The history of music in Poland: 5,1 Vol. 5, Romanticism ; part 1, 1795-1850
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| Sprache: | Englisch Polnisch |
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Warsaw
Sutkowski Edition
2015
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| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014853947&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014853947&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014853947&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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| ISBN: | 9788393486526 |
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Datensatz im Suchindex
| _version_ | 1819263406358659072 |
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| adam_text | BIBLIOGRAPHY (selection)
Musical life
Bogusfawski, Wojciech. Dzieje Teatru Narodowego [History of the National Theatre]
(Warsaw, 1965).
Chechlihska, Zofia, ‘Z problematyki badah nad muzyka polsk^ XIX wieku’ [Issues
relating to research into Polish music of the nineteenth century], Muzyka, 1979/4.
Guzy-Pasiak, Jolanta, and Sieradz, Malgorzata, ‘Kultura muzyczna Krölestwa
Polskiego (1815-1875) [Musical culture in the Polish Kingdom (1815-1875)], in
Anna M. Drexlerowa (ed.), Kultur a miejska w Krölestwie Polskim [Urban culture
in the Polish Kingdom], part 1: 1815-1875 (Warszawa, Kalisz, Lublin, Plock)
(Warsaw, 2001).
Danecka-Szopowa, Krystyna, and Wozaczynska, Antonina, ‘Okres Elsnerowski
(1810-1860) [The Eisner period (1810-1860)], in Stefan Sledzinski (ed.), 150
lat Pahstwowej Wyzszej Szkofy Mnzycznej w Warszawie [ 150 years of the State
College of Music in Warsaw] (Cracow, 1960).
Dobrzynski, Bronislaw, Ignacy Dobrzynski w zakresie dzialalnosci dqzqcej do posfypu
w muzyce we wspolczesnej jemu epoce [Ignacy Dobrzynski s work towards
achieving progress in music in his time] (Warsaw, 1893; Warsaw, 2007).
Dziadek, Magdalena, Od Szkofy Dramatycznej do Uniwersytetu. Dzieje wyzszej uczelni
mnzycznej w Warszawie 1810-2010 [From the Drama School to the University.
The history of the institution of higher musical education in Warsaw 1810-2010],
[i:] 1810-1944 (Warsaw, 2011).
Goldberg, Halina, Music in Chopin s Warsaw (Oxford University Press, 2008).
Golebiowski, Lukasz, Gry i zabawy röznych stanöw w kraju cafym, lub niektörych tylko
prowincyach [Games and amusements of the different estates across the country or
in some provinces alone] (Warsaw, 1831).
Got, Jerzy, Dzieje teatru krakowskiego [History of the Cracow theatre] (Cracow, 1980).
— Das Österreichische Theater in Lemberg im 18 und 19 Jahrhundert: aus dem
Theaterleben der Vielvölkermonarchie, Theatergeschichte Österreichs, 10, part 4
(Vienna, 1997).
Kosim, Jan, ‘Emst Theodor Amadeus Hoffmann i Towarzystwo Muzyczne w Warszawie
[Emst Theodor Amadeus Hoffmann and the Music Society in Warsaw], in Zofia
Chechlihska (ed.), Szkice o kulturze mnzycznej XIXwieku. Studia i materialy [Sketches
of nineteenth-century musical culture. Studies and materials], ii (Warsaw, 1973).
Kurek, Krzysztof, Teatr i miasto. His tori a sceny polskiej w Poznaniu w latach 1782-
1849 [The theatre and the city. A history of the Polish stage in Poznan 1782-1849]
(Poznan, 2008).
Kwiatkowska, Magdalena, ‘Zycie muzyczne Warszawy w latach 1795-1806 [Musical
life in Warsaw 1795-1806], in Zofia Chechlihska (ed.), Szkice o kulturze muzycznej
XIX wieku. Studia i materiafy [Sketches of nineteenth-century musical culture.
Studies and materials], v (Warsaw, 1980).
Mazepa, Leszek, Szkolnictwo muzyczne Lwowa w okresie austriackim (1772-1918)
[Musical schooling in Lviv during the Austrian period (1772-1918)], Musica
Galiciana, 1 (Rzeszöw, 1997).
Musical life
285
Mazepa, Teresa,4 Austriacki muzyczno-dramatyczny teatr we Lwowie w latach 1799—
1819 [The Austrian music and drama theatre in Lviv 1799-1819], in Eugeniusz
Sasiadek et al. (eds), Wokalistyka w Polsce i na swiecie [Vocal performance in
Poland and the world], i (Wroclaw, 2002).
— Lwowskie towarzystwa mnzyczne [The music societies of Lviv], Musica Galiciana,
9 (Rzeszow, 2005).
— Przyczynki do dziejow iycia muzycznego Lwowa [Contributions to the history of
musical life in Lviv], Musica Galiciana, 12 (Rzeszow, 2011).
— Teatr muzyczny we Lwowie w kontekscie kultury miasta’ [The music theatre
in Lviv within the context of the city’s culture], in Teresa Mazepa and Leszek
Mazepa, Szkice z dziejow wokalistyki we Lwowie [Sketches from the history of
vocal performance in Lviv] (Wroclaw, 2007).
Mazur, Krzysztof, ‘Polskie edytorstwo muzyczne mi^dzy powstaniem listopadowym
a styczniowym’ [Polish music publishing between the November and January
uprisings], in Zofia Chechlihska (ed.), Szkice o kulturze muzycznej XIX wieku
[Sketches of nineteenth-century musical culture] (Warsaw, 1971).
Morawska, Katarzyna, ‘Badania nad muzyka dawn^ w Polsce w XIX wieku’ [Research
into early music in Poland during the nineteenth century], in Zofia Chechlihska
(ed.), Szkice o kulturze muzycznej XIX wieku. Studia i materiaty [Sketches of
musical culture during the nineteenth century. Studies and materials], iii (Warsaw,
1976).
Osiak, Elzbieta, ‘Polskie szkofy i podreczniki gry fortepianowej. 1800-1914’ [Polish
piano schools and textbooks], master’s work, Instytut Muzykologii Uniwersytetu
Warszawskiego, Warsaw 1994.
Podejko, Pawel, Katalogtematycznyrqkopisow i drukow kapeliwokalno-instrumentalnej
na Jasnej Gorze [Thematic catalogue of manuscripts and prints belonging to the
vocal-instrumental ensemble on Jasna Gora], Studia Claromontana, 12 (Cracow,
1992).
Prokopowicz, Maria, Z dzialalnosci warszawskich ksi^garzy muzycznych i wydawcow
muzycznych w latach 1800-1831 [The work of Warsaw music booksellers and
publishers 1800-1831], in Zofia Chechlihska (ed.), Szkice o kulturze muzycznej
XIX wieku [Sketches of nineteenth century musical culture] (Warsaw, 1971).
Przybylski, Tadeusz, Z dziejow nauczania muzyki w Krakowie. Od sredniowiecza do
czasow wspolczesnych [From the history of music teaching in Cracow. From the
Middle Ages to contemporary times] (Cracow, 1994).
Pukinska-Szepietowska, Hanna, ‘Zycie koncertowe w Warszawie (1800-1830)’
[Concert life in Warsaw (1800-1830)], in Zofia Chechlihska (ed.), Szkice o
kulturze muzycznej XIX wieku. Studia i materiaty [Sketches of musical culture in
the nineteenth century. Studies and materials], ii (Warsaw, 1973).
Raszewski, Zbigniew, Boguslawski (Warsaw, 1972).
Raynor, Henry, Music and Society since 1815 (London, 1976).
Rudzinski, Witold, Listy Stanislawa Moniuszki [The letters of Stanislaw Moniuszko],
Studia Muzykologiczne, 4 (Cracow, 1955).
Samson, Jim, ‘Chopin’s Musical Education’, Chopin Studies, 6 (1999).
Strumiflo, Tadeusz, Szkice z polskiego iycia muzycznego XIX wieku [Sketches from
Polish musical life during the nineteenth century] (Cracow, 1954).
— Zrodla i poczqtki romantyzmu w muzyce polskiej [The sources and beginnings of
romanticism in Polish music] (Cracow, 1956).
Tomaszewski, Wojciech, Mtydzy salonem a jarmarkiem. Zycie muzyczne na prowincji
Krolestwa Polskiego w latach 1815-1862 [Between salon and fair. Musical life in
the provinces of the Polish Kingdom 1815-1862] (Warsaw, 2002).
286
BIBLIOGRAPHY
— Kronika zycia muzycznego na prowincji Krôlestwa Polskiego w latach ¡815-1862
[A chronicle of musical life in the provinces of the Polish Kingdom 1815-1862]
(Warsaw, 2007).
