene in the late 1950s and developed a distinctive style involving still images, Chris Marker (born Christian François Bouche-Villeneuve) stands among the most influential filmmakers of the postwar era, yet remains enigmatic. His notorious reclusiveness has led to surprisingly few studies, and Nora M. Alter's Chris Marker presents the first English-language study of the unpredictable and reclusive director who remains politically and artistically influential. Marker's 1953 debut "filmic essay," The Statues Also Die (with Alain Resnais) exposed the European art market's complicity in the former Belgian Congo atrocities, and provided a bold model for other politically committed filmmakers. Thus began Marker's long struggle against global injustice, a trajectory that included his involvement with Night and Fog, La Jetée, Le Joli Mai, Far from Vietnam, Le fond du l'air est Rouge, and Prime Time in the Camps. Alter's careful study includes interviews with the director and investigates the core themes and motivations behind an often unpredictable and transnational career that defies easy classification." -- Publisher's description. Marker, Chris 1921- Criticism and interpretation Marker, Chris 1921-2012 (DE-588)119261464 gnd rswk-swf Filmkunst gtt Films gtt Film Marker, Chris 1921-2012 (DE-588)119261464 p DE-604 http://www.loc.gov/catdir/toc/ecip061/2005028936.html Table of contents only |
| spellingShingle | Alter, Nora M. 1962- Chris Marker Marker, Chris 1921- Criticism and interpretation Marker, Chris 1921-2012 (DE-588)119261464 gnd Filmkunst gtt Films gtt Film |
| subject_GND | (DE-588)119261464 |
| title | Chris Marker |
| title_auth | Chris Marker |
| title_exact_search | Chris Marker |
| title_full | Chris Marker Nora M. Alter |
| title_fullStr | Chris Marker Nora M. Alter |
| title_full_unstemmed | Chris Marker Nora M. Alter |
| title_short | Chris Marker |
| title_sort | chris marker |
| topic | Marker, Chris 1921- Criticism and interpretation Marker, Chris 1921-2012 (DE-588)119261464 gnd Filmkunst gtt Films gtt Film |
| topic_facet | Marker, Chris 1921- Criticism and interpretation Marker, Chris 1921-2012 Filmkunst Films Film |
| url | http://www.loc.gov/catdir/toc/ecip061/2005028936.html |
| work_keys_str_mv | AT alternoram chrismarker |