Vermeer, faith in painting:
By examining Vermeer's approach to image-making, the author finds that his works demonstrate the concept of painting as a medium through which the viewer senses the ungraspable and mysterious presence of life. Not only does this concept of painting carry on the traditions of Classical Antiquity...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English French |
| Published: |
Princeton, N.J.
Princeton University Press
1994
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| Subjects: | |
| Links: | http://www.loc.gov/catdir/toc/prin031/93033549.html |
| Summary: | By examining Vermeer's approach to image-making, the author finds that his works demonstrate the concept of painting as a medium through which the viewer senses the ungraspable and mysterious presence of life. Not only does this concept of painting carry on the traditions of Classical Antiquity and the High Renaissance, but it also relates to Catholic ideas about spiritual meditation and the power of images |
| Abstract: | Through a historical analysis of Vermeer's method of production and a close reading of his art, Daniel Arasse explores the originality of this artist in the context of seventeenth-century Dutch painting. Arguing that Vermeer was not a painter in the conventional, commercial sense of his Dutch colleagues, Arasse suggests that his confrontaton with painting represented a very personal and ambitious effort to define a new pictorial practice within the classical tradition of his art |
| Item Description: | Includes bibliographical references (p. 127-132) and index |
| Physical Description: | xiii, 136 p., [61] p. of plates ill. (some col.) : 24 cm |
| ISBN: | 0691033625 |
Staff View
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| 264 | 1 | |a Princeton, N.J. |b Princeton University Press |c 1994 | |
| 300 | |a xiii, 136 p., [61] p. of plates |b ill. (some col.) : 24 cm | ||
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| 500 | |a Includes bibliographical references (p. 127-132) and index | ||
| 520 | 3 | |a Through a historical analysis of Vermeer's method of production and a close reading of his art, Daniel Arasse explores the originality of this artist in the context of seventeenth-century Dutch painting. Arguing that Vermeer was not a painter in the conventional, commercial sense of his Dutch colleagues, Arasse suggests that his confrontaton with painting represented a very personal and ambitious effort to define a new pictorial practice within the classical tradition of his art | |
| 520 | |a By examining Vermeer's approach to image-making, the author finds that his works demonstrate the concept of painting as a medium through which the viewer senses the ungraspable and mysterious presence of life. Not only does this concept of painting carry on the traditions of Classical Antiquity and the High Renaissance, but it also relates to Catholic ideas about spiritual meditation and the power of images | ||
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Record in the Search Index
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| author | Arasse, Daniel 1944-2003 |
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| discipline | Kunstgeschichte |
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| isbn | 0691033625 |
| language | English French |
| lccn | 93033549 |
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| physical | xiii, 136 p., [61] p. of plates ill. (some col.) : 24 cm |
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| spelling | Arasse, Daniel 1944-2003 Verfasser (DE-588)128618167 aut Ambition de Vermeer Vermeer, faith in painting Daniel Arasse ; translated by Terry Grabar Princeton, N.J. Princeton University Press 1994 xiii, 136 p., [61] p. of plates ill. (some col.) : 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 127-132) and index Through a historical analysis of Vermeer's method of production and a close reading of his art, Daniel Arasse explores the originality of this artist in the context of seventeenth-century Dutch painting. Arguing that Vermeer was not a painter in the conventional, commercial sense of his Dutch colleagues, Arasse suggests that his confrontaton with painting represented a very personal and ambitious effort to define a new pictorial practice within the classical tradition of his art By examining Vermeer's approach to image-making, the author finds that his works demonstrate the concept of painting as a medium through which the viewer senses the ungraspable and mysterious presence of life. Not only does this concept of painting carry on the traditions of Classical Antiquity and the High Renaissance, but it also relates to Catholic ideas about spiritual meditation and the power of images Vermeer van Delft, Jan swd Vermeer, Johannes <1632-1675> - Critique et interprétation Vermeer, Johannes <1632-1675> Criticism and interpretation Vermeer van Delft, Jan 1632-1675 (DE-588)118626590 gnd rswk-swf Netherlands Paintings Spiritualiteit gtt Spiritualité dans l'art Spirituality in art Malerei (DE-588)4037220-0 gnd rswk-swf Niederlande Vermeer van Delft, Jan 1632-1675 (DE-588)118626590 p Malerei (DE-588)4037220-0 s 1\p DE-604 Vermeer van Delft, Jan 1632-1675 Sonstige (DE-588)118626590 oth http://www.loc.gov/catdir/toc/prin031/93033549.html Table of contents 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Arasse, Daniel 1944-2003 Vermeer, faith in painting Vermeer van Delft, Jan swd Vermeer, Johannes <1632-1675> - Critique et interprétation Vermeer, Johannes <1632-1675> Criticism and interpretation Vermeer van Delft, Jan 1632-1675 (DE-588)118626590 gnd Netherlands Paintings Spiritualiteit gtt Spiritualité dans l'art Spirituality in art Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)118626590 (DE-588)4037220-0 |
| title | Vermeer, faith in painting |
| title_alt | Ambition de Vermeer |
| title_auth | Vermeer, faith in painting |
| title_exact_search | Vermeer, faith in painting |
| title_full | Vermeer, faith in painting Daniel Arasse ; translated by Terry Grabar |
| title_fullStr | Vermeer, faith in painting Daniel Arasse ; translated by Terry Grabar |
| title_full_unstemmed | Vermeer, faith in painting Daniel Arasse ; translated by Terry Grabar |
| title_short | Vermeer, faith in painting |
| title_sort | vermeer faith in painting |
| topic | Vermeer van Delft, Jan swd Vermeer, Johannes <1632-1675> - Critique et interprétation Vermeer, Johannes <1632-1675> Criticism and interpretation Vermeer van Delft, Jan 1632-1675 (DE-588)118626590 gnd Netherlands Paintings Spiritualiteit gtt Spiritualité dans l'art Spirituality in art Malerei (DE-588)4037220-0 gnd |
| topic_facet | Vermeer van Delft, Jan Vermeer, Johannes <1632-1675> - Critique et interprétation Vermeer, Johannes <1632-1675> Criticism and interpretation Vermeer van Delft, Jan 1632-1675 Netherlands Paintings Spiritualiteit Spiritualité dans l'art Spirituality in art Malerei Niederlande |
| url | http://www.loc.gov/catdir/toc/prin031/93033549.html |
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