— Kronika zy’cia tmtzycznego w Warszawie w latach 1831-1835 [A chronicle of musical
life in Warsaw 1831-1862] (Warsaw, 2011).
Vogel, Beniamin, Instrumenty muzyczne w kulturze Krôlestwa Polskiego [Musical
instruments in the culture of the Polish Kingdom] (Cracow, 1980).
— Historia Muzyki Polskiej [The history of Polish music], x: Fortepian polski [The
Polish piano] (Warsaw, 1995).
Weber, William, Music and the Middle Class (London, 1975).
Wypych-Gawronska, Anna, Muzyka w Iwowskim teatrze dramatycznym w XVIII i XIX
wieku [Music at the drama theatre in Lviv during the eighteenth and nineteenth
centuries], Musica Galiciana, 11 (Rzeszôw, 2009).
Zduniak, Maria (ed.), Karol Lipihski. Zycie, dzialalnosc, epoka [Karol Lipihski: his
life, work and era] (Wroclaw, 2003).
Compositional output
Bellman, Jonathan D., Chopins Polish Ballade op. 38, as Narrative of National
Martyrdom (Oxford University Press, 2010).
Belza, Igor, Migdzy Oswieceniem a Romantyzmem [Between Enlightenment and
romanticism], tr. Stefan Prus-Wi$ckowski (Cracow, 1961).
— Maria Szymanowska, tr. Jadwiga Ilnicka (Cracow; 1987).
Chechlinska, Zofia, Wariacje i technika wariacyjna w tworczosci Chopina [Variation
sets and variation technique in the oeuvre of Chopin] (Cracow, 1995).
— ‘Scherzo as a Genre’, Chopin Studies, 5 (1995).
— ‘Kultura muzyczna Warszawy a ksztahowanie sie indywidualnosci kompozytorskiej
Chopina’ [The musical culture of Warsaw and the shaping of Chopin’s individuality
as a composer], in Malgorzata Wozna-Stankiewiczand Zofia Dobrzanska-Fabianska
(eds), Muzykolog wobec dziela muzycznego. Zbior prac dedykowanych doktor
Elzbiecie Dziebowskiej w siedemdziesiqtq rocznicg urodzin [The musicologist and
the musical work. A collection of works dedicated to Dr Elzbieta Dzi^bowska on
her seventieth birthday] (Cracow, 1999).
— ‘Chopin’s Reception as Reflected in Nineteenth-century Polish Periodicals’, in
Halina Goldberg (ed.), The Age of Chopin. Interdisciplinary Inquiries (Indiana
University Press, 2004).
Chmara, Barbara, ‘Do genezy noktumu instrumentalnego przed Chopinem’ [On the
origins of the instrumental nocturne before Chopin], in Zofia Lissa (ed.), F.F.
Chopin (Warsaw, 1960).
Chominski, Jozef Michaf, Preludia Chopina [Chopin’s preludes] (Cracow, 1950).
— Sonaty Chopina [Chopin’s sonatas] (Cracow, 1960).
— ‘Ewolucja stylu Chopina’ [The evolution of Chopin s style], Muzyka, 1960/3.
— ‘Z zagadnieh faktury fortepianowej Chopina’ [Issues relating to Chopin’s piano
texture], in Zofia Lissa (ed.) F.F. Chopin (Warsaw, 1960).
—, and Turlo, Teresa Dalila, Katalog dziel Fryderyka Chopina / A Catalogue of the
Works of Frederick Chopin (Cracow, 1990).
Cybulska, Janina, ‘Romans wokalny w Polsce w latach 1800-1830’ [The vocal romance
in Poland 1800-1830], in Janina Cybulska and Jerzy Gabrys, Z dziejow polskiej
piesni solowej [From the history of Polish solo song] (Cracow, 1960).
Compositional output
287
Czemek, Ewa, ‘Chopin i Lipinski’ [Chopin and Lipitiski], in Irena Poniatowska and
Danièle Pistone (eds), Chopin w krçgu przyjaciôl / Chopin parmi ses amis, v
(Warsaw, 1998).
Dahlhaus, Carl, ‘Nationalism and Music’, in Between Romanticism and Modernism, tr.
Mary Whittall (University of California Press, 1980).
Dahlig, Piotr, ‘On Attempts at Interpreting Chopin’s Mazurkas from an
Ethnomusicological Perspective’, tr. John Comber, in Artur Szklener, Magdalena
Chylinska and John Comber (eds), Chopin in Paris. The 1830s (Warsaw, 2006).
Dziçbowska, Elzbieta, ‘Chopin - romantyk, klasyk, modemista’ [Chopin: Romantic,
Classic, modernist], in Zofia Chechlihska (ed.), Szkice o kuiturze muzycznej XIX
wieku. Studia i materiafy [Sketches of nineteenth-century musical culture. Studies
and materials], ii (Warsaw, 1973).
Eigeldinger, Jean-Jacques, ‘Twenty-four Preludes op. 28: Genre, Structure,
Significance’, in Jim Samson (ed.), Chopin Studies (Cambridge University Press,
1988).
Ekier, Jan, Introduction to the Polish National Edition of the Works of Fryderyk Chopin,
part 1: Editorial Issues, tr. John Comber; https://www.yumpu.com/en/document/
view/25481128/introduction-to-the-nationaledition-the-theodore-presser-company
Eisner, Józef, Sumariusz moich utworôw muzycznych [Summary of my musical works],
ed. Alina Nowak-Romanowicz (Cracow, 1957).
Gabrys, Jerzy, ‘Poczqtki polskiej piesni solowej w latach 1800-1830’ [The beginnings
of Polish solo song 1800-1830], in Janina Cybulska and Jerzy Gabrys, Z dziejôw
polskiej piesni solowej [From the history of Polish solo song] (Cracow, 1960).
Goiqb, Maciej, Chromatyka i tonalnosc w mazy ce Chopina [Chromaticism and tonality
in the music of Chopin] (Warsaw, 1990).
— (ed.), Przemiany stylu Chopina [Changes in Chopin’s style] (Cracow, 1993).
Hedley, Arthur, Chopin (London, 1947).
Idaszak, Danuta, ‘Mazurek przed Chopinem’ [The mazurka before Chopin], in Zofia
Lissa (ed.), F F Chopin (Warsaw, 1960).
Iwanejko, Maria, Maria Szymanowska (Cracow, 1959).
Jachimecki, Zdzislaw, Chopin (Warsaw, 1949).
— Muzyka polska w rozwoju histoiycznym od czasow najdawniejszych do doby obecnej
[The historical development of Polish music from the earliest times to the present
day], vol. i part 2: WiekXVIII dopolowy wieku XIX [From the eighteenth to the mid
nineteenth century] (Cracow, 1951).
Kallberg, Jeffrey, Chopin at the Boundaries: Sex, History and Musical Genre (Harvard
University Press, 1998).
Korespondencja Fryderyka Chopina [Correspondence of Fryderyk Chopin], ed.
Bronislaw Edward Sydow, 2 vols (Warsaw, 1955).
Korespondencja Fry’deryka Chopina [Correspondence of Fryderyk Chopin], ed.
Zofia Helman, Zbigniew Skowron and Hanna Wrôblewska-Straus, i: 1816-1831
(Warsaw, 2009).
Kozlowska-Lewna, Alicja, ‘Sonaty op. 2 Franciszka Lessla na tie polskiej sonaty
fortepianowej tego okresu’ [Franciszek Lessel’s Sonata, Op. 2 against the
background of the Polish piano sonata of that period], in Marek Podhajski et
al. (eds), Franciszek Lessel. W 200 rocznicç urodzin [Franciszek Lessel. On the
bicentenary of his birth], Prace Specjalne Panstwowej Wyzszej Szkoly Muzycznej
w Gdansku, 21 (Gdansk, 1980).
Leichtentritt, Hugo, Analyse von Chopin’schen Klaviet-werke, 2 vols (Berlin, 1921-1922).
Leikin, Anatole, ‘The Dissolution of Sonata Structure in Romantic Piano Music 1820-
1850’, doctoral dissertation, University of California, Los Angeles 1986.
288
BIBLIOGRAPHY
Levy, Jane M., Texture as a Sign in Classic and Romantic music’, Journal of American
Musicological Society, 1982/3.
Lisowska, Agnieszka, ‘Tworczosc piesniarska Karola Kurpinskiego’ [The song output
of Karol Kurpinski], in Zofia Chechlinska (ed.), Szkice, o kulturze muzycznej XIX
wieku. Stadia i materiafy [Sketches of nineteenth-century musical culture. Studies
and materials], iv (Warsaw, 1980).
Magrys, Izabela, ‘Koncert fortepianowy As-dur Ignacego Feliksa Dobrzyhskiego’
[Ignacy Feliks Dobrzynski’s Piano Concerto in A flat major], master’s work,
Katedra Historii i Teorii Muzyki Uniwersytetu Jagiellonskiego, Cracow 1993.
Matracka-Koscielny, Alicja, ‘“Switezianka” Mickiewicza w piesniach Marii
Szymanowskiej, Moniuszki i Rimskiego-Korsakowa’ [Mickiewicz’s ‘Switezianka’
in songs by Maria Szymanowska, Moniuszko and Rimsky-Korsakov], in
Mieczyslaw Tomaszewski (ed.), Wiersz ijegopiesniowe interpretacje. Zagadnienie
tekstow wielokrotnie umuzycznianych [The poem and its interpretations in song.
The question of texts with multiple settings], Muzyka i Liryka. Zeszyt Naukowy
Akademii Muzycznej w Krakowie (Cracow, 1991).
Morawski, Andrzej, ‘Ignacy Feliks Dobrzyhski i jego symfonie’ [Ignacy Feliks
Dobrzynski and his symphonies], master’s work, Instytut Muzykologii
Uniwersytetu Warszawskiego, Warsaw 1978.
Mrowiec, Karol, Polska piesh koscielna w opracowaniu kompozytorow XIX wieku
[Polish church song in arrangements by nineteenth-century composers] (Lublin,
1964).
Negrey, Maciej, ‘Franciszek Mirecki - Symfonia c-moll (1855). Zagadnienie
realizacji formy sonatowej w 1. cz^sci cyklu’ [Franciszek Mirecki: Symphony
in C minor (1855). The realisation of sonata form in the first movement of the
cycle], in Mafgorzata Wozna-Stankiewicz and Zofia Dobrzanska-Fabianska (eds),
Muzykolog wobec dziela muzycznego. Zbior prac dedykowanych doktor Elzbiecie
Dzi^bowskiej w siedemdziesiqtq rocznicq nrodzin [The musicologist and the
musical work. A collection of works dedicated to Dr Elzbieta Dziebowska on her
seventieth birthday] (Cracow, 1999).
— ‘O Kwintecie fortepianowym Es-dur Jozefa Nowakowskiego’ [On Jozef
Nowakowski’s Piano Quintet in E flat major], in Zofia Fabianska, Alicja Jarzebska
and Andrzej Sitarz (eds), Donum natalicum. Studio Thaddaeo Przybylski
octogenario dedicata (Cracow, 2007).
— The Polish Symphony after Beethoven’, in MieczyslawTomaszewski and Magdalena
Chrenkoff (eds), Beethoven 4. Studien und Interpretationen (proceedings of the
international symposium ‘Beethoven Erbe und Resonanz’, 2006) (Cracow, 2009).
Nowak-Romanowicz, Alina, Jozef Eisner (Cracow, 1957).
— The History of Music in Poland, iv: The Classical Era: 1750-1830, tr. John Comber
(Warsaw, 1995).
Nowicka, Elzbieta, “‘Slownik zakl^tych slow do muzyki” (O librettach oper Jozefa Elsnera
i Karola Kurpinskiego)’ [Dictionary of magic words to music], in Maciej Jablonski,
Jan St^szewski and Janina Tatarska (eds), Operapolska wXVIIIiXIXwieku [Polish
opera in the eighteenth and nineteenth centuries] (Poznan, 2000).
— ‘Opera w Polsce na poczqtku XIX wieku - wyobrazenia, poglady, teorie’ [Opera in
Poland at the beginning of the nineteenth century: concepts, views and theories], in
Maciej Jablonski (ed.), Teorie opery / Theories of Opera (Poznan, 2005).
Nowik, Wojciech, ‘Eisner i Chopin. Warszawskie sonaty fortepianowe mistrza i ucznia
“szczegolnej zdatnosci’” [Eisner and Chopin. The Warsaw piano sonatas of the
master and his pupil of ‘special ability’], in Irena Poniatowska (ed.), Chopin w
kr^gu przyjaciol [Chopin in his circle of friends], iv (Warsaw, 1998).
Compositional output
289
Oiiferko, Magdalena, ‘Julian Fontana. Between Individuality and Imitation’, tr. John
Comber, in Magdalena Chylinska, John Comber and Jerzy Michniewicz (eds),
After Chopin. The Influence of Chopins Music on European Composers up to the
First World War (Warsaw, 2012).
Poniatowska, Irena, ‘Styl brillant i idee preromantyczne w tworczosci Marii
Szymanowskiej’ [The style brillant and pre-Romantic ideas in the output of Maria
Szymanowska], in Historia i interpretacja muzyki. Z badah nadmuzykq odXVU do
XIX wieku [The history and interpretation of music. From research into music from
the seventeenth to the nineteenth century] (Cracow, 1993).
— ‘Piesni solowe Marii Szymanowskiej do tekstow Adama Mickiewicza’ [Maria
Szymanowska’s solo songs to words by Adam Mickiewicz], in Teresa Brodniewicz,
Maciej Jabtohski and Jan St^szewski (eds), Mickiewicz i muzyka. Slow a, dzwiqki,
konteksty [Mickiewicz and music. Words, sounds and context] (Poznan, 2000).
— ‘Narodowosc w muzyce polskiej przed Moniuszkq’ [Nationality in Polish music
before Moniuszko], in Mieczystawa Demska-Tr^bacz (ed.), Muzyka sztukq
przezwycigzania czasu. Witoldowi Rudzihskiemu w dziewi^cdziesiqte urodziny
[Music as the art of vanquishing time. For Witold Rudzinski on his ninetieth
birthday] (Warsaw, 2003).
— ‘Dobrzynski - Chopin. Similarities and Differences in Style’, tr. John Comber, in
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INDEX OF NAMES AND TITLES OF MUSICAL WORKS
Abraham, Gerald, 99
Abramovich, Ignaty, 54
Albertini, Joachim, 66
‘Albosmy to jacy, tacy’ [That’s just how
we are], krakowiak, 261
Albrechts berger, Johann Georg, 83
Arnold, Karol, 66
Artôt, Alexandre Joseph, 63, 74, 93
Auber, Daniel François Esprit, 53—55,
58, 71
Le bal masqué, opera, 58
Le maçon, opera, 53
La muette de Portici, opera, 54
Bach, Carl Philipp Emanuel, 73, 135
Bach, Johann Sebastian, 73, 77, 87, 160
preludes and fugues, 77
Baculewski, Krzysztof, 239
Beethoven, Ludwig van, 56, 64, 65, 67,
68, 71,73, 76, 77, 87, 99, 102, 103,
109, 135, 144,212,213,236, 243,
249, 265
Christ on the Mount of Olives,
oratorio, 71
Fidel io, opera 56, 77
Piano Sonata in A flat major, Op. 26,
212
Symphony No. 1 in C major, 71
Symphony No. 2 in D major, 68
Symphony No. 3 in E fiat major
(movt 11 Funeral March), 76, 144
Symphony No. 5 in C minor, 213
Symphony No. 7 in A major, 68
Symphony No. 9 in D minor, 212
Bellini, Vincenzo, 53, 55, 58, 60, 61, 72
Beatrice di Ten da, opera, 58
Norma, opera, 58
il pirata, opera, 58
/ puritani, opera, 58
Bellman, Jonathan D., 186, 188
Belza, Igor, 116
Benda, Jin Antonín, 135, 140
Bériot, Charles Antoine de, 72
Berton, Henri Montan, 55
Bialoblocki, Jan, 94
Bielawski, Józef, 66, 82
Biesch, Kazimierz, 142
Boccherini, Luigi, 77
‘Bogurodzica’ [Mother of God], 91
Boguslawski, Wojciech, 50, 51, 55, 57,
135
Boieldieu, François Adrien, 53, 55, 57,
61, 71
Le calife de Bagdad, opera, 53, 55
Jean de Paris, opera, 53, 57
Le nouveau seigneur de village,
opera, 53
Brahms, Johannes, 213
Braun, Augustyn Tomasz, 55
Brodzinski, Kazimierz, 52, 83, 131, 160
Brunner, August, 80
Brzezina, Antoni, 75, 84, 162, 169
Brzowski, Józef, 264, 273
‘Dramatic’ Symphony in E major,
264
‘Fantastical’ Overture in D major, 264
Mazurkas, Op. 12, 273
Buchholtz, firma 79
Bull, Ole, 63
Bulla, F. H., 55
Burghauser, Karol, 58
Catalani, Angelica, 63, 74, 93
Chechlinska, Zofia, 70, 159, 220
Cherubini, Luigi, 52, 55, 57, 59, 60, 71,
111, 113, 138
Les deux journées, opera, 52, 55,57
Faniska, opera, 55, 113
Lodoïska, opera, 52, 55, 59
Médée, opera, 55
Chomihski, Józef Michal, 99, 162, 170,
211,213
292
INDEX
Chopin, Fryderyk, 40, 43, 51, 63, 64,
70, 72-80, 82, 83, 85, 87-89, 93, 94,
101, 107, 112-119, 125, 131, 132,
138, 156-220, 238-242, 250, 255-
263, 269, 272-279, 281-283
Andante spianato and Grande
Polonaise brillante for piano and
orchestra, Op, 22, 172, 220
Ballade in A flat major, Op. 47, 186-
190, 208, 215, 273
Ballade in F major, Op. 38, 186-188
Ballade in F minor, Op. 52, 186, 187,
189-191,208
Ballade in G minor, Op. 23, 186-188,
190, 192,220,275
Barcarolle, Op. 60, 216
Berceuse, Op. 57, 168, 216
‘Czary’ [Witchcraft], song, 132
‘Dwojaki koniec’ [The lovers], song,
277
Etudes, Op. 10, 160, 172, 174, 176,
177, 180
1. C major, 160, 172-174, 177,
217
2. A minor, 160, 172, 177
3. E major, 174, 177
4. C sharp minor, 177
5. G flat major, 177
6. E flat minor, 174, 177
10. A flat major, 174
12. C minor, 174
Etudes, Op. 25, 174, 176, 177
1. A flat major, 115, 116
2. F minor, 175, 174
3. F major, 176
4. A minor, 176
5. E minor, 174, 177
6. G sharp minor, 174
7. C sharp minor, 174, 175, 196
8. D flat major, 174
9. G flat major, 174, 176
10. B minor, 174, 177
11. A minor, 174, 177, 187
12. C minor, 177
Etudes for Méthode des méthodes
pour le piano (Fétis/Moscheles)
D flat major, 176, 177
F minor, 176, 177
Fantasy in F minor, Op. 49, 198, 199,
215, 262
Fantasy on Polish Airs for piano and
orchestra, Op. 13, 113, 160, 166,
169, 198, 220
Gdzie lubi’ [A fickle maid], song,
132
Grand Duo Concertant for piano
and cello (also version for piano
for four hands), Op. 16 on a
theme from Meyerbeer’s
opera Robert le diable (with
Franchomme), 164, 172
‘Hulanka’ [Drinking song], song, 131
Impromptu in A flat major, Op. 29,
191-193
Impromptu in C sharp minor [Op. 66],
191, 192
Impromptu in F sharp major, Op. 36,
191-193,215-217
Impromptu in G flat major, Op. 51,
191-193
Introduction and Polonaise in
C major for piano and cello,
Op. 3, 164
‘Leci liscie z drzewa’ [Leaves are
falling], song, 277
Mazurka in A minor (from Notre
temps), 220
Mazurkas, Op. 6, 164
3. E major, 164
4. E flat minor, 202
Mazurkas, Op. 7, 164
1. B flat major, 201
4. A flat major, 164
Mazurkas, Op, 17, 192, 204
4. A minor, 204, 216
Mazurkas, Op. 24, 192
2. C major, 201,203
4. B flat minor, 204
Mazurkas, Op. 30, 204
1. C minor, 204
4. C sharp minor, 201
Mazurkas, Op. 33
1. G sharp minor, 201
Mazurkas, Op. 41,201, 205
Index of names and titles of musical works
293
1. C sharp minor, 201
3. A fiat major, 201
4. C sharp minor, 201
Mazurkas, Op. 50, 205
3. C sharp minor, 202, 205
Mazurkas, Op. 56, 205
1. B major, 204, 205
3. C minor, 202
Mazurkas, Op. 59, 205
2. A flat major, 203
Mazurkas [Op. 68], 164
[1] C major, 164
[2] A minor, 164, 165
[3] F major, 164, 165
[4] F minor, 214, 277
‘Melodía’ [Melody] (‘Z gór, gdzie
dzwigali’ [Bowed ‘neath their
crosses]), song, 277, 278
‘Moja pieszczotka’ [My enchantress],
song, 277
‘Narzeczony’ [The bridegroom’s
return], song, 277
Nocturne in A flat major, Op. 32
No. 2, 207,215,257, 258
Nocturne in B major, Op. 32 No. 1,
208
Nocturne in B major, Op. 62 No. 1,
209
Nocturne in C minor, Op. 48 No. 1,
207, 208
Nocturne in D flat major. Op. 27
No. 2, 208
Nocturne in E minor, 160, 166, 167
Nocturne in E flat major, Op. 55
No. 2,208, 205
Nocturne in F major, Op. 15 No. 1,
207
Nocturne in F minor, Op. 55 No. 1,209
Nocturne in F sharp major, Op. 15
No. 2, 166
Nocturne in G major, Op. 37 No. 2, 208
Nocturne in G minor, Op. 15 No. 3,
208, 215
Nocturnes, Op. 9 Nos. 1-3, 166
1. B flat minor, 209
2. E flat major, 208
Piano Concerto in E minor, Op. 11,
160, 166, 170-172, 214, 220
Piano Concerto in F minor, Op. 21,
73, 160, 166, 170-172,214,218,
220, 239-241
‘Pierscieh’ [The ring], song, 277
‘Piosnka litewska’ [Lithuanian song],
song, 277
Polonaise in A flat major, 161, 163,
164, 193
Polonaise in A flat major, Op. 53,
195-198, 200,216
Polonaise in B flat major (1817), 161
Polonaise in B flat major (1828) [Op.
71 No. 2], 162, 163
Polonaise in B flat minor (‘Les
Adieux’), 162, 193
Polonaise in D minor [Op. 71 No. 1],
162, 163, 164
Polonaise in F minor [Op. 71 No. 3],
162, 163
Polonaise-Fantasy, Op. 61, 198—200,
214,215,277
Polonaise in F sharp minor, Op. 44,
194, 196, 197, 200,215
Polonaise in G minor, 75, 161, 162
Polonaise in G flat major, 163
Polonaise in G sharp minor, 162, 163
Polonaises, Op. 26, 196
1. C sharp minor, 118, 193, 196,
199
2. E flat minor, 196, 199, 200
Polonaises, Op. 40, 193
1. A major, 195
2. C minor, 195, 196, 200
‘PoseP [The messenger], song, 277
‘Precz z moich oczu’ Remembrance],
song, 132
24 Preludes, Op. 28, 210, 211
2. A minor, 210, 215
7. A major, 210
9. E major, 210
10. C sharp minor, 115, 207
14. E flat minor, 210, 212
20. C minor, 210
23. F major, 211
24. D minor, 216
Prelude in C sharp minor, Op. 45, 210
294
INDEX
Presto con leggierezza, 210
Rondo in C major (also in version for
2 pianos), 167-169
Rondo in C minor, Op. 1, 168, 169
Rondo in E flat major, Op. 16, 172
Rondo à la krakowiak for piano and
orchestra, Op. 14, 158, 168, 169,
220
Rondo à la maznr, Op. 5, 158, 168
Scherzo in B minor, Op. 20, 177-181,
185, 192, 216
Scherzo in B flat minor, Op. 31 178,
179, 181, 182
Scherzo in C sharp minor, Op. 39,
177, 179, 182, 183
Scherzo in E major, Op. 54, 178, 179,
183-186,213
Smutna rzeka’ [Troubled waters],
song, 277
Sonata in B minor, Op. 58, 88, 212
Sonata in B flat minor, Op. 35, 76,
211,212,216
Marche funèbre, 76
Sonata in C minor, Op. 4, 156, 160,
169, 170,217
Sonata in G minor for piano and
cello, Op. 65 (with Franchomme),
164, 212-214
Sostemito in E flat major (also pub. as
Waltz in E flat major), 206
Trio in G minor for piano, violin and
cello, Op. 8, 83, 157, 160, 170
Variations in B flat major for piano
and orchestra, Op. 2 on Là ci
darem la mano’ from Mozart’s
Don Giovanni, 113, 168, 169,
172, 258, 259
Variations in B flat major, Op. 12 on
the rondo Je vends des
scapulaires’ from the opera
Ludovic by Hérold/Halévy, 172
Variations in D major on an air of
Moore for piano for four hands,
168
Variations in E major on the song
Steh’ auf, steh’ auf o du
Schweizer Bub’, 113, 168
variations Souvenir de Paganini, 168
Waltz in A flat major, 166
Waltz in A flat major, Op. 34 No. 1, 166
Waltz in A flat major, Op. 42, 185,
206,217
Waltz in A flat major [Op. 69 No. 1],
206
Waltz in B minor [Op. 69 No. 2], 165
Waltz in D flat major [Op. 70 No. 3],
165
Waltz in E major, 166
Waltz in E minor, 166
Waltz in E flat major, Op. 18, 166
Waltz in F minor [Op. 70 No. 2], 206
‘Wojak’ [Before the battle], song, 277
‘Zyczenie’ [A maiden’s wish], song,
132,275
Chopin, Mikolaj, 78, 220
Chybihski, Adolf, 119
Cichocki, Jozef, 66, 86, 91
Cichockis (salon), 72, 73
Cinelli, singer, 58
Clementi, Muzio, 73, 104
Constantine, grand duke, 47
Cramer, Johann Baptist, 104, 173
Etude in D major for piano, 173
Etude in D minor for piano, 173
Cybulski, Izydor Jozef, 75, 133, 161
Czartoryski, Adam, prince, 126
Czartoryski, Adam Kazimierz, prince, 76
Czartoryskis (salon), 74
‘D^browski’ Mazurka ( Jeszcze
Polska nie zgin^la’ [Poland has not
yet perished]), 54, 137
Dahlhaus, Carl, 203
Dahlig, Piotr, 201
Damse, Jozef, 54, 57, 76, 279
Danecka-Szopowa, Krystyna, 81
Dankowski, Wojciech, 133
Deszczynski, Jozef, 59, 75, 107, 108,
112, 118, 126, 237
Piano Concerto in F major, Op. 25,
107, 108, 112,237
Polonaise in D major for piano, 118
Ditters von Dittersdorf, Carl, 135
Dobrzanska-Fabianska Zofia, 262, 269
Dobrzynski, Bronislaw, 73
Index of names and titles of musical works
295
Dobrzyriski, Ignacy Feliks, 40, 43, 72,
73, 83, 101, 102, 107, 112, 153, 157,
158, 221-262, 264, 265, 270, 273,
279,281,283
Andante and Rondo alia polacca for
flute and orchestra, Op. 42, 222,
237
Concert Overture in D major, Op. 1,
102, 221,223,224, 238
Concert Overture, Op. 26, 223
Duo in A flat major for clarinet and
piano, Op. 47, 244, 250, 251
Fantasy for bassoon and orchestra,
Op. 28, 222, 237
Fantasy for violin and small
symphony orchestra, Op. 32, 222,
237
Fantasy for trumpet and orchestra,
Op. 35, 222, 237, 242
Hommage a Mozart, fantasy for
piano. Op. 59, 258, 259
Introduction and Variations for flute
and piano, Op. 18, 249
Introduction and Variations for
trombone and orchestra, Op. 45,
222, 237
Introduction and Variations for violin
and piano, Op. 9, 249
Les larmes for violin or cello and
piano, Op. 41,242, 250
Marsz na zlote wesele Eisner a
[March for Eisner’s golden
wedding anniversary] for
orchestra, 223
‘Marsz przedniej strazy wojsk
polskich’ [March of the vanguard
of the Polish anny], song, 262
‘Marsz zjednoczonych Polakow’
[March of united Poles], song, 262
Mazurka in G major, 256
Mazurkas, Op. 37, 256
Monbar czyli Flibustierowie [Monbar,
or the Filibusters], opera, 251—
255, 279
Nocturne in A major (Gage d amitie),
Op. 52, 257, 258
Nocturne in E flat major, Op. 21
No. 2, 257
Nocturne in G minor, Op. 21 No. 1,
257
Overture (Umoresca capricciosa
sur un thème italien) for
orchestra, Op. 53, 223
Piano Concerto in A flat major, Op. 2,
221,222, 237-242
Piano Trio in A minor, Op. 17, 242,
244, 248, 249
Polonaise in C major for cello and
orchestra, Op. 31 No. 2, 237
Polonaise in D major for violin and
orchestra, Op. 31 No. 1, 237
Quintet in A minor, Op. 40, 247
Rétablissement Grande Valse
Brillante for piano, Op. 63, 258
Rondo alla polacca for piano and
orchestra, Op. 6, 222, 237
Sen chrzescijanina [Dream of a
Christian] for 12 instruments, 251
Sextet in E fiat major, Op. 39, 243,
244, 246, 247, 249
Souvenir de Dresde for oboe, cello
and piano, Op. 47, 242, 250
String Quartet in D minor, Op. 8, 244
String Quartet in E minor, Op. 7, 244,
245, 248
String Quintet in F major, Op. 20,
244, 245, 248
Symphony No. 1 in B flat major, Op.
11,222,224,225,227,230-232
Symphony No. 2 (‘Characteristic’)
in C minor, Op. 15, 222, 226—230,
233-236, 261,264
Dôhler, Theodor, 63
Domaszewicz, Michal, 110, 111
Donizetti, Gaetano, 53, 55, 58, 60, 61, 72
Belisario, opera, 58
L’elisir d am ore, opera, 58
Doppler, A., violinist, 92
Dreyschock, Alexander, 63
Duchinska, née Zochowska, Seweryna,
251
Duranowski, Fryderyk August, 104
Dusik (Dussek), Jan Ladislav (Johann
Ludwig), 73, 77, 104,221
296
INDEX
Dvorak, Antonín, 213
Dziadek, Magdalena, 81
Dzt^bowska, Elzbieta, 160, 223
Eigeldinger, Jean-Jacques, 211
Ekielski, N., 279
Ekier, Jan, 163, 166
Eisner, Jozef, 43, 51, 52, 54-57, 61,
65-67, 71-73, 75, 80-84, 90-92, 94,
100-102, 108, 109, 112, 123, 125,
127, 128, 133-158, 159, 161, 168,
194, 209, 218, 221, 235, 249, 252,
259, 260, 261, 267, 275, 276, 278
Amazonki czyli Herminia [Amazons,
or Herminia], opera, 135
Andromeda, opera, 136
‘Duma Ludgardy’ [Duma of
Ludgarda], song, 128
Iskahar, krol Guaxary [iskahar, king
of Guaxara], melodrama, 135
Jagiello w Tenczynie [Jagiello at
Tenczyn], opera, 137, 139
Krol Lokietek czyli Wisliczanki [King
Ladislaus the Elbow-high, or
Wislica girls], opera, 91, 137-139
Leszek Biaty czyli Czarownica z Lysej
Gory [Leszek the White, or the
witches of Bare Mountain], opera,
137, 138
Mass, Op. 87, 142
Mass in E minor, Op. 62, 141
Mass in G minor, Op. 72, 141
Ofiara Abrahama [Abraham’s
sacrifice], melodrama, 140
Passio Domini nostri Jesu Christi.
Op. 65, 142-156, 282
Piano Sonata in B flat major for four
hands, Op. 16, 157, 158
Piano Sonata in D major, 157
Piano Sonata in F major, 157
Polonaise in C major for piano, 159
Polonaise in F minor for piano, 159,
162
Powstanie narodu [The nation rises],
lyrical scene, 54
Septet in D major for flute, clarinet,
violin, viola, cello, double bass
and piano, 136, 157
Siedem razy jeden [Seven times one],
comedy opera, 137
Sultan Wampum [Sultan Wampum],
opera, 135, 137
Sydney i Zuma czyli Moc kochania
czar nej niewiasty [Sydney and
Zuma, or a black woman’s power
of love], opera, 135
Symphony in C major, Op. 11, 153
‘Swiçta mifosci kochanej
Ojczyzny’ [The sacred love of the
beloved homeland], song, 262
Variations in B flat major for piano
on the march from Winter’s opera
Das unterbrochene Opferfest,
112,158
Wieszczka Urzella czyli To, co siç
damom podoba [Urzella the
prophetess, or what ladies like],
opera, 138
Engel, chapel-master, 74
Engel, Hans, 104
Erard, firm, 79
Erber, Czeslaw, 108
Ememann, Maurycy, 82
Fétis, François Joseph, 176, 264
Feuillide, Louis, 66
Field, John, 77, 113, 166, 171, 207
Piano Concerto in A flat major, 171
Fiorentini, Józef, 79
Fontana, Julian, 164, 165, 197, 206, 275,
276
Ballade in G minor for piano, 275
Elegy for piano, Op. 7, 275
La Havanne for piano, Op. 10, 275,
276
Forkel, Johann Nikolaus, 83
Franchomme, Auguste, 164
Franck, César, 213
Fredro, Aleksander, 279
Freyer, August, 41
Gabrys, Jerzy, 127, 128, 131
Gade, Niels, 261
Symphony No. 1 in C minor, 261
Glinka, Mikhail, 275
Capriccio brillante, 275
Gluck, Christoph Willibald, 65
Index of names and titles of musical works
297
Goethe, Johann Wolfgang, 124
Gofc|b, Maciej, 170,214,215
Goldberg, Halina, 72
Gofçbiowski, Lukasz, 73
Gomölka, Mikolaj, 91
Gor^czkiewicz, Wincenty, 67, 80, 81,
119
Gorczycki, Grzegorz Gerwazy, 91
Grabowska, Izabella, 165
Grabowski, Ambrozy, 89, 90
Grétry, André Ernest Modeste, 83
Grobîicz, 78
Grzymala, Wojciech, 218
Gutmann, Adolf, 183
Handel, George Frideric, 73
Hase, C. F., conductor, 66
Haslinger, Tobias, firm, 168
Haydn, Joseph, 57, 65-68, 70-73, 77, 93,
100-102, 109, 110, 135, 142, 157,
224,236
The Creation, oratorio, 71, 77, 93
The Seven Last Words of Christ on
the Cross, oratorio, 67, 70, 71, 77
Haydn, Michael, 71
Heinefetter, Sabine, 61
Helman, Zofia, 170, 213
Herder, Johann Gottfried, 52, 83, 140,
160
Hermann, Joseph, 222
Hérold, Louis Joseph, 72
Hoermann, 68
Hoesick, Ferdynand, 178
Hoffmann, Emst Theodor Amadeus, 65
Hoffmeister, Franz Anton, 55
Hofmeister, Friedrich, 77
Holland, Jan Dawid, 84
Hummel, Johann Nepomuk, 63, 67,
71-73,77, 114, 162, 169, 171
Piano Concerto in A minor, Op. 85,
171
Il inski, J. A., count, 221
Isouard, Nicolas (Nicolo), 57
Cendrillon, opera, 57
Iwanejko, Maria, 114, 116
Jabionowska, duchess, 67
Jachimecki Zdzistaw 209, 248, 252
Janiewicz, Feliks, 102-105, 108, 109,
158, 237
Piano Concerto in B fiat major, 104,
105, 109
Piano Sonata in B flat major, 104, 109
Violin Concerto in E minor, 103
Jarocinski, Stefan, 88
Jedrzejewicz, Ludwika, 78, 125, 164,
165
Kaczkowski, Joachim, 104, 118, 158
3 rondeaux à la polonaise for piano,
158
Rondo à la Maznr for piano, 158
Kaczynski, Tadeusz, 280
Kallberg, Jeffrey, 194, 210, 211,214, 277
Kaminski, Jan Nepomucen, 55, 57
K^tski, Antoni, 65, 84, 264, 269, 273—
275
Le reveil dit lion for piano, 275
Katski, Apolinary, 65
Kazynski, Wiktor, 59, 87
Kemtopf, firm, 79
Kessler (salon), 72, 73
Kicka, miss (salon), 74
Kimberger, Johann Philipp, 83
Kiszwalter, Jan, 263
B at ali a pod Ostrolçkq [The Battle of
Ostrolçka] for piano, 263
Le Scène de la Bataille de Grochow
le 20 Févr ¡831 for piano, 263
Klukowski, Franciszek, 75, 84
Klukowski, Ignacy, 75
Knot, Antoni, 126
Kolberg, Oskar, 76, 201, 203, 279, 280
Krôl pasterzy [The shepherd king],
stage tableaux, 280
Piesni ludii polskiego [Songs of the
Polish folk], arr. for voice and
piano, 76
Kolberg, Wilhelm, 162
Kofbin, Dmitrij, 68
Komorowski, Ignacy, 276
‘Kalina’ [The viburnum] (‘Rosla
kalina z Jisciem szerokim’ [A
viburnum grew with broad
leaves]), song, 276
‘Kosciuszko’ Polonaise, 137, 261
Kosim, Jan, 65
298
INDEX
Kossowski, Samuel, 64
Koztowska-Lewna, Alicja, 109
Koztowski, Ignacy Platon, 84
Kozlowski, Jozef, 133
Requiem, 133
Krall, firm, 79
Kraszewski, Jozef Ignacy, 75, 273
Kratzer, Walenty, 57, 81, 82, 128, 129
‘Powrot trubadura’ [Return of the
troubadour], song, 128, 129
Krogulski, Jozef, 65, 71, 133, 262-264,
269, 270, 273,274,281
Bat alia [The battle] for piano, 263,
274
Concert Overture in D minor, 264
Fantaisie ‘La belle Cracovienne ’
(also as ‘La bella cracovienna ’)
for piano, 274
Kant at a *z echem na Swigto Trzech
Kroli [Cantata ‘with echo’ for
Epiphany], 281
‘Marsz Gwardii Narodowej’ [March
of the National Guard], song, 262
Mass in F major, 281
‘Mazur wojenny’ [Military mazur],
song, 262
Octet in D minor for flute, clarinet,
2 violins, viola, cello, double bass
and piano, Op. 6, 270
Piano Concerto No. 1 in E major, 269
Piano Concerto No. 2 in B minor, 269
Quartet in D major for piano, violin,
viola and cello, Op. 2, 270
Krogulski, Michat, 71
Kurek, Krzysztof, 60, 61
Kurpinski, Karol, 42, 51, 52, 54, 56, 57,
59, 61, 66, 67, 71-73, 81, 82, 84-88,
90,92, 112, 118-123, 126-131, 133,
140, 161,262, 264,279, 280
Bitwa pod Mozajskiem (Wielka
symfonia bitwg wyobrazajqca)
[The Battle of Mozhaysk (Grand
Symphony depicting a battle)],
87, 88, 118-120
Chwila snu okropnego [A moment’s
frightful sleep], fantasy for piano,
119
Clarinet Concerto in B flat major, 120
‘Do Ludmily’ [To Ludmila], song, 130
Ditmanie nad mogilq Wandy
[Pondering at Wanda’s grave] for
violin and piano, 119
‘Duma wtoscian Jabtonny o panu’
[Duma of the peasants of
Jabtonna about their sire], song,
128, 129
‘Dumka’, song, 130
Jan Kochanowski w Czarnym Lesie
[Jan Kochanowski in the Black
Forest], comedy opera, 59
Kalmora, melodrama, 121, 122
overture, 121, 122
‘Litwinka’ [La Lithuanienne], song,
262
‘Marsz obozowy’ (‘Bracia do bitwy
nadszedt czas’) [Camp march
(‘Brothers, the time has come to
fight’)], song, 262
Nocturne for orchestra, 121
Requiem, 280
Te Deum laudamus for solo voices,
choir and orchestra, 133
‘Warszawianka’ [La Varsovienne],
song, 262
Zabobon czyli Krakowiacy i Gorale
[Superstition, or Cracovians and
highlanders], opera, 123
Zamek na Czorsztynie [The castle at
Czorsztyn], opera, 61
Kwiatkowska, Magdalena, 65
L^czyhski, count (salon), 74
Lada, Kazimierz, 87
Leichtentritt, Hugo, 208
Leikin, Anatole, 189
Lenz, Henryk, 66
Lenz, Wilhelm von, 183
Lessel, Franciszek, 42, 66, 71-73,
100-102, 104-106, 108-112, 126,
127, 132-134, 158, 264, 283
Adagio et Rondeau a la Polonaise for
piano and orchestra, Op. 9, 111
Ave Regina (offertory), 134
Benedictus et venerabilis (gradual),
134
índex of names and titles of musical works
Caprice et Variations for piano and
orchestra, Op. 10, 112
4Jan Kazimierz’ [John Casimir], song
(pub. in collection Spiewy
historyczne [Historical songs]
with words by Niemcewicz), 126,
127
Kant at a o sw. Cecylii [Cantata of St
Cecilia], 134
Mass in B flat major, 133, 134
Overture in C major, Op. 10, 102
Piano Concerto in C major, Op. 14,
101, 104-106, 111
Piano Sonata in C major, Op. 6,
110-112
Piano Sonatas, Op. 2, 109-111
1. C major, 109, 110
2. F major, 109
3. A major, 109
Quartet for flute, violin, viola and
cello, Op. 3, 108
Quartet No. 8 in B flat major, Op. 19,
108, 109
Symphony in G minor (extant finale),
101,109
Trio in E major for piano, violin and
cello, Op. 5, 112
Leszczyriski, firm, 79
Levy, Jane M., 190
Lewickis (salon), 74
Lipinski, Karol, 42, 55, 63, 68, 73, 74,
82, 87,93,95, 101-104, 112, 113,
125, 131, 132, 270,278, 279,283
4 Do Niemna’ [To the Neman], song,
131,132
Piesni gminne luda polskiego
[Common songs of the Polish
folk], arr. for voice and piano, 278
Piesni polskie i ruskie ludu
galicyjskiego [Polish and
Ruthenian songs of the Galician
folk], arr. for voice and piano, 279
Symphony No. 1 in B flat major, 101,
102
Symphony in C major, 101
Symphony in E flat major, 101, 102
Variations for violin and orchestra,
299
Op. 11 on a theme from Rossini’s
opera La Cenerentola, 113
Violin Concerto in A major, 270
Violin Concerto in D major, Op. 21
C Military’), 103, 104, 112
Violin Concerto in E minor, 270
Violin Concerto in F sharp minor,
Op. 14, 103, 104, 112
Lissa, Zofia, 99
Listowski, Andrzej, 61
Liszt, Franz (Ferenc), 63, 64, 74, 79, 93,
173, 183,210, 220,273,275,277
Lobaczewska, Stefania, 99
Maar, conductor, 135
M^czynski, Jozef, 58
Magnus, Karol Ludwik, 75, 85
Mahler, Gustav, 213
Marpurg, Friedrich Wilhelm, 135
Mathias, Georges, 174
Matte, Henryk, 58
Mazepa, Leszek, 68
Mazepa, Teresa, 55, 56, 68
Mazur, Krzysztof, 76
Mechetti, publisher, 197
Meciszewski, Hilary, 58
Mehul, Etienne Nicolas, 55, 57
Une folie, comedy with music, 57
Mendelssohn, Felix, 40, 64, 73, 103, 222
Violin Concerto in E minor, 103
Meyerbeer, Giacomo, 53, 58, 61, 72, 172
Robert le diable, opera, 53, 58, 172
Mickiewicz, Adam, 131, 132,219,263,
276
Mirecki, Franciszek, 40, 56, 58, 81, 82,
84, 85, 109, 113, 119, 124,265-269,
279, 281,282
A driano in Syria, opera, 124
Cornelio Bentivoglio, opera, 279
Cyganie [Gypsies], opera, 124
I due forzati, opera, 124
Evandro in Pergamo, opera, 124
Nocleg w Apeninach [A night in the
Apennines], opera, 279
Piast, opera, 124
Pulaski, opera, 124
Rajmund mnich [Raymond the monk]
(Rajmund’ ksiqzq litewski
300
INDEX
[Raymond, Prince of Lithuania]),
opera, 279
Symphony in C minor, 265-269, 282
Variations, Op. 9 on a theme from
Cherubini’s opera Faniska for
piano, 112
Mochnacki, Maurycy, 85, 125
Moniuszko, Stanislaw, 40, 59, 75, 82, 87,
123, 137, 141, 255, 264, 270, 276,
280, 282, 283
Bajka [Fairy-tale], overture, 264
Biuralisci [Clerks], comedy opera,
280
Halka, opera, 40, 255, 280, 282
Ideal, czyli Now a Precioza [The
ideal, or the new precioza],
operetta, 280
Karmaniol [Carmagnole], operetta,
280
Loteria [The lottery], operetta, 280
Milda, cantata 87
music to Witolorauda, 75
‘Niepewnosc’ [Uncertainty], song,
276
Nocleg w Apeninach [A night in the
Apennines], vaudeville, 280
Nowy Don Kiszot [The new Don
Quixote], vaudeville, 280
‘Pieszczotka’ [Fondling], song, 276
‘Rozmowa’ [Conversation], song, 276
‘Sen’ [The dream], song, 276
Spiewniki domowe [Home
songbooks], song collections,
276, 283
‘Trzech Budrysow’ [Three
Lithuanians], song, 276
Morawska, Katarzyna, 89-91
Morawski, Dominik, 59
Morawski, Jerzy, 102, 103, 158
Moscheles, Ignaz, 171, 173, 176, 192,
241
Etudes for piano, Op. 70, 173
11. 173
impromptu in E flat major for piano,
Op. 80, 192
Piano Concerto No. 3 in G minor,
Op. 58, 171, 241
von Mosqua, Friedrich Wilhelm, 65
Mostowski (salon), 74
Mozart, Franz Xaver, 68
Mozart, Wolfgang Amadeus, 52, 55,
57, 58, 60, 61, 64-68, 70, 71,73, 77,
100-102, 105, 106,109, 110, 112,
113, 117, 121, 135, 142, 157, 158,
160, 167, 169, 258
La clemenza di Tito, opera, 55
Don Giovanni, opera, 57, 58, 112
Die Entführung aus dem Serail,
Singspiel, 55
Mass in C major, 71
Le nozze di Figaro, opera, 55
Offertory, 71
Requiem, 67, 68, 71, 72
Die Zauberflöte (The Magic Flute),
Singspiel, 52, 55, 57
Müller, J. A., 58
Napoleon, Bonaparte, 47, 66, 119, 124,
136
Negrey, Maciej, 266, 269, 272
Nidecki, Tomasz, 51, 82, 83, 133
Niemcewicz, Jan Ursyn, 125, 126
Nowakiewicz, Kazimierz, 67, 80
Nowakowski, Jözef, 84, 101, 102, 220,
270-274, 282
Fantaisie brillante for piano,
Op. 35, 274
Mazurka in G major, 274
Piano Quintet No. 1, Op. 10, 272
Piano Quintet No. 2 in E flat major,
Op. 17,270-272,282
Novvak-Romanowicz, Alina, 42, 51, 65,
66, 81, 83-85, 90, 99, 104, 109, 119,
121, 133, 136, 137, 142, 143, 147,
153,236, 249
Nowihski, Jan, 84
Oginski, Michat Kleofas, 117, 118, 124,
139, 159, 161
Polonaise in D minor for piano, 118
Zélis et Valcour ou Bonaparte au
Caire, opera, 117, 124, 139
Oliferko, Magdalena, 275
Onslow, André Georges, 66, 67, 73, 246,
248, 260
Piano Quintet in F major, Op. 37, 248
índex of names and titles of musical works
301
Orlowski, Antoni, 270
Osiak, Elzbieta, 84
Paganini, Niccolö, 63, 74, 93
Paisiello, Giovanni, 60
Paprocki, Ludwik, 251
Pasta, Giuditta, 63
Perkowski, R, 90
Philipp, Isidore, 174
Piqtkiewicz, Ludwik, 279
Pixis, Johann Peter, 77
Pleyel, Ignace Joseph, 71, 73
Podejko, Pawel, 71
Poniatowska, Irena, 40, 113, 116, 159,
255, 256, 265, 280
Potocki, Ignacy, 90
Potockis (salon), 74
Powrozniak, Jözef, 102
Prokopowicz, Maria, 75
Przybylski, Tadeusz, 80
Pukinska-Szepietowska, Hanna, 63
Quattrini Jan 51, 82
Radziwill, Antoni, 124
Faust, music to Goethe’s play, 124
Raszewski, Zbigniew, 60
Rautenstrauch, Jözef, 54
Rawsthome, Alan, 189
Raynor, Henry, 69
Reder, Jerzy G., 84
Reicha, Anton, 86
Reutt, violinist, 92
Riccordi, singer, 58
Ries, Ferdinand, 73, 77
Piano Concerto in C sharp minor, 73
Rink, John, 171
Rode, Pierre, 77
Romberg, Bernard, 68
Rossini, Gioachino, 53, 55, 58-61, 72,
113, 121
La Cenerentola, dramma giocoso,
113
Guillaume Tell, opera, 53
Tancredi, melodrama, 58
Rousseau, Jean-Jacques, 83
Rubinstein, Anton, 63
Rucinska, Lucja, 269
Rudzihski, Witold, 59
Saint-Saëns, Camille, 269
‘Organ’ Symphony No. 3, 269
Salieri, Antonio, 55
Samson, Jim, 83, 160, 186, 189, 191,
193, 198, 199
Sapiehas (salon), 74
Schmidtkoff, Wilhelm, 60
Schröder-Devrient, Wilhelmina, 61, 252
Schubert, Franz, 64, 76, 132, 192, 275
Impromptu in E flat major for piano,
Op. 90 No. 2, 192
Schumann, Robert, 40, 64, 168, 173, 178,
210, 212,213,216,218, 275
Scigalski, Franciszek, 133
Seidler, firm, 79
Sennewaid, Gustaw, 75, 84
Serejski, Marian Henryk, 89
Serwaczyhski, Stanislaw, 56, 63
Sierakowski, Sebastian, 67
Sierakowski, Waclaw, 80, 84
Sikorski, Jözef, 59, 84, 86, 88, 219
Simon, Karol Antoni, 84
Sitarz, Andrzej, 102-105
Skibinski, Kazimierz, 59, 61
Soliva, Carlo, 66, 82, 84
Sontag, Henriette, 63
Sowinski, Wojciech, 90, 264, 269
Spohr, Louis, 73, 103
Spöz, Andrzej, 223, 251
Stadnicki, Edwin Komel, 119
Stanislaus Augustus, king of Poland, 50,
66,133
Starzenski, Adam, count, 74, 101
Steblin, Rita, 140
Stefani, Jan, 52, 54, 57, 59, 60
Cud mniemany czyli Krakowiacy
i Görale [The supposed miracle, or
Cracovians and highlanders], opera,
52-54, 57, 59, 60
Stefani, Jözef, 54, 57, 82, 133
Steibelt, Daniel, 67, 73, 74
Stein, firm, 79
Stolpe, Alojzy, 66, 82
Studzinski, Wincenty, 270
Strumillo, Tadeusz, 72, 99, 104, 120,
125-127, 133, 263
Süssmayr, Franz Xaver, 55
Szlagörski, Walenty, 57
302
INDEX
Szopowicz, Henryk, 273
Szulc, Marceli Antoni* 219, 220
Szweykowski, Zygmunt, 269
Szymanowska, Maria, 63, 93, 95, 113-
119, 126, 127, 128, 131, 132, 166,
207, 269
‘Duma o kniaziu Michale Glinskim’
[Elegy to Prince Micha! Glihski],
song (pub. in collection Spiewy
historyczne [Historical songs] with
words by Niemcewicz), 127, 128
Etude in C major, No. 15, 115
24 Mazurkas, 116, 117
Nocturne in B flat major, 113, 114,
269
Nocturne VLe murmure’, 113
Polonaise in F minor, 117
Prelude in E major, No. 18, 116
Prelude in F major, No. 1,115
Switezianka, ballad, 132
Trzy piesni z poematu A. Mickiewicza
‘Konrad Wallenrod [Three songs
from A. Mickiewicz’s epic poem
Konrad Wallenrod], 132
1. ‘Piesh do Wilji’ [Song to the
Neris], 132
2. ‘Piesn z wiezy’ [Song from the
tower], 132
3. ‘Alpuhara’, 132, 131
Szymonowiczes (salon), 74
Tanskis (salon), 74
Tchaikovsky, Pyotr, 213
Thalberg, Sigismond, 63
Tomaszewski, Mieczysiaw, 132, 160,
163, 208, 213, 214, 216, 262, 277
Tomaszewski, Wojciech, 43, 63, 64, 71,
76, 92
Turlo, Teresa Dalila, 162
Velde, Carl Franz van der, 251
Verdi, Giuseppe, 54, 55, 255
Macbeth, opera, 54
Viotti, Giovanni Battista, 67, 103, 117
Violin Concerto No. 16, 103
Violin Concerto No. 25, 103
Vogel, Beniamin, 78, 79
Vogt, Ernst, 61
Wagner, Richard, 216, 280
Walker, Alan, 182, 189
Weber, Carl Maria von, 53, 55, 58, 59,
60, 61,67, 93,94, 162, 169, 171,
206, 241
Aufforderung zum Tanz (Invitation to
the Dance) for piano, 206
Der Freischütz, opera 53, 55, 58, 59, 93
Piano Concerto in C major, Op. 11,
241
Piano Concerto No. 2 in E flat major,
Op. 32, 171
Weber, William, 69
Weinert, Antoni, 78, 81, 82
Wemik, Kazimierz, 269
Whistling, Carl Friedrich, 77, 110
Wielhorski, Jozef, 275
Wielhorski Michal 67
Wieniawski, Henryk, 63
Wikman, Bertil, 208
Windakiewiczowa, Helena, 202
Winter, Peter, 55, 158
Das unterbrochene Opferfest, opera,
158
Wislicki, Jozef Mikolaj, 88
Wolff, Edward, 220, 273, 275
Wolff, Pierre, 210
Wolicki, Konstanty, 73, 74
Woroniec, Antoni Amulf, 84
Woyciechowski, Tytus, 73, 79, 161, 164,
170
Woykowski, Antoni, 88, 218, 219
Wozaczynska, Antonina, 81
Würfel, Waclaw Wilhelm, 82, 160
Wypych-Gawrohska, Anna, 55
Wysocki, Kasper Napoleon, 220, 273
Zabiocka, Irena, 223, 248
Zagörski, Mariusz, 56
Zaj^czek, generaFs wife (salon), 74
Zamoyskis (salon), 164
Zawadzki, Jozef, 75
Zduniak, Maria, 68
Zielinski, Tadeusz Andrzej, 262
Zieziula, Grzegorz, 251, 255
Zingarelli, Nicolo Antonio, 60
Zupahski, Jan Konstanty, 75
Zywny, Wojciech, 160, 161
/—* . X
/ Bayerische
! Staatsbibliothek j
V München J
CONTENTS
From the publisher................................................... 7
Synoptic tables (Joianta Guzy-Pasiak)..................................9
Preface.............................................................. 40
Part one
MUSICAL LIFE IN POLISH LANDS
1795-1850
Introduction........................................................ 47
Opera.............................................................. 50
Warsaw........................................................ 50
Lviv............................................................ 54
Cracow.......................................................... 56
Vilnius........................................................ 58
Poznan............................................................60
The provinces..................................................... 61
Public concert life. Music societies................................. 62
Music in churches.................................................... 70
Music in the salons. Music making in the home.........................72
Music publishing. Music shops and the importing of music..............74
The production of instruments.........................................78
The teaching of music. The beginnings of musical schooling.
Warsaw Conservatory.............................................. 80
Musical letters and the first music periodicals...................... 85
Early music.......................................................... 89
Summary...............................................................91
Part two
COMPOSITIONAL OUTPUT
1795-1850
Compositional output 1795-1830................................... 99
The creative work of Jozef Eisner................................135
Chopin........................................................... 160
The Warsaw period............................................160
6
Contents
Works written after leaving the country......................172
Etudes................................................... 173
Scherzos................................................. 177
Ballades................................................ 186
Impromptus.............................................. 191
Dances................................................... 193
Polonaises............................................ 193
Mazurkas..............................:...............200
Waltzes................................................206
Non-dance miniatures......................................207
Nocturnes............................................. 207
Preludes.............................................. 210
Sonatas...................................................211
The evolution of Chopin’s style..............................213
The reception of Chopin in Polish lands......................218
The oeuvre of Ignacy Feliks Dobrzynski.............................221
The musical output of other composers 1830-1850................... 262
Bibliography.......................................................284
Index of names and titles of musical works.........................291
|
| any_adam_object | 1 |
| author | Chechlińska, Zofia 1932- |
| author_GND | (DE-588)1024401111 (DE-588)1230574786 (DE-588)1258563827 (DE-588)1063982065 |
| author_facet | Chechlińska, Zofia 1932- |
| author_role | aut |
| author_sort | Chechlińska, Zofia 1932- |
| author_variant | z c zc |
| building | Verbundindex |
| bvnumber | BV021639133 |
| ctrlnum | (OCoLC)162301621 (DE-599)BVBBV021639133 |
| format | Book |
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| id | DE-604.BV021639133 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T12:38:19Z |
| institution | BVB |
| isbn | 9788393486526 |
| language | English Polish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014853947 |
| oclc_num | 162301621 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 302 Seiten |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Sutkowski Edition |
| record_format | marc |
| spellingShingle | Chechlińska, Zofia 1932- The history of music in Poland |
| title | The history of music in Poland |
| title_alt | Historia muzyki polskiej |
| title_auth | The history of music in Poland |
| title_exact_search | The history of music in Poland |
| title_full | The history of music in Poland 5,1 Vol. 5, Romanticism ; part 1, 1795-1850 Zofia Chechlińska |
| title_fullStr | The history of music in Poland 5,1 Vol. 5, Romanticism ; part 1, 1795-1850 Zofia Chechlińska |
| title_full_unstemmed | The history of music in Poland 5,1 Vol. 5, Romanticism ; part 1, 1795-1850 Zofia Chechlińska |
| title_short | The history of music in Poland |
| title_sort | the history of music in poland vol 5 romanticism part 1 1795 1850 |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014853947&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014853947&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014853947&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV016470044 |
